Angel Baby

I was continuously moving towards my TV-set to help those two youths struggling to overcome their illness and trying to manage in a world who doesn't cope with their needs. Excellent acting from all parties. The film appealed to my rushing out to find someone to comfort. I'm an older grown-up, but I have never in my entire life been so moved by a movie. I loved it.

Little Aussie sleeper of a movie that takes on the challenging premise of love among the mentally retarded and handles all sides of the issue with surprising sensitivity and aplomb. All the key aspects from writing to directing to acting to editing are top drawer. This is a well intentioned and serious effort.

Still, the subject matter is a tough one... I saw it at a preview screening and probably wouldn't have attended had I known what I was going to see. Still, I'm glad I saw it. Don't go in expecting fun and games or you will not be pleased. A hybrid of CHARLY, David AND LISA and SHINE but don't count on a happy ending. It's a classy, poignant, earnest and worthwhile effort, but ultimately, a bit of a buzz kill. 8.5/10

If you read the plot description of this film - two patients in a mental hospital fall in love, decide to move in together, one of them gets pregnant, and the two decide to go off medication for the baby's sake, with tragic results - you might think this is an American-type disease-of-the-week movie, but you'd be wrong. This is a tough and wrenching film which doesn't shy away from the tough questions. The ending is a puzzlement, because I'm not sure what it means, but other than that, this is powerful stuff. John Lynch and Jacqueline McKenzie deserve to be commended, as does writer-director Michael Rymer.

I saw Angel Baby by accident in the early hours of one morning, and I was pleasantly surprised by what I saw.

It is basically a modern day love story, with some tragic consequences. A seemingly normal but schizophrenic Harry sees the mentally unstable and superstitious Kate, and it is love at first sight for Harry, but Kate needs some convincing. Eventually the two are infatuated with each other and are caught up in a passionate relationship, and it all goes downhill from there for Kate and Harry.

Truly brilliant and emotional performances from John Lynch (Harry), and the truly beautiful Jacqueline McKenzie (Kate), with great support from Colin Friels as Harry's brother.

Stunning, heartfelt film by little-known director Rymer is most notable for brilliant performances by Lynch and McKenzie, the latter in her best role ever. Maltin called it (incredibly) `over-elaborate treatment of the subject matter' - it's quite the opposite, as mental illness is far too often swept under the carpet in today's society. Friels' character is expertly written, as a brother who cares for his troubled sibling but can't offer any solution, and who doesn't want his family being dragged into Harry's problems. The film's significance was reflected in its performance at the AFI Awards.