Massacre à la tronçonneuse : La Nouvelle Génération
Original title: The Return of the Texas Chainsaw Massacre
IMDb RATING
3.4/10
28K
YOUR RATING
A group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibal... Read allA group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibalistic psychopaths.A group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibalistic psychopaths.
- Awards
- 1 nomination total
Renée Zellweger
- Jenny
- (as Renee Zellweger)
Tonie Perensky
- Darla
- (as Tonie Perenski)
Lisa Marie Newmyer
- Heather
- (as Lisa Newmyer)
Tyler Shea Cone
- Barry
- (as Tyler Cone)
Featured reviews
The latest Texas Chainsaw Massacre, is absolutely no rest from the bizarre first three horror films. Leatherface here is performed just like Gunnar Hansen's take in the 1974 granddaddy of all horror films, " The Texas Chainsaw Massacre." The actors seem to overact sometimes, it's pretty corny...still the humor and craziness of the flick are entertaining, as well as the music and atmosphere. Definitely the best film of the two leading stars, who would go on to become Hollywood heartthrobs. You'll have a lot of fun if you're a horror fan who likes to see some weird B-ish stuff.
The makers of THE TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION missed a huge opportunity by not setting it to music. All the elements are there, including Matthew MCconaughey as a deranged, bug-eyed hillbilly with a remote-controlled leg, and Renee Zellweger as a "teen" victim, running, screaming, and jumping through windows!
Annnd, who could forget the 9' tall Leatherface (Robert Jacks), constantly squawking and screeching like he's on fire!
Plus, there's domestic violence as foreplay, skeletal remains as home decor that works, and an old man who just might be dead!
The dialogue simply begs to be belted out in song! Example: "You're a bona fide Mo-ron!".
Indeed, this could / should have been the next HAIR or JESUS CHRIST SUPERSTAR! Alas, we shall never know...
Annnd, who could forget the 9' tall Leatherface (Robert Jacks), constantly squawking and screeching like he's on fire!
Plus, there's domestic violence as foreplay, skeletal remains as home decor that works, and an old man who just might be dead!
The dialogue simply begs to be belted out in song! Example: "You're a bona fide Mo-ron!".
Indeed, this could / should have been the next HAIR or JESUS CHRIST SUPERSTAR! Alas, we shall never know...
At one point, a terrorized Jenny screams "I don't understand!" And Vilmer replies "Welcome to the real world." For me, this sums up everything I like about this movie.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
This movie is definitely not winning any awards., but it is definitely a guilty pleasure for alot of people who like B quality horror movies and ridiculous cult movies. You know the ones, "So bad that it's good."
I expected this film to be extremely terrible because of all the negative reviews I'd heard about it. However, in reality, I found myself to like the film in all its warped oddness, clumsy editing, confused storyline, and mediocre to bad acting. The four teens, Jenny, Heather, Barry and Sean, were all extremely annoying, so it's not like you're really rooting for them to get out alive or anything. I myself thought Heather would have been a better leading girl than Jenny - Renee Zellweger's character almost seemed to like getting chased around by Leatherface and tortured and whatnot by the other demented family members. The best actor in this movie overall would have to be Matthew McConaughey. He was excellent as the psychotic Vilmer and seemed to take over for Leatherface, who in this entry is not scary at all and spends a lot of time screaming like a woman and putting on makeup and whatnot. Matthew's role is indeed the highlight of this confused, low-budget mess. I found myself insanely turned on by his sexy, rugged presence as the movie progressed - call me sick, but hey, Renee Zellweger seemed to want some of that when he kept going after her. Other points to mention include the strange subplot involving the FBI (I'm still trying to figure that out, I just don't get it) and also how it seems that this film was originally conceived as a remake but once it got to video they are marketing it as this all new entry in the "Chain Saw" series. Not so. It adds nothing new. It's just a rehash of the original '74 classic, which is, of course, the best out of all the "Chain Saw" movies. If you like trashy type, low budget movies, you will like this. Keep in mind, it's not really bloody at all and no one is killed with a chainsaw. Another strange and frustrating point in this mess of a film.
Did you know
- TriviaMatthew McConaughey had just graduated college and planned on moving to California when he auditioned for this movie. He read for the part of a young motorcyclist who rescues Jenny at the end and rides off with her into the sunset (a role that was eventually eliminated). Before he left, writer / producer / director Kim Henkel asked if he knew of anyone who might be right for the role of the villain, Vilmer. McConaughey suggested two friends from acting class and left. He was about to get in his truck and drive to California when he stopped and realized, "What was I thinking?" He immediately turned around and asked Henkel, "Hey, can I audition for Vilmer?" Henkel gave him a spoon from the kitchen, told him to pretend it's a knife and tasked him with scaring his secretary. Then, in the middle of the audition, he told him to pretend his mechanical leg was malfunctioning. McConaughey was so convincing that he won the role of Vilmer on the spot.
- GoofsWhen Vilmer says to Jenny, "I asked you a goddamn question," Darla is looking inside a cabinet in the background. In the next shot she's at the table putting make-up on.
- Crazy creditsIn the end credits, the "Patient on Gurney" actress was credited as ANONYMOUS.
- Alternate versionsThe Finnish video version excludes numerous scenes including violence. Cut by more than 15 minutes.
- ConnectionsFeatured in The Return of the Texas Chainsaw Massacre: The Documentary (1996)
- SoundtracksTorn And Tied
Written by David Derrick, Jared Toten, Kyle Ellison and Sims Ellison
Performed by Pariah
Produced by Tom Werman
Killingbird Music (ASCAP)
Details
- Release date
- Country of origin
- Language
- Also known as
- Texas Chainsaw
- Filming locations
- 16493 Cameron Road, Pflugerville, Texas, USA(Family House)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $600,000 (estimated)
- Gross US & Canada
- $185,898
- Opening weekend US & Canada
- $28,235
- Sep 24, 1995
- Gross worldwide
- $185,898
- Runtime
- 1h 27m(87 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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