Orgueil et préjugés

After so many years of seeing adaptations of Pride and Prejudice on stage, screen and television, I had long given up hope of an entertaining and faithful adaptation. Then a miracle! Class, style, humor and intelligence is alive and well! Direction, script and cinematography are all exceptional in A&E's production. Imagine watching a six-hour program over and over and over. It has to be done. Jennifer Ehle gives Elisabeth all the archness, tenderness, and homey wit that Austen could desire. Each individual cast member gives a memorable performance that makes the character real. Simon Langton, as director, has a real ear for dialogue and silence. Indeed, it is often the silences in conversation that are the most hilarious. The most serious fault in most previous productions was the casting of Darcy. A stiff actor in a stiff part gives you only a stiff character (even, God bless him, Olivier). If Darcy fails, the entire production is a waste. The inspired casting of Colin Firth in this production was defining. Putting Firth, a naturally lively chap, in the role was like harnessing energy. You can often feel that intensity of containment, which is just perfect for Darcy. This is a must-see for any loyal Austen reader or anyone else who likes romance, wit and social commentary all rolled into one. And pity Emma Thompson's Sense and Sensibility, which opened in the U.S. shortly after Pride and Prejudice debuted. Comparisons were inevitable and did not favor S&S.

A female journalist once wrote that no actress could ever portray Elizabeth Bennet to the satisfaction of a woman viewer for one very simple reason: every woman really visualizes herself in that role. Jennifer Ehle has done the impossible - she is, and in my mind, forever will be, Elizabeth. The beauty, wit, and sparkling liveliness of the character are perfectly captured in her performance. And Colin Firth's Mr. Darcy is an exact match for her. His smoldering good looks are wonderful, and he can portray reserve without descending into woodenness and blankness. The scene where he and Elizabeth dance a long and stately dance together in the midst of a crowd is both controlled and exciting - with very little change of tone, and while preserving the most correct decorum, their conversation reveals dangerous undercurrents of emotion, and meanwhile the steps of the dance keep pulling them together and apart again. The rest of the characters are equally fine - David Bamber's obsequious Mr. Collins is especially unforgettable.

Watching this is a celebration of how Jane Austen should be interpreted.

This version is true to the novel and true to the characters and the wonderful tension between Elizabeth and Darcy is beautifully depicted.

Not for a moment do you think that these two are not meant to be together.

The Austen wit of both the main characters and the minor roles are strongly projected and the costumes and sets are faithful to the era of Austen's writing.

There is an incredible scene where Elizabeth is playing the piano and her eyes meet and hold on Darcy's who is at the other end of the room. Now, for me, that is one of the most sexy and sensual scenes I have ever seen. Everything is flawless about this production.

Superlative, satisfying and stunning.

Do not miss it. 10 out of 10.

This is a drama to rave about. I've not seen its like on television before; nor do I expect to see its like again. It was superb. It was almost perfect - though not quite.

It is rare to find a Jane Austen dramatisation that comes so near to being perfect on every level and that stays so true to the original novel. The greater part of the dialogue in the series is Jane Austen's own and every scene is included and follows the same chronological order. The drama departs from the novel in only two instances. In order to extend our knowledge of the characters of Darcy(Colin Firth), and Mr Collins(David Bamber), two scenes are added; to demonstrate that Darcy is not just an effete aristocrat but a real man worthy of Elizabeth's love we are shown him indulging in manly pursuits; fencing, and swimming in his private lake (it puzzles me why so many women seem to drool over his wet-shirt scene); and to demonstrate that Mr Collins is an idiotic, narrow- minded prude we are shown him trembling with embarrassment and horror when he happens to come across Lydia (Julia Sawalha) in a state of dishabille. David Bamber makes Mr Collins deliciously toadying and obsequious. A remarkable piece of acting.

It is its faithfulness to the original that makes this drama so good. No one has ever written a more tightly plotted novel. Its series of climaxes make the novel difficult to put down; just as one plot-line reaches its climactic conclusion, another is building. And the duel of wits and sharp dialogue between Darcy and Elizabeth (Jennifer Ehle) as they get to know each other is entrancing. And then comes that moment. She is at the piano befriending Darcy's sister, Georgiana (Emilia Fox), when he holds her gaze with a silent declaration of his love and admiration. This involved a fine piece of editor-timing; a split second either way, either too long or too short, and the poignancy of that moment would have been lost. It is interesting to compare Colin Firth's Darcy with that of Lawrence Olivier's Darcy in the Hollywood film. Olivier falsely portraits him as appealingly shy and self-conscious. But Darcy was in no way shy, he was just proud, with every reason to have a good opinion of himself. He found it impossible to imagine that anyone in a lower strata of society, living in a small provincial town, could be his equal - until he met Elizabeth!

However, I felt there was one weak link in the chain of superb acting; Alison steadman. Many will disagree but I think she over-acted, turning her Mrs Bennet into a nerve- grating, neurasthenic caricature. But apart from that, I heartily recommend this video. Don't miss it. You'll not see its like again. I must just mention the charming piano music by Carl Davis, so beautifully evocative of a beautiful period in history (for the rich).

Much had I heard of Jane Austen's legendary classic, "Pride and Prejudice", and so to kick off my summer I set about reading it. It was possibly the greatest book I'd ever read. I looked up the different screen adaptations of it, and found that Colin Firth had starred in one (I previously enjoyed him in "Bridget Jones's Diary" - which is, in fact, a semi-remake of Austen's tale - and "Love Actually"). So I traveled to my handy-dandy Borders store and picked up a DVD copy. As I walked out of the store, I hoped that I hadn't wasted $40 for this thing. And you know what?

It was worth every last penny.

"Pride and Prejudice" is quite simply the most flawless thing I've ever seen. The story involves Elizabeth Bennet (Jennifer Ehle), who's opinion changes greatly of a seemingly very proud, rude man that moves into town. To sum up the whole story would be impossible, as there isn't really a simple lot.

First of all, let's examine the overall look of the thing. Simon Langton's direction is excellent, and he succeeds in getting the most breathtaking views of everything and anything. The production design and costuming is perfect, capturing the time without error, and the locations are simply gorgeous. Carl Davis' score is terrific and fitting (also to the times). Andrew Davies' script brings every last scene from the book and then pops in some new, being as absolutely faithful to the book as anyone could hope to be.

But now on to the casting. The cast is outstanding, although the film's one problem (albeit a very slight one) is the role of Mrs. Bennet, who - although wacky in the book - is completely over-the-top here and quite frequently even annoying. But the stars of the film couldn't be better. Jennifer Ehle is absolutely wonderful as Lizzy Bennet, and her eyes are so dazzling that they mesmerized me throughout the whole 300 minutes!

The show is completely stolen, however, by Colin Firth as Mr. Darcy. Colin Firth is not just playing Mr. Darcy; Colin Firth IS Mr. Darcy. He was born to play this role, and plays it so flawlessly, that it deserves to be considered one of the best performances any actor has ever given. Words cannot describe Firth's perfection as Darcy.

All in all, "Pride and Prejudice" is the greatest thing ever to air on television, and were it a film, it would be the greatest film of all-time. Those of you who have read the book shouldn't worry a bit about the long running time of the mini-series; as impossible as it seems, you shan't even notice. When I finished the series, I had such a feeling of satisfaction as no entertainment has ever before granted me.

This is perfection.