American Job

I saw this film as part of a film series last night. This film was hosted by Tom Gilroy who is good friends with Chris Smith and was able to relay lots of information about the film. Some important facts have been missed by other reviewers:

Most importantly, this isn't fiction -- at least it wasn't scripted. Instead Chris asked Randy to revisit all of the crappy jobs he had, worked with all the original folks from those jobs, and filmed it all. There were no actors, and no dialog was scripted. Randy and his coworkers/bosses were merely asked to replay the circumstances while Chris filmed at the actual locations. Some folks are more aware of the camera than others, but everyone in the film is "playing" themselves.

Now quick comments: 1) This is groundbreaking cinema in that it accurately portrays boredom. Its pseudo-documentary television is unique and much more real than reality television. For this reason alone, the film is important. The craft is also very grand and the editing tells the story well and the way Chris intended.

2) This makes a great sociological statement about the state of work in America. This should be a part of everyone's consciousness. So many Americans work in jobs like this. To address a comment above, it isn't that Randy has a bad work ethic, he just knows that this is not the way he wants to live, and the only power he has is to leave a job (which is very powerful actually -- have you ever walked out on a job?).

3) This is the most boring movie I've ever seen. It's supposed to be. It's craft is riveting (see 1), it's statement is bold (see 2), but the actual images and non-action are as dull and numbing as Randy's jobs.

Make sure and approach it the right way, and this can be entertaining, without context, this would be unwatchable.

Some people might find this movie boring. The way todays movies are made, full of action and one line jabs, most people cant sit through something as steadily intelligent as AMERICAN JOB. The movie chronicles a small town nobody and his escapades through various meaningless jobs. It is so refreshing to have a leading character not be a loudmouth , for this small town nobody leads the audience through the movie without adding too much, rather to let them experience his situation along with him. This movie is smart, it is funny, and shows that you don't need millions of dollars to put together a good movie.

I didn't find this movie boring in the least. I really enjoyed the "middle management" types that he dealt with in each of his jobs. I loved the conversations that occurred between the American Worker and each of his different co-workers at all five jobs. His work ethic was lousy but he was amusing. I am looking forward to seeing "American Movie" as soon as I possibly can.

While not as slick (?) or well done as Smith's follow-up "American Movie", this LOW low-budget piece has a charm all its own. While we sympathize with the main character, we don't care if his situation improves. In fact, we hope he continues his aimless sampling of dead-end jobs just so we can tag along.

The real treasures are the conversations Randy has with his fellow loser co-workers. Though probably unintentional (because the acting is so bad), the characters' delivery of vacuous conversation has a unique tempo reminiscent of a Coen Brothers script, though not as extreme a caricature.

Smith tries too hard to shine light on the banality of everyday tasks with several montages of brushing teeth, driving, walking from place to place, etc. The resulting scenes drag on the already sluggish pace, but the destinations (the encounters with idiotic colleagues and superiors) make it worth the wait.

It isn't (as far as I know) out on video, but you might find it on the Independent Film Channel from time to time.

I, like another reviewer, caught this on IFC, was caught off-guard, and got enmeshed in this, the American Worker's world. Who can't relate to this guy? Who hasn't had one of those crap jobs--and this movie seems to give a nice crap-job cross-sectional--that makes you just want to walk off and forget it was there and that you were ever a part of it? You mean to tell me you've never had to scrub a toilet or fry a basket of fries? You've never endured the realness of the American Experience? That is what this movie is about (for those with questions as to the movie's point). This movie is about what it means to many people to be an American. A counterpoint to bootstrap mythology. Whether you find it ugly or beautiful may attest to the quality of your character. Or at the very least, to the quality of cinema you are used to.

When I caught it, I missed the first five-or-so minutes so I didn't know exactly what I was watching. Was it cinema verite' or simply narrative? There were a few clues pointing to the later--as was the cast listing at the end--but some of it was so real it was as if I had been there before. Like I was the guy that left the job before him. Characters this great are born, not written. All of them were great, up and down the chain of command.

This was one of those movies that stayed with me well after the first viewing, kinda like a less-severe Gummo or Dancing Outlaw. If that type of cinema is your cup of tea--if you are a fan of Godard, Solondz (whom I thought the lead character was at first), LaButte, Korine, or Wenders--I highly recommend this movie to you. You won't be disappointed. If you are stuck on the old model of cinema, stuck on the boom boom boom and the t'n'a, stuck on the antiquated arc with the feelgood ending, you best run from this movie and instead rent a copy of Forest Gump or Bad Boys II.

Good stuff: 9/10