The Sum of Us

This movie is the most delightful example of REAL family values ever made. Russell Crowe is adorable as the rugby-playing gay son of a charming Sydney widower played by Australia's favorite actor, Jack Thompson. This movie was number one at box offices across Australia when it came out, and it is a pity it never got wider showing in America, because it is brilliantly made, beautifully performed, and so important that it should be required viewing for all families.

What goes around comes around. The gay son's dad is supportive of him and his search for love, so in the end, when the father has a stroke, the son is there to take care of him. The beautiful and true statement made by this film is enough reason to see it. But add to that some truly stunning views of Sydney, some great comedy, and a really charming romance between the father and a woman he met through a dating service, and you have one of the great cinematic delights of the 1990s. See this film and you will be glad you did.

The first time I saw this film I liked it for it's ability to reach such a wide audience. Male, female, gay, straight, young and old. With superior acting and a quiet, simple tone, it's stellar on so many levels. I like this movie more each time I see it. I usually hate when character's speak to the audience but this is one of the few occasions where it works well. One of Crowe's best performances. It was great to see a gay character that wasn't stereotypical in any way... just a guy but a guy that isn't afraid to be sensitive or tough without being wishy washy or macho. A great dead-on performance of an everyman who just happens to like men. Supporting cast is great. All performances feel natural. Directing is straightforward and the editing is lyrical. If you're heterosexual, don't be put off. The themes here are universal. A great slice of cinema no matter what your sexuality.

The approach taken to this gay-themed light-drama is so low-keyed and matter-of-fact, it makes the whole idea of homosexuality seem rather staid. And that's a nice change of pace, although it's not exactly invigorating for the picture! Young gay Australian plumber lives with his widower dad; they both want a serious commitment with a special someone, and both find the path to romance rather rocky, but dad is fully committed to seeing that his "poof" son finds a partner who won't break his heart. It's based on a play, with the two leads occasionally speaking into the camera--yet this is an idea that isn't intrusive or unpleasant. Just the opposite: the film is so good-hearted that it borders on bland. The most surprising thing you can say about it is not the (discreet) man-on-man make-out scenes, but rather the fact it's Russell Crowe acting in them. Crowe, young but not green, is very affable in this movie, shy and sweet and tender, however it's raffish Jack Thompson as his papa who steals the scenes. **1/2 from ****

I love this movie because it really adds another face to Russell Crowe's versatility. Everybody remembers him for Gladiator, L.A. Confidential and possibly Romper Stopmer, well, here he's an affectionate gay plumber with an eye for a boy at the bar. Within the first ten minutes you'll also be over run with Aussie-isms such as "two ticks" and "Yonks". When I first thought of the plot, I was thinking, "Gee, this could be jazzed up a bit," but then I figured the simple unpolluted nature of the characters doesn't really require much more of a rollercoaster plot. After seeing this movie, I feel compelled to go to my local australian bar to find hopeless romance in a that boy across the counter. I recommend Breaking Up and Proof, if you liked this.

This movie took me by surprise, it is personable, sincere and utterly Australian. It explores its themes in a beautiful manner, through the relationships between family, especially father and son. Don't be put off by Russel Crowe. I myself almost didn't watch it because he was in it, but I have to say, he did a brilliant job. He took the character and made it his own, and I feel no one else could have played the part any better. Take into account that this movie was originally a stage play, so there are various monologues and direct engagement with the audience. This at first is a little surprising and perhaps even uncomfortable, as we are so used to being purely observers when watching a movie. After initial surprise however I found the technique refreshing, it gave the film a more personable and intimate quality. I revel in how Australian this film is, the fact that I use the same brands of mustard and soy sauce which at one point appeared at the dinner table, made me unusually delighted and also pulled me into the realism which the film tries and succeeds in conveying. At risk of sounding patriotic, it almost made me proud to be Australian. This is probably one of my favourite movies, in its exploration of love and how it should not be dictated by the limits of our society.