What Happened Was...

This movie may not appeal to all people (as I see from another comment) but was a great, biting, black movie with A+ dialogue. It brings you into the lives of two people, who are not all they appear to be. Tom Noonan is a brilliant screen writer. It is a one-room setting, like a play, but reels you in regardless (like Lifeboat). If you don't appreciate dialogue and the idiosyncrasies of human nature, you will not appreciate this movie.

***SPOILERS*** " What Happened Was" is a story about hurt and loneliness in the big city and how it effects two people Michael & Jackie Tom Noonan & Karen Sillas, who are co-workers at a big NYC law firm.

Michael is a paralegal and Jackie is an executive assistant as they both spend what at first seems to be a quite evening dinner at Jackie's apartment that leads to an emotional explosion which exposes the mask that they've been wearing at their job all these years. Jackie really likes Michael very much and finds in him the reason for her to get up every morning and go to work. Single like Michael she as well as him want to have a relationship to put a wedge between the loneliness that they both feel but living as they do in a major modern metropolis in a way forces them not to be themselves.

Michael is far more deluded then Jackie, who's more down to earth and honest about herself, in him thinking that he's a big time social activist who's writing a book, that he tells Jackie took him fifteen years to write, about the law profession and how it hurts those that it deals with. Michael in fact is really a very insecure young man afraid of facing life and thus losing himself in a fantasy world that he created for himself inside his living room watching TV shows mostly on the Discovery Channel. It comes as a great shock to Michael's ego when Jackie shows him a children book that she wrote that was published unlike his imaginary work on social injustice.

Throughout the entire film Jackie does what she can to loosen Michael up, with almost an entire bottle of wine, and in the end he does seem to come out of his shell and really starts to get it on with Jackie. Still his insecurity keeps him from really being responsive to her feelings about him and it's that reaction that leaves Jackie in tears as she feels she made a fool of herself trying to get Michael to fall in love with her like she's with him.

Michael is finally brought down to earth when he realizes how he hurt Jackie with his overwhelming sense of self-importance. Michael's clumsy attempt to make things right after he tried to leave her just as Jackie thought he would stay over night left her with a sense of outraged. It's then that she tells Michael just what she thought of him, this after how she felt all this time about him, and how he was the only person to make her happy in the office that they both worked at. That revelation by Jackie hit Michael so hard that for once he opens up to her and is honest about himself, not at first realizing her feelings that she had for him, and tries to make amends for what he, unconsciously, put her through that evening.

Heart-felt and moving film about how people have trouble connecting with each other and how two people who worked and were friends for years at the job together are like fish out of water and strangers when they meet and try to start up a serious relationship out of the workplace.

Essentially a one act play about the pathos in the meeting of two lonely, damaged people who can't communicate their feelings and intentions, this character study reminds you of the most disturbed Woody Allen personas, and Brando's character in "Last Tango in Paris"- narcissistic, haunted by the past and continually oscillating between isolation and the desire that someone will rescue them from deep seated shame. Unpretentious, tense and compelling, "W.H.W" never lapses into sentimentality, and seems more focused than comparable more recent films such as "Heavy". It succeeds because of its sensitive treatment of a difficult subject.

Tom Noonan and Karen Sillas portray a disaffected NYC couple- co-workers who are now on a dinner date.

Tom Noonan is somewhat menacing and unpredictable. Interesting presence. (You may recall him from "Manhunter"). Basically, the film develops as the two discuss their jobs(which they hate) but they have other projects in the works, Sillas published a children's book.

Tom Noonan portrays an Ivy League graduate, working as a paralegal who is both amused and disgusted by the attorneys at the firm. He is defensive about why he works at said firm, and Sillas finds him interesting, saying he must have some grand plan to get revenge on the attorneys at the firm.

The only somewhat nebulous plot point is where Sillas reads the "children's book" she has written, which turns out to be quite violent. I will not spoil it for those who have not yet seen this movie, but suffice it to say, it is very strange.

All in all an entertaining film, about alienation and dating in NYC, which has a creative distinction- it is one film in the past ten years that does NOT try to imitate Woody Allen!. 8/10

A daring movie with few equals: a journey into the heart of darkness of the date from hell. Two seemingly quiet, reserved folks teeming with disturbing secrets and half-truths reveal themselves to us and each other in an increasingly frightening crescendo. Deception, life, the skeletons of a nightmare closet. Gripping, a bit over-long, perhaps, but well worth the time. As of this writing I have rented and seen the film 4 times and each time I've learned something about myself, about my world and about vanity, trauma and deception.