Wing Chun

Wing Chun is a memorable film because Michelle Yoeh epitomizes the female heroine at a time when it was not allowed for women to be as strong or in this case, stronger and smarter and more skilled than men. But Michelle Yeoh creates a memorable and competent impression while maintaining a masterful grace and precision that will blow your mind.

Michelle Yeoh has the posture and grace of Bruce Lee, now if only they had done a movie together... now that would be something, like Salvador Dali's short animation collaboration with Walt Disney, what a treat that would be.* I saw this movie years ago and finally discovered it again after long searching and am I glad I did rediscover this little gem.

This movie truly takes me back in time to a simpler time, like finding a diamond in between the millions of grains of sand on the endlessness of beach.

Much of the acting is really silly, but that's just the way these movies were back then. The martial arts are terrific, the sex appeal is palpable, Tofu is gorgeous, drop dead, and the story is very enjoyable.

*Dali and Disney started a project in 1946 but it was never finished in their lifetimes, recently completed in 2003, many of us are long awaiting a DVD release slated for 2004, and still waiting in 2007.

Okay, so there are those out there who have not seen "Wing Chun." I understand ... it's not easy to get a hold of. But, if you can, you have to see it. It's the bomb of kung-fu films with female leads. Michelle Khan (Yeoh) is amazing. Doing all her own stunts (like Jackie Chan) really makes it all worthwhile. And this film, unlike so many kung-fu films, has an actual story ... and it's good, too. The cinematography is great and the humor intertwined throughout the film makes it lighter than would be expected. (And it's based on real events!!!!!)

Wing Chun surprises with its fast pace and excellent physical comedy. Fight scenes are also convincing. The entire setting is not very original, but amusing and that is what really counts. There were ultimately moments when the film feels a bit messy, but in all wire- and stunt-work has been done wonderfully and cleanly.

The characters are all rather likable. The bad guys are rather faceless, but not a big disappointment. The soundtrack has a classic 80s sound to it which makes the movie stand out in a nice campy way.

The film isn't really a drama or action film, but rather a fast-paced slapstick. A fun experience and an admirable Kung Fu flick.

One of the best movies in the careers of Michelle Yeoh and Yuen Woo Ping. Their talents for lighthearted comedy and pulse pounding action are well represented here. Certainly, Michelle's greatest solo film. The only minor complaint is that the film is bookended, like so many HK action films, with superb fight sequences, but drags for 30 mins, or so, in the middle. Still, ranks as one of the better kung fu films made in the past ten years. Highly recommended.

Wing Chun is an entertaining combination of slapstick humour and amazing martial arts fights. It's a romantic comedy at heart, one with a feminist bent. The story, while simple, features several memorable characters. There are setpiece battles that move the story along. Most of these feature Michelle Yeoh as the charismatic and beautiful Yim Wing Chun. Yuen Woo-ping's fight choreography is as usual inventive. He included moves that are quick and fresh, many of these aren't featured in other films. Donnie Yen's unusual turn as Leung Pok To, a man who has come to town to wed Yim Wing Chun is also of note. All in all, there's enough character development, humour, fights, and good scenery here to make Wing Chun one of the best martial arts films ever. It's not quite as good as the director's other famous film Iron Monkey (1993), but it's still a delight. Where else can you find actresses this good-looking and fights this exciting? Come to think of it, Peking Opera Blues (1986) probably influenced Yuen Woo-ping's filmmaking. I easily recommend seeing Wing Chun.