Un homme presque parfait

Newman is acting just perfectly in this small town movie in his role as a 60 years old man who has not achieved much in his life, but begins to realize this when his son, whom he hasn't seen since he left his family, shows up with his kids, Newman's grandsons. The complicated (or maybe not so complicated) married life of Willis and Griffith add to the plot. Some quite witty scenes and lines make you laugh heartily, although the film's general tone is more on the serious side.

As he got older, Newman's talent displayed itself more and more easily. In this film, it's as if he puts on the role like a comfortable set of old clothes that fits him perfectly. His acting doesn't show - by which I mean, he becomes the character rather than acting it out in an obvious way. When you insert that smooth display into a well-written story that includes several other, excellent performances, you get a top-notch result. None of the directing or acting is lacking, nor does it ever feel forced or overdone. There's humor as well as sadness, small victories along with disappointments, and touching sentiment along with strength and honor. All in all, it's slice of life theatre done very well.

What a gem! Apparently this film did have a theatrical run, but I had never heard of it until I saw it on cable a few years ago. Paul Newman was, as always, masterful. So was Jessica Tandy. As unlikeable as Bruce Willis is, he is a great actor and does very well here. And even though it was a fairly small part, I think this is Melanie Griffith's best work ever. The script, directing, everything came together seamlessly. I highly rcommend this film. Grade: A

Paul Newman is "Nobody's Fool" in this 1994 film also starring Jessica Tandy, Bruce Willis, Melanie Griffith, Dylan Walsh and Philip Seymour Hoffman. Newman magnificently portrays Sully, a 60-year-old man living in a small town in upstate New York. He has a bad knee; he's suing his boss, the hard living Carl Roebuck (Bruce Willis) for back wages; he flirts with the boss' wife Toby (Melanie Griffith); he rents from his old school teacher Beryl Peoples (Jessica Tandy) who depends on him; he plays poker and drinks at the local bar; and he plays the Trifecta every day. When his son Peter (Dylan Walsh) comes to town, Sully has to come face to face with the man he abandoned as a child, as well as his ex-wife. (The scene where he sneaks out of her house as everyone screams at each other is a riot.) He gets to know his little grandson, bonding with him as he never did the boy's father. Sully, who in his own way has been taking care of a lot of people in town - and driving some other ones crazy - learns the importance of a family connection and what it entails.

A marvelous script, a marvelous cast, great direction by Robert Benton - "Nobody's Fool" is a small movie with a big message about life. Newman portrays Sully with all of his complexities. He's more a son to Beryl than her own son. He takes care of his workmate Grub (Pruitt Taylor Vance) as he never did his own son. He is there for Toby as she talks about Carl's infidelities, but he was never there for his own wife. What's most wonderful about the script is how character-driven it is and how all its messages come out of the characters. The audience is not beaten over the head with them. When Sully speaks bitterly about his late father, he turns to Peter and says, "That's what you'll say about me when I'm gone." "You were gone, dad," Peter says. "I've already said it." Yet the two men try, without ever verbalizing that they are trying. He's there for Tandy, without a sentimental scene.

Tandy is excellent as a woman who fears the loss of her independence, and fans of Nip/Tuck will get a kick out of seeing Dylan Walsh as he was 14 years ago with his mop of hair. He does very well in his role. Bruce Willis is amazing - relaxed, funny, cheating with a smile. Philip Seymour Hoffman, before stardom hit, has a hilarious role as a policeman trying to nail Sully and not having much luck.

You can't really call what Newman does acting because you won't catch him doing it - he just IS Sully. He creates an unforgettable character in this must-see film.

In my eyes quite possibly one of the most perfect movies ever made with a stellar cast acting as you would expect them to when you want them to and acting completely out of character when you'd least expect it and enjoy it most. Look for a brilliant Melanie Griffith, a brilliant Bruce Willis, a fantastic ensemble all around, and at the centre the wonderful Jessica Tandy and the immortal Paul Newman in the role of his life. There is a point to this movie, painted in such subtle brush strokes that you just have to exclude all else and - what can I say - enjoy it, and let it warm your heart.