Jimmy Hollywood

I have watched this movie about 5 times, and each time I become involved in the characters and their lives. It is a gripping plot, and the movie is well acted, Joe Pesci give another great performance. This is a movie which nobody has really seen or heard of, and that is sad to me. A movie with a good point (crime is bad and hope is good) and good acting should have made more money than any of the current Freddie Prinze Jr. or Sarah Michelle Gellar movies, but the movie world is not ruled by values and quality. I give this movie a 9.5/10 I'd even think about making this movie a perfect ten.

I just watched this movie and was delighted with all the characters. Pesci was not his usual hyper-character(which he does well)but somewhat subdued. At the same time being pushed by his hope of getting "the role" that has always eluded him. Finally, he finds it in reality.The ending was great! I never even heard of this movie before. I am glad I caught it and would recommend it.It made me laugh and made me feel sad also. At the end it did remind me of "The King of Comedy." Maybe not as well written but it kept me watching and grinning as well as feeling a bit nostalgic for the old Hollywood. Especially when 'Jimmy' and "Lorraine" were at Errol Flynns old house as they danced to the sounds of urban chaos.

My friend and I went out to see this movie and I never thought I'd fall asleep during a Joe Pesi movie but this was one of those times. This movie was so boring, and so pointless. It had no plot or story that I remember.

By the time the movie ended I could hardly keep my head up. Nearing the end of the movie I was yawning and almost ready to fall asleep. My friend asked me if I wanted to leave the theater and I said "no let's wait until the end." I'm sorry I waited so long to leave.

Don't waste your time with this movie because I'm sorry I didn't get out of the theater when I had the chance to.

If you have ever lived in LA, you may have started to wonder what ever happened to the Hollywood of glamour, romance and dreams. This movie takes on that question, and with a dynamite duo of Joe Pesci and Victoria Abril doing the honors (Christian Slater is there too, but his part is that of a spaced-out guy, so he does not have too much to add). Its funny, visually interesting, the plot moves along at a good clip, and it has lots of nice small touches. I definitely think it is worth your while, if you have ever lived in LA, or visited Hollywood, or had that sinking feeling of driving through the intersection of Hollywood and Vine. Victoria Abril is terrific and Joe Pesci is relentless, and hilarious with his blond hair.

The film is now 16 years old; perhaps writing a review isn't important. Yet, because of the sincerity of Pesci's character, and the development of a purpose for his life, and his willingness to abide Christian Slater's "slow" character, we gain appreciation for Mr. Pesci personally. He does not falter in his faithfulness to his lady-friend, even though a younger Hawaiian lady comes his way and they get "liquored up" together. Anyone who has had items stolen and yet received no favorable police-work outcome will agree with the character's frustration over theft of the car stereo and decision to make public the facts of local crime. All the sideshow techniques by "Jerico" as they escalate demonstrates the insatiable progressive desire of the public for increase in excitement over just about anything. Pesci understood Hollywood, its deterioration, its aberration and yet he loves it still. He lost his Hollywood star count on Richard Widmark who, in some ways, is as serious a role portrayer as Mr. Pesci is here. The scene where the advertisement on the bus bench has been graffiti-ed is poignant, as is the concluding scene where the portable TV battery is running low, just as the prospects of the SOS is also about deflated. I don't advocate vigilantism, but the process of getting new police chiefs takes years, doesn't it?