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6.8/10
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Based on the life of Olympic hopeful Steve Prefontaine, a long distance runner who lived in Oregon and died young.Based on the life of Olympic hopeful Steve Prefontaine, a long distance runner who lived in Oregon and died young.Based on the life of Olympic hopeful Steve Prefontaine, a long distance runner who lived in Oregon and died young.
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When 14 years old, I was glued to the TV set every night during the 1972 Olympic games. I remember well the 5000 meter race and Steve Prefontaine and it was a very exciting race. This movie greatly helps bring closure to the Prefontaine phenomena by telling the story of how Prefontaine embraced challenge and competition, propelled himself to the top, and then his ultimate fate.
To measure a movie's success, I take note of my thoughts the following day. Anyone watching "Prefontaine" in 1972 run the 5000 could not help but be inspired. And now in the late 1990's, the movie "Prefontaine" refreshes that inspiration. A very well done dramatization and documentary.
To measure a movie's success, I take note of my thoughts the following day. Anyone watching "Prefontaine" in 1972 run the 5000 could not help but be inspired. And now in the late 1990's, the movie "Prefontaine" refreshes that inspiration. A very well done dramatization and documentary.
This is the real-life story of Oregon runner Steve Prefontaine who, despite physical imperfections, draws on inner strength of character, to set American track records, and race in the 1972 Munich Olympics. As a runner myself, I found this 1997 docudrama inspiring.
But "Prefontaine" is far more than a cinematic pep talk for runners. It's a character study of an extraordinary young man from an ordinary background, his personal relationships, and his date with destiny. It is a story that has lasting value.
The film's visuals and music effectively convey the look and sound of the early 70's. The acting is above average. Jared Leto is superb as Steve. Just as good is R. Lee Ermey as Steve's coach, the legendary Bill Bowerman, a man who found a way to make running shoes with the help of a waffle iron. Ed O'Neill, Breckin Meyer, and the lovely Amy Locane are good, in supporting roles.
Leto's acting, combined with a clever script, portrays Pre as gutsy, determined, intense, charismatic, vulnerable, at times reckless, self-absorbed, brash, and arrogant. One of my favorite segments of dialogue has Steve and his teammate Pat Tyson jogging along, and talking about the great runner Jim Ryun. Steve comments: "Forget Jim Ryun; he's done; I'm gonna be the first Steve Prefontaine", to which Pat responds: "It must be nice to want to be yourself".
Later, Pre frustratingly says to his girlfriend Nancy: "All of my life people have said to me: you're too small Pre; you're not fast enough Pre; give up your foolish dreams Steve."
Pre's story is told in another film: "Without Limits"; both now available on DVD, and both good, though I prefer this Steve James directed movie.
Often and rightly compared to other sports films, "Prefontaine" reminds me of a film one might not think of. Pre's life was similar in some ways to another notable person from an ordinary background, one who set out bravely on a personal quest, of sorts, and who, in the process, like Pre, made a powerful and lasting impression: Karen Silkwood.
Coincidentally, Pre's fate and Karen's fate were tragically similar, and only six months apart. In both "Prefontaine" and "Silkwood", the message to the rest of us ordinary mortals is: don't underestimate your life; do your best; and make each day count. You never know when "fate" may intervene.
But "Prefontaine" is far more than a cinematic pep talk for runners. It's a character study of an extraordinary young man from an ordinary background, his personal relationships, and his date with destiny. It is a story that has lasting value.
The film's visuals and music effectively convey the look and sound of the early 70's. The acting is above average. Jared Leto is superb as Steve. Just as good is R. Lee Ermey as Steve's coach, the legendary Bill Bowerman, a man who found a way to make running shoes with the help of a waffle iron. Ed O'Neill, Breckin Meyer, and the lovely Amy Locane are good, in supporting roles.
Leto's acting, combined with a clever script, portrays Pre as gutsy, determined, intense, charismatic, vulnerable, at times reckless, self-absorbed, brash, and arrogant. One of my favorite segments of dialogue has Steve and his teammate Pat Tyson jogging along, and talking about the great runner Jim Ryun. Steve comments: "Forget Jim Ryun; he's done; I'm gonna be the first Steve Prefontaine", to which Pat responds: "It must be nice to want to be yourself".
Later, Pre frustratingly says to his girlfriend Nancy: "All of my life people have said to me: you're too small Pre; you're not fast enough Pre; give up your foolish dreams Steve."
Pre's story is told in another film: "Without Limits"; both now available on DVD, and both good, though I prefer this Steve James directed movie.
Often and rightly compared to other sports films, "Prefontaine" reminds me of a film one might not think of. Pre's life was similar in some ways to another notable person from an ordinary background, one who set out bravely on a personal quest, of sorts, and who, in the process, like Pre, made a powerful and lasting impression: Karen Silkwood.
Coincidentally, Pre's fate and Karen's fate were tragically similar, and only six months apart. In both "Prefontaine" and "Silkwood", the message to the rest of us ordinary mortals is: don't underestimate your life; do your best; and make each day count. You never know when "fate" may intervene.
There has been much fascination with Steve Prefontaine, for his courage, his will-to-win, and for his far too early death. A man who was the ultimate competitor, denied his just due not only by the tragedy in Munich, but an even bigger tragedy on a roadway in Oregon. Such fascination led to 2 movies chronicling the life of Steve Prefontaine were made in the 1990's.
For first release, the battle of the PRE-bioflicks was won by this movie, and its release and luke-warm reception shelved the Robert Towne-directed Without Limits' for more than a year.
Perhaps this story would have been better served as a Made-for-HBO film, where one-name titles like `Prefontaine' give stars like Matt Damon a chance for some good work, and media recognition.
This version, directed by Steve James of Hoop Dreams fame is very watchable, with strong support of Jared Leto (Prefontaine) by Lindsay Crouse, Ed O'Neill, Amy Locane, and R.Lee Ermey-excellent in the role of Pre's coach and mentor, Bill Bowerman, the man who subsequently founded Nike.
Maybe not an overly familiar story for the non-runners, this story needed to be told, once and is told well here.
For first release, the battle of the PRE-bioflicks was won by this movie, and its release and luke-warm reception shelved the Robert Towne-directed Without Limits' for more than a year.
Perhaps this story would have been better served as a Made-for-HBO film, where one-name titles like `Prefontaine' give stars like Matt Damon a chance for some good work, and media recognition.
This version, directed by Steve James of Hoop Dreams fame is very watchable, with strong support of Jared Leto (Prefontaine) by Lindsay Crouse, Ed O'Neill, Amy Locane, and R.Lee Ermey-excellent in the role of Pre's coach and mentor, Bill Bowerman, the man who subsequently founded Nike.
Maybe not an overly familiar story for the non-runners, this story needed to be told, once and is told well here.
10bliss66
I saw this last night on the BBC--I don't think it ever had a theatrical release in Britain--and thought it was excellent. I remember this film and its rival, Without Limits, when they were released in 1997 but never saw them. Users have commented on how much this film resembled the '70's era, right down to the soundtrack and overall style of the film, as if that kind of authenticity is to its detriment. It does remind one of that '70's TV movie classic, Brian's Song, but then, what other era should this film resemble?! It's no surprise that the documentary storytelling style works so well since the director and writer, Steve James, made one of the most acclaimed documentaries of the '90's--the basketball flik, Hoop Dreams (highly recommended as well). But shooting a documentary and recreating the style of one are two different things and though they probably both have their perils, recreating that style in service to drama must have much steeper pitfalls. Steve James (and company) completely succeed here. Jared Leto gives a compelling performance as Pre and forces the viewer to sympathise with him in very unique ways. He's not immensely likable but when he runs...one understands that great athletic performers, like Steve Prefontaine, did not win races on personality alone. But it's the way that the rest of cast responds to him, their admiration completely palpable and on the surface, that moves the viewer to embrace him as well. He's heartbreaking when he asks, "Do I look like a runner?" American sports films usually obscure their central figures by ladling on heavy doses of heavy-handed inspiration. Not so with this film. Pre emerges a gifted, young, confused but determined individual who inspires not through his athletic performances but through the strength of his character and what he did for amateur athletics. The ending doesn't so much jerk tears from the viewer as it allows them to flow freely and copiously. An underrated, lost gem of a film.
I was shocked to discover that 'Prefontaine' was made in the 90's. It truly captured the essence of the 70's. Everything, including the camera work, was so 70's it transported me back in time. Every bit as good as 'Without Limits'. Excellent portrayal of Steve's obsession with winning, and the struggle to pick up the pieces after Munich.
Did you know
- TriviaThe film was released one day before Steve Prefontaine's 46th birthday.
- GoofsA 1990s-era Jeep Cherokee is visible in the background at a track meet.
- Quotes
Bill Bowerman: Nobody can coach desire, Pre.
- How long is Prefontaine?Powered by Alexa
Details
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $589,304
- Opening weekend US & Canada
- $311,253
- Jan 26, 1997
- Gross worldwide
- $589,304
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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