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6.9/10
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The autobiographical story of Howard Stern, the radio rebel who is now also a TV personality, an author and a movie star.The autobiographical story of Howard Stern, the radio rebel who is now also a TV personality, an author and a movie star.The autobiographical story of Howard Stern, the radio rebel who is now also a TV personality, an author and a movie star.
- Director
- Writers
- Stars
- Awards
- 2 wins & 3 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film documents the life and times of radio talk host Howard Stern. While his younger years are displayed in a hit and miss fashion, the years concerning his radio heyday are nicely done. He started out as a local d.j., merely spinning records and doing weather. Becoming bored with this format, he chooses to do a more spontaneous show which causes trouble with his employers. When he reaches the top of the pile at NBC, his antics become even more outrageous which catapults him to enormous fame. Vulgar, but very funny. Go on and watch it.
I SO enjoyed this movie.
I watched this movie without realizing until close to the end that Howard Stern was playing himself.
I was a radio announcer myself, during the period when Stern got going. This movie has the 'feel' of reality to it. I recognized so many of the people I worked with in this movie. Every radio station has some of them. The studios of the period were just like this.
Of course, this movie was severely compressed in time and space. Radio is like warfare: lengthy periods of utter boredom punctuated by periods of pure panic. We don't need to see the slow bits. Each hour of on-air radio presentation requires something like three hours of preparation: we don't see the hard work that goes into such a show.
We do see a very funny and entertaining movie. Don't forget, I was in the industry at the time this all happened: and this one feels 'real' to me.
Many autobiographical pieces by "stars" turn into awful sycophantic schmaltz-fests. This one didn't. It could have been awful. Most of this kind are. This one... is excellent.
And if you've never worked in broadcasting -- it's still very funny!
I watched this movie without realizing until close to the end that Howard Stern was playing himself.
I was a radio announcer myself, during the period when Stern got going. This movie has the 'feel' of reality to it. I recognized so many of the people I worked with in this movie. Every radio station has some of them. The studios of the period were just like this.
Of course, this movie was severely compressed in time and space. Radio is like warfare: lengthy periods of utter boredom punctuated by periods of pure panic. We don't need to see the slow bits. Each hour of on-air radio presentation requires something like three hours of preparation: we don't see the hard work that goes into such a show.
We do see a very funny and entertaining movie. Don't forget, I was in the industry at the time this all happened: and this one feels 'real' to me.
Many autobiographical pieces by "stars" turn into awful sycophantic schmaltz-fests. This one didn't. It could have been awful. Most of this kind are. This one... is excellent.
And if you've never worked in broadcasting -- it's still very funny!
This movie is for everyone including those who "think" that they don't like Howard. It shows Howard as a regular guy who can do some outrageous bits. Some bits you like, some you don't. The two thoughts that I was left with leaving the theatre is 1) he is devoted to his wife and family, 2) he is a success story despite so very many obstacles. Love him or hate, all but the most prudish will enjoy this.
This gem of a flick is the great Rockyesque story of shock jock Howard Stern's rise to fame and infamy. I was thinking this film was gonna really suck going by a lot of the movie previews prior to its release, but I was sorely and happily mistaken.
The film is perfectly structured, perfectly written, and it's absolute travesty that Howard wasn't nominated for an Oscar for best actor! Here's what the Oscar nominees shoulda been for this film: Howard Stern for Best Actor, Best Director, and Best Adapted Screenplay.
Private Parts also manages to take a fresh approach on the old "woman having a noisy orgasm" comedy scene. Yes, this flick is one of the few cases where the movie is actually better than the book. Over, out, and all that jazz.
The film is perfectly structured, perfectly written, and it's absolute travesty that Howard wasn't nominated for an Oscar for best actor! Here's what the Oscar nominees shoulda been for this film: Howard Stern for Best Actor, Best Director, and Best Adapted Screenplay.
Private Parts also manages to take a fresh approach on the old "woman having a noisy orgasm" comedy scene. Yes, this flick is one of the few cases where the movie is actually better than the book. Over, out, and all that jazz.
I was working as an usher at my local cinema when I first saw this movie, so I saw it quite a few times and it seemed to get better with every viewing. The story is of American disc jockey Howard Stern and his rise to superstardom. It has a great script with good scenes especially the one through the end titles.
Did you know
- GoofsRobin makes the statement that Howard, "...wasn't old enough to be in Vietnam" and Howard replies, "no duh". The Vietnam War started in 1965 and ended in 1975. Howard was 18 years of age in 1972 which does make him old enough to be in the war.
- Quotes
[after seeing Howard in his Fartman oufit]
Ozzy Osbourne: What a fucking jerk.
- Crazy creditsStern cohort 'Stuttering John' Melendez rants about Howard not putting him in the movie.
- Alternate versionsFor its airings on the USA Network, the movie occasionally pauses and 'Howard Stern' appears to provide commentary on the movie. Also, in an atypical move for a basic cable channel, USA Network presented the movie with no edits -- but with all spoken obscenities bleeped and objectionable visuals (nudity, drug use) electronically masked. This version also airs on VH1.
- ConnectionsFeatured in Saturday Night Live: Alec Baldwin/Tina Turner (1997)
- SoundtracksThe Great American Nightmare
Written by Rob Zombie & Charlie Clouser
Performed by Rob Zombie with Howard Stern
Courtesy of Geffen Records
- How long is Private Parts?Powered by Alexa
Details
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $41,230,799
- Opening weekend US & Canada
- $14,616,333
- Mar 9, 1997
- Gross worldwide
- $41,230,799
- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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