Jo struggles for independence and sometimes clashes with her beloved mother and sisters Meg, Amy and Beth. She also contends with their cranky Aunt March, their impulsive neighbor Laurie and... Read allJo struggles for independence and sometimes clashes with her beloved mother and sisters Meg, Amy and Beth. She also contends with their cranky Aunt March, their impulsive neighbor Laurie and kindly linguistics professor Friedrich Bhaer.Jo struggles for independence and sometimes clashes with her beloved mother and sisters Meg, Amy and Beth. She also contends with their cranky Aunt March, their impulsive neighbor Laurie and kindly linguistics professor Friedrich Bhaer.
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- Nominated for 3 Oscars
- 6 wins & 19 nominations total
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There are a few subtle touches in this film that I sometimes find a bit jarring, such as when Marmee is talking with John Brooke in front of Meg and mentions her disagreement with the idea of women wearing restrictive corsets, but that is really the only bit that I don't feel is quite right, and it is there to demonstrate Marmee's liberal attitude.
I love the way the characters interact, although there perhaps isn't enough demonstration of why Laurie and old Mr. Laurence disagree. Jo and Amy act just like real sisters - they fight and provoke each other into arguments and disputes, and generally have a chance to make little digs at the other. Meg is the pretty - but yet also virtuous - one, and clearly the most socially at ease with the upper classes of the time, for instance reminding Jo "Don't shake hands with people. It isn't the thing any more", and in the end - although she has to wait for a period of time that would seem endless today before marrying the man she loves - she opts for a poorer but obviously happier life. It would be very easy to simply say that Beth is not given anything dramatic or interesting to do, but that is the whole point of her character. She watches those around her do great and exciting things, and there is a sense that she herself is happy with that. Susan Sarandon's Marmee clearly holds this family together - the ideal mother figure, she is comforting, incredibly wise (I wonder if anyone has ever met anyone with all the wisdom she seems to have) and always on hand to encourage her girls in their quest to do as they please.
The male characters are also interesting. John Brooke is stable and compassionate and sensible. Laurie (also known as Teddy just occasionally) can be quite an intense figure and I was amazed to find that Christian Bale was only about twenty when this film was released. It is as interesting to see the changes his personality goes through as it is to see those the girls go through. The Professor is a slightly unorthodox character and yet he complements Jo perfectly.
I have watched this film many, many times now (so many, in fact, that I have sometimes been known to say the lines along with the characters as they say them) and I know I will watch it many more times in the future. It might perhaps be a bit of a holiday film but it's certainly worth watching for the feel-good factor it generates.
Maybe the story just needed a 'new coat of paint' to spruce it up a bit because it sure does seem new and worth telling again.
Winona Ryder has to carry the movie, more or less, and gives a confident performance as the independent Jo. Susan Sarandon is not around that much but makes a good Marmee. Christian Bale is great, as always, and Trini Alvarado and Eric Stoltz round out the cast.
You don't see Claire Danes that much, but then it becomes about her quite a bit as the story moves on. A gift she receives for Christmas from a kindly neighbor could give your tearducts a workout, at the very least.
Beautiful movie. Could even be longer, and how many times can you say that about anything?
Though the filmmakers took license to cut away certain specifics, the end result is an absolutely gorgeous film that stands on it's own completely. One would be able to watch this film without ever having read or known the book and seen it as it's own film.
The film thrives on small scenes and nuances, moments of person to person contact, production design and cinematography, the all important score (which adds a great deal to the film). This delicate and complicated symbiosis between all aspects tactfully and poignantly creates the story, something missing from many movies these days which creates a tangible and effervescent emotional layer. Then the acting of one of the best ensembles to hit the screen in a long time. Keep an eye out for Susan Sarandon and Claire Daines in roles that ought to have been nominated along with Ryder. These actors create people that endear themselves to us, and make the film even more than it could have been.
It's a small scale masterpiece that will leave you in tears. The film is honest and true in it's portrayal of human emotion. It went from being an adaptation of the book to it's own story and portrayal of people and their lives. It's beautiful aesthetically and dramatically, and a real gem of a film.
The music and cinematography were beautifully done. It was absolutely wonderful, and I highly recommend it (and the book of the same name). :)
Did you know
- TriviaWinona Ryder introduced Christian Bale to his future wife Sibi Blazic on the set of this film. At the time she worked as Ryder's personal assistant.
- GoofsWhen Amy discovers that Jo will be her teacher, she sulks twice. However, this is in keeping with Amy's character - if no one noticed her sulking the first time, she would most likely do it again.
- Quotes
Laurie: I have loved you since the moment I clapped eyes on you. What could be more reasonable than to marry you?
Jo March: We'd kill each other.
Laurie: Nonsense!
Jo March: Neither of us can keep our temper-...
Laurie: I can, unless provoked.
Jo March: We're both stupidly stubborn, especially you. We'd only quarrel!
Laurie: I wouldn't!
Jo March: You can't even propose without quarreling.
- Crazy credits19th-century-style portraits of the sisters are seen under the early part of the credits.
- SoundtracksLeila! Dieu Puissant
No.9 "Act II of the Pearl Fishers"
Music by Georges Bizet (uncredited)
Lyrics by Eugène Cormon (uncredited) and Michel Carré (uncredited)
Performed by Barbara Hendricks and John Aler with L'Orchestre National du Capitole de Toulouse (as Orchestre du Capitole de Toulouse)
Conducted by Michel Plasson
Courtesy of EMI Classics, under license from CEMA Special Markets
Details
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $50,083,616
- Opening weekend US & Canada
- $2,411,247
- Dec 25, 1994
- Gross worldwide
- $50,085,123