A psychology professor hires Lila to do tests, as she's hypersensitive in seeing into the past. She sees his old student and lover, who was murdered.A psychology professor hires Lila to do tests, as she's hypersensitive in seeing into the past. She sees his old student and lover, who was murdered.A psychology professor hires Lila to do tests, as she's hypersensitive in seeing into the past. She sees his old student and lover, who was murdered.
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This popped up in my Prime recommendations. Seeing the talent, I decided to give it a watch.
Not terrible, but I literally had to laugh at how dated the "erotic thriller" genre has become. There's just an absurd amount of gratuitous nudity and soft core sex (you know, the kind where the...um..."parts" don't quite line up right). When they're not having soft core sex, Kari Wuhrer is dreaming about soft core sex - like, a lot.
This genre drove cable subscriptions ("Cinemax: we have more breasts than HBO"), and always got a lot of real estate video rental stores, but in the modern internet age, it just comes across as kind of tame and silly.
If you strip out the gratuitous titillation, it's basically a 70s-esque plot about a (hot) college student who has paranormal abilities and gets recruited but a (hot) college professor surreptitiously uses her to try to solve the murder of his former girlfriend (did people really say "lover" in 1994?) - or is it to cover up his own involvement?
Anyway, the acting is decent, and they throw in enough red herrings that I really didn't see the end coming.
Not terrible, but I literally had to laugh at how dated the "erotic thriller" genre has become. There's just an absurd amount of gratuitous nudity and soft core sex (you know, the kind where the...um..."parts" don't quite line up right). When they're not having soft core sex, Kari Wuhrer is dreaming about soft core sex - like, a lot.
This genre drove cable subscriptions ("Cinemax: we have more breasts than HBO"), and always got a lot of real estate video rental stores, but in the modern internet age, it just comes across as kind of tame and silly.
If you strip out the gratuitous titillation, it's basically a 70s-esque plot about a (hot) college student who has paranormal abilities and gets recruited but a (hot) college professor surreptitiously uses her to try to solve the murder of his former girlfriend (did people really say "lover" in 1994?) - or is it to cover up his own involvement?
Anyway, the acting is decent, and they throw in enough red herrings that I really didn't see the end coming.
This movie was nothing more than predictable and boring. And i can not believe it was rated R.... there are so many risque things that could be considered NC-17 in quality.... strange. I definitely would not recommend this movie to anyone.
First of all, you don't pick up movies like this for high drama or auteur (check Fellini or Goodard if you want that)...you get them because they combine a nice combination of eroticism, skin and a plot that holds your attention. This one succeeds. It's a slight notch above your average skin-a-max flick, largely because of the luscious Kari Wuhrer, who's made a (surprisingly long) career out of being a sexy brunette that the screen loves.
Here, we see much skin and some nice action, as she plays a woman w/ psychic abilities, caught up in a murder mystery. Nice simulated sex scenes, Kari and Claire Stansfield are hot (great boobs), and Eric Roberts (one of the all-time great scenery chewers, and I mean that w/ love) make this worth a look. As a thriller, it's pedestrian, but holds attention.
If you're looking for something really raunchy, get a Surrender Cinema flick or something from Penthouse. If you want high art, get the Unbearable Lightness of Being (or something). If you're looking for a mildly entertaining movie that titillates, check this one out.
Here, we see much skin and some nice action, as she plays a woman w/ psychic abilities, caught up in a murder mystery. Nice simulated sex scenes, Kari and Claire Stansfield are hot (great boobs), and Eric Roberts (one of the all-time great scenery chewers, and I mean that w/ love) make this worth a look. As a thriller, it's pedestrian, but holds attention.
If you're looking for something really raunchy, get a Surrender Cinema flick or something from Penthouse. If you want high art, get the Unbearable Lightness of Being (or something). If you're looking for a mildly entertaining movie that titillates, check this one out.
I think that this is a very icky movie. Too much flesh and not enough acting. Another reviewer thought Kari Wuhrer did a good acting job...um, no. It was good to begin with, and then in the end she turned into B-movie actress of the year. Plus the movie makes no sense. And what is with the ceiling fans? Really, skip this one if you are considering it.
Despite a promising start and an intriguing premise, this film falls apart, and winds up being little more than a fairly routine and predictable thriller. Kari Wuhrer does a good job as the lead, and Roberts and Perlman are solid as usual, but all the good ideas in this film were used up in the first half-hour. The killer seemed obvious to me for much of the film, and things were further hindered by the needless character that was played by Ed Begley, Jr. Considering how impressive the opening was, this turned out to be quite the disappointment.
Did you know
- TriviaOriginally premiered on Cinemax.
- GoofsWhen Lila finds Maryann dead, you can see her chest making breathing movements.
- ConnectionsFeatured in We Kill for Love (2023)
- How long is Sensation?Powered by Alexa
Details
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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