Le bonheur est dans le pré

If you like good, intelligent comedy(something completely different from American empty-headed comedies) this picture is perfect for you. It has interesting and witty dialogues, bright atmosphere and great performances by Michel Serrault(Francis),Eddy Mitchell(Gerard) and specially Sabine Azema who is excellent and hilarious as Francis' wife Nicole.Everytime she appeared I would immediately start to giggle.Rent this one you won't regret.After seeing it you'll feel much better, that's for sure.

A gentle and relaxing film full of subtlety and humour throughout. The story may be universal but is the French take on life that permeates the film and makes it appealing. Well worth the rental fee for anyone who wants a rest from the brashness of Hollywood.

The plot of "Le Bonheur est dans le pre" is a simple one, but the excellent casting, the finesse of tone and dialogues, the constant humour give this movie real class.

The ending is a happy one, but by no means what one usually calls a "happy ending" (these words imply for me a certain amount of 'schmalz' and stupidity, which lBedlP definitely doesn't have !). It makes the viewer feel refreshed and well, content with a few aspects of the world he's living in.

It's a modern fairy tale, worth seeing again and again (especially when you feel a bit depressed, or slowed down), an apology of the simple (and free) pleasures of life.

Some might remember the 'Safrane' as one of the highlights of the movie, I prefer the one remark made by Cantona: "C'est pas lourd le confit !"

Fleeing to a countrified life style is a common escape for city folk immersed in problems. Francis Bergeade (Michael Serrault) grabs an opportunity to do just that when a TV show designed to find missing persons displays a convincing photograph of him for all the world to see. He soon finds himself leading an idyllic life on a farm with a kind and understanding wife, not like the aggressive spoilt brat he left behind in the city.

Much of the humour of this film centres around his friend Gerard (Eddy Mitchell) who is a great manipulator of events. It seems Gerard is enjoying the company of both wives even putting a smile on the face of the lazy wingeing one. There is some entertaining script writing here, both witty and believable.

Life on the farm is well photographed and the daily routine well documented, even the preparation of the goose pate of which there is plenty. There remains however the underlying suspicion that the real husband that disappeared 23 years ago could turn up at any moment. A criminal offence would thus be exposed.

An investigation of the details regarding the lost husband leads to some surprising discoveries.

It's a pleasant little film that has you smiling all the way through. Ignorance is bliss, they say. The revelation at the end casts a black cloud over the happy atmosphere. When all is said and done however, some secrets are best left alone.

The most delightful daydream has always been the one in which you're put into an environment completely different from the one you know, and you become much happier as a result. In the cinema, this has resulted in some classics: A Yankee in King Arthur's Court comes to mind, or Chatiliez's first film, La vie est une longue fleuve tranquille, which hangs on two babies being switched at birth, and the families find out about it many years later.

This picture has the great Michel Serrault playing the lead, a frustrated businessman who is mistaken for a man who disappeared many years before, and who is tracked down via a TV show that specializes in this sort of squirm-inducing hokum. He's only too glad to abandon the snobby, sarcastic wife (Sabine Azema) he's spent miserable years with, to go live with Carmen Maura in the sun of Provence. There is the sense that the dream cannot go on forever, but you enjoy how the story plays out.