Les rues du vice

I have seen Jailbait more times than I can even remember. I am not exaggerating when I say that it has the greatest love story I have seen on film, and I never get tired of watching it. I can really sense the chemistry between Howell's character and Humphrey's character (as well as between Howell and Humphrey themselves) and I am more convinced every time I watch it that Howell's detective truly cares for Humphrey's runaway. It is a very inspiring film; it almost makes you want to do the same thing for some underprivileged youth, and makes you a little jealous if you have never had someone in your life that you can look after in such a noble way.

Renne Humphrey does a nice job playing the role of Kyle the sexy seventeen year old runaway (she was nineteen at the time). She later appeared in "Sex Monster" as the lesbian lover of Meryl Hemmingway in the delightful sex farce. C. Thomas Howell is a little hard to take as the detective forcing off his attraction to her.

I can not see the great film that others see. The story is stereotypical of movie about Hollywood. I must have been down there at the wrong times because I never saw all those nasty people there all the times I went down. Besides that the story was normal. Small town girl runs away looking for friend or others ends having no money and ends up working the streets. The main female char... does not work the streets but almost. The cop is a bit hard to take. It has the usual T & A but does it sparingly. All in all just OK. Nothing I would get again.

This is one of those movies that really, honestly, and genuinely attempts to make a statement about something that, at least the writer, thought was important and needed to be said. Because of that, when you watch it, you do get the feeling that there was an honest to god attempt at something bigger. There was real emotion and heartfelt sincerity behind it.

So I'm giving it 10 out of 10 for effort. They wanted to say something about the horrors of life on the streets and on the street corners and they gave it their best shot. There is no way I can nay say that and feel comfortable. There was an attempt here, and you can tell.

But it suffers from low production values, and some of the actors saw it as a job, a paycheck, instead of something that could further their career, and the direction was... just god awful.

So, what you have here is a straight to video film with a script that honestly tries, and a director and producers that didn't cared less than the screen writers.

I must say a bad and clichéd film like this, manages to be very entertaining for a few reasons. 1- being cleavage, 2- being unintentionally funny- 3- C Thomas Howell who's descended into these B films, through no fault of his own. It's like he has to grin and take it. Not really caring about this film, through his on par performance, he plays cool super loner cop/once a street beggar for all of us to see. Streetwise as this films better known in Oz, doesn't have a bad story to it. A working girl has become a fugitive, after one of her tricks at a seedy motel, gets it in a sensitive region of his anatomy, a shock value scene in the investigation. She was seen leaving prior to the shooting, as she was tipped off by a slug of a character, dressed Hawaiian style, who likes to dog for the police. He mirrors sleazeball characters out of other vice films. Her younger sister, well played by Humphrey, acts tough on the outside, but who's scared on the inside, has just arrived at L.A, of course not knowing her beauty, is a pimp magnet. Her and Howell soon collide (yes they pash A little later) try to track her down (visions of Angel 3, I know) which has Howell visiting old haunts, a big player pimp, who uses his girls in sex tapes. This movie's an all so addictive watch. It's a prime example of how bad can be good. If a Howell fan, this demands your strict attention.