The Cold Light of Day

A recently finished cop sets out to catch a child killer, using a very dubios and dangerous means.

I rather enjoyed this, it's a good solid thriller, with some good characters, and really fine acting.

Richard E Grant is excellent, as always as the troubled Detective, Simon Cadell is excellent as the criminal, I had no idea he appeared in films such as this, having been so used to watching him in Hi-de-hi.

There are a few plot holes, I don't think anyone could argue with that, would he really have taken such a drastic course of action, in such a secluded place. I'm not too sure, but it does add to the drama.

The ending is very good, and dramatic.

Enjoyable, 7/10.

well i watched this flick and had a feeling to check out the reviews online here. i wanted to see another film with good old richard e grant. was not disappointed. tis a good film. though a little warped. but the acting from REG is very good. seems like an odd number. reading the credits, seems like made in some european foreign country. perhaps made for tv. made for tv: normally a turn-off but this one is not too bad. but guy from hi-de-hi is not looking evil enough for his role. well, perhaps times have changed since it was made. check it out. depends on ur tastes but i was not disappointed. well-made flick. u want silence of the lambs, go rent it. this is an effort that hits the mark they intended. depends what ur into.

In my opinion, this is one of the better movies to come out of Europe in the past decade. The film's power lies not, like so many of its Hollywood counterparts, in bombastic displays of action and violence, but rather in a well balanced mix of superb character development and a thoughtful but well-paced plotline. The film functions on many levels and probes deeper into the minds of its characters than almost any other film I've seen.

Less satisfying than "Silence of the Lambs," but nevertheless haunting, suspenseful, and worth a rental. It was one of those that stayed with me.

At heart, it is the psychological study of an ex-cop (Grant)trying to balance two opposing aspects: his compulsion to apprehend a child killer and his growing love for a woman (Baxter) and her young daughter (Weeks). The struggle forces him to confront his own limitations, the denial of which leads to the climax and possible tragedy. This is paralleled by Baxter's convincing portrayal of a mother vacillating between suspicion and trust, fear and love.

The film subtly but effectively sexualizes the daughter to give us glimpse of childhood through the psychopath's eyes, a technique which sharpens and crystallizes both the plot and mood. Unfortunately, the psychological study of the killer, though ample, seems week and would have benefited from more attention by the writer.

Not having seen the original (In Broad Daylight, if I'm not mistaken), I viewed this film without preexisting expectations and loved it. It's very suspenseful without using formulaic devices and had a really rich pace and rhythm. The characters are very real and three-dimensional and Richard E. Grant gives a wonderful performance (as always, IMHO). I tend to enjoy films that feature character actors in leading roles. They don't have the off-screen persona that tends to overwhelm character portrayal as sometimes happens with conventional leading men and ladies. Sorry about the digression. If you like suspense-thrillers that are intense without displaying a great deal of frenzied action, you'll like this movie.