Sensations

I think that this is a very icky movie. Too much flesh and not enough acting. Another reviewer thought Kari Wuhrer did a good acting job...um, no. It was good to begin with, and then in the end she turned into B-movie actress of the year. Plus the movie makes no sense. And what is with the ceiling fans? Really, skip this one if you are considering it.

Sensation is a very erotic thriller that breathes hot, heavy and hard all over its audience, almost overpowering the murder mystery at it's center with the large number of sex scenes throughout. It's essentially trash, and wouldn't be worth much of a mention if it weren't for some great actors, and an opening score that sets an eerie mood the film hardly deserves. Eric Roberts is Dr. Ian Burton, a college teacher who is looking for people with vague psychic abilities, for some sort of research. Enter stunning Lila Reed (Kari Wuhrer), a student with the unique ability to experience an object or person's past simply by physical contact. Roberts is in fact looking for the person who murdered his lover, unbeknownst to her, and jumps at the chance to use her talent for his investigation. Many suspects run about, there's sex scenes between Roberts and Wuhrer, in which her abilities flash back to... even more sex scenes from the past, and it's all a wee bit disorganized, but oh well. Ron Perlman, always welcome, shows up as a Detective who thinks he can crack the case, winding up in over his head as well. There's also a bizarre and inexplicable cameo from a creepy Ed Begley Jr. who hassles Kari in a bar and runs off as quick as he showed up, never to be seen again. It's sleazy late night cable fun, without much to go crazy over except the actors, and that score I mentioned. Oh and.. you know... all the naughty bits, of which there is an overload

First of all, you don't pick up movies like this for high drama or auteur (check Fellini or Goodard if you want that)...you get them because they combine a nice combination of eroticism, skin and a plot that holds your attention. This one succeeds. It's a slight notch above your average skin-a-max flick, largely because of the luscious Kari Wuhrer, who's made a (surprisingly long) career out of being a sexy brunette that the screen loves.

Here, we see much skin and some nice action, as she plays a woman w/ psychic abilities, caught up in a murder mystery. Nice simulated sex scenes, Kari and Claire Stansfield are hot (great boobs), and Eric Roberts (one of the all-time great scenery chewers, and I mean that w/ love) make this worth a look. As a thriller, it's pedestrian, but holds attention.

If you're looking for something really raunchy, get a Surrender Cinema flick or something from Penthouse. If you want high art, get the Unbearable Lightness of Being (or something). If you're looking for a mildly entertaining movie that titillates, check this one out.

With talent on board, Eric Roberts, Kari Wuhrer, Ron Perlman, Ed Begley Jr., and Paul LeMat, this pseudo-science based thriller starts strong, but ends up a mess. Intriguing at first with Roberts employing Wuhrer to test his theory (Psychometry) that objects retain impressions of the past, the middle part seems very repetitive and drags, while the rushed conclusion is really an "are you kidding me?". Roberts is his usual quirky self. Wuhrer is sexy with several erotic scenes and plays a character who can see the past by touching things, similar to Christopher Walken's in "The Dead Zone". Perlman is under used as a police detective, while Begley Jr., and LeMat are totally wasted in unnecessary roles. - MERK

This movie was nothing more than predictable and boring. And i can not believe it was rated R.... there are so many risque things that could be considered NC-17 in quality.... strange. I definitely would not recommend this movie to anyone.