A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love.A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love.A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love.
- Nominated for 1 BAFTA Award
- 9 wins & 13 nominations total
Roz Hammond
- Cheryl
- (as Rosalind Hammond)
Dan Wyllie
- Perry
- (as Daniel Wyllie)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I saw this film again after several years. Still believe is drama, a dark inner film. I never considered as a comedy. Characters are very well put on scene, that even a man can identify himself with some of the performances. Music also makes the point. ABBA is so out of fashion today, that's close to a classic.
I saw this film a thousand times and I have always loved it! Originally I watched this movie because I'm a big ABBA fan, but I found out it's not all about ABBA!
This film makes you feel happy and sad at the same time. The acting is superb, especially the mother of the main character.
Just great!
10 out of 10
This film makes you feel happy and sad at the same time. The acting is superb, especially the mother of the main character.
Just great!
10 out of 10
Muriel's wedding is a solid work of Australian comedy, with great acting and a funny script, however I also found it a touch sad.
The film kept taking emotional turns, from hilarious to depressing. The main character, Muriel Heslop (Toni Collette), was funny in a very human way. She shows the audience a quirky, yet believable example of human fallibility, as the girl who never quite meets the standard. Muriel's character is defined by her inability to fit in - despite many attempts. She has a dysfunctional family and weird obsessions with Swedish pop group ABBA, and getting married.
All the characters play emotional roles, and the acting performance by Collette and Rachel Griffiths (as Muriels best friend), are inspirational.
I laughed a lot, but came away with a general sense of sadness about the emotional cruelty of human beings, and the suffering some people endure. I found the character of Muriel's mother particularly sad, but well acted.
Many people I've talked to hated this film, but it remains one of my favourite comedies. As someone who really enjoys Aussie films, I think this was one of the better ones.
The film kept taking emotional turns, from hilarious to depressing. The main character, Muriel Heslop (Toni Collette), was funny in a very human way. She shows the audience a quirky, yet believable example of human fallibility, as the girl who never quite meets the standard. Muriel's character is defined by her inability to fit in - despite many attempts. She has a dysfunctional family and weird obsessions with Swedish pop group ABBA, and getting married.
All the characters play emotional roles, and the acting performance by Collette and Rachel Griffiths (as Muriels best friend), are inspirational.
I laughed a lot, but came away with a general sense of sadness about the emotional cruelty of human beings, and the suffering some people endure. I found the character of Muriel's mother particularly sad, but well acted.
Many people I've talked to hated this film, but it remains one of my favourite comedies. As someone who really enjoys Aussie films, I think this was one of the better ones.
This is truly a great Australian film, and still holds up after all these years. The film has always hit a nerve with me in terms of the Heslop's family dynamics (Mum, make Dad a cup of tea!). I can only speak for myself but I grew up in Queensland around the same time (I am aware this was made in New South Wales) and my experience with my family definitely resonates with that of Muriel's with her family. I really thought at the time this came out that this type of family dysfunction was 'an Aussie thing', but I know better than that now that I am older and wiser.
I've never thought of this as a comedy although it has some very funny moments. Even now, I have to be in the mood for Muriel's Wedding due to it's brutally harsh treatment of it's characters. The film is vicious and unrelenting and has made me cry more than once. But it's also a cathartic experience, about a person with flaws like all of us, who is trying to find her own identity, and, despite what she has been conditioned to believe, that she is worthy.
I've never thought of this as a comedy although it has some very funny moments. Even now, I have to be in the mood for Muriel's Wedding due to it's brutally harsh treatment of it's characters. The film is vicious and unrelenting and has made me cry more than once. But it's also a cathartic experience, about a person with flaws like all of us, who is trying to find her own identity, and, despite what she has been conditioned to believe, that she is worthy.
It's quite a while since I'd seen Muriel's Wedding, and it remains to me a strangely satisfying film despite the inherent sadness of the plot and the unlovable nature of many of the characters and themes. To me, picking the jaunty Abba songs was a masterstroke, because it lightened the tone considerably, provided a backdrop that nearly everyone seeing the film would know and most would relate to positively.
Toni Collette demonstrated what an amazingly versatile actor she is, and the chemistry between her and Rachel Griffiths (Rhonda) to me is what makes the film. Bill Hunter (Bill Heslop) nails the awful unlovable Aussie blokey father role, which provides a rationale for how the premise of the film arose. It provides a lot of issues to think about, from the scheming local councillor Heslop, through Muriel's high school "friends" to the South African Olympic swimmer who needed an Aussie bride to become an Australian citizen and be able to leave South Africa.
It put director PJ Hogan on the map, was a box office and critical success, as well as establishing Toni Collette. Perhaps I'm being a bit harsh with 3.5 stars.
Toni Collette demonstrated what an amazingly versatile actor she is, and the chemistry between her and Rachel Griffiths (Rhonda) to me is what makes the film. Bill Hunter (Bill Heslop) nails the awful unlovable Aussie blokey father role, which provides a rationale for how the premise of the film arose. It provides a lot of issues to think about, from the scheming local councillor Heslop, through Muriel's high school "friends" to the South African Olympic swimmer who needed an Aussie bride to become an Australian citizen and be able to leave South Africa.
It put director PJ Hogan on the map, was a box office and critical success, as well as establishing Toni Collette. Perhaps I'm being a bit harsh with 3.5 stars.
Did you know
- TriviaToni Collette gained 18 kgs (40 pounds) in 7 weeks with the help of a dietitian for this role.
- GoofsWhen Muriel is trying on a wedding dress in the shop, and is admiring it in the full-length mirror, to the right in the mirror, you can clearly see a crewmember standing there, before quickly darting out of the reflection.
- Alternate versionsThe theatrical release clearly showed a woman dressed as Wonder Woman and a man dressed as Robin during the talent show scene when Muriel and Rhonda are presented with the over-sized check and champagne. In the DVD/video release, Robin is only partly shown and Wonder Woman is not shown at all.
- ConnectionsEdited into Terror Nullius (2018)
- SoundtracksDancing Queen
(Benny Andersson (as Andersson) / Björn Ulvaeus (as Ulvaeus) / Stig Anderson (as Anderson)
Published for the World by Union Songs AB
Performed by ABBA
Courtesy of PolyGram Pty Limited
Dancing Queen bridal arrangement by Peter Best, Vocals Blazey Best
- How long is Muriel's Wedding?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- La boda de Muriel
- Filming locations
- Coolangatta, Queensland, Australia(final scene: Muriel and Rhonda leave Porpoise Spit)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $15,119,639
- Opening weekend US & Canada
- $244,969
- Mar 12, 1995
- Gross worldwide
- $15,510,889
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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