Phoenix

"Phoenix" is a hidden gem. I've seen it over five times. For some reason, it never gets old.

Harry (Liotta) is a cop with a gambling problem. He can't stop. He owes money to "Chicago" (Tom Noonan) and he if he doesn't pay up, he dies. Harry's partners Henshaw (LaPaglia) and Nutter (Baldwin) are dirty and are becoming "collectors" to bookie Louie (Giancarlo Esposito). Harry needs money fast and the only way is to rob Louie. Everybody goes along with the plan until there's a double cross.

There's not a lot of action in the movie until the end, but it's not needed. Ray Liotta is excellent in the movie. But the supporting cast steals it from him. LaPaglia is fantastic as Henshaw. He makes the character come alive. Baldwin, Esposito, Kari Wuhrer, and Anjelica Huston all get their time to shine.

"Phoenix" is a gritty crime movie that Liotta and LaPaglia fans must see.

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This film was a complete surprise. One of those rarities that come out out of nowhere and knock your socks off without much effort. Danny Cannon, it's director must be given credit for bringing this story to the screen, or video, as probably was the case.

Any film where Ray Liotta appears, is worth a look. Now, if one adds the great Anthony LaPaglia, one of the best actors around, it has to be outstanding. Mr. LaPaglia has never struck a wrong note in whatever I've seen him do. He shines here playing against type and almost stealing the film from Ray Liotta.

The story about bad cops in Phoenix is presented with a total sense of honesty, no pun intended. There are a bunch of these guys in every police department in large cities. The director packs a lot of action into this movie. It will keep the viewer glued to the screen.

In addition to Ray Liotta and Anthony LaPaglia, there are brief glances at Anjelica Houston, Brittany Murphy, Jeremy Piven, Giancarlo Esposito and others that make this film a delight for fans of thrillers.

Either catch it on cable, or run to the video store and rent it. You won't regret it!

This is one of those films that somehow falls under the radar and languishes undeservedly in obscurity. In a fairly convoluted plot, Ray Liotta plays an honest cop with a gambling addiction who comes up with a plan to rob a loan shark in order to pay off his debts. He enlists the aid of three of his colleagues (Daniel Baldwin, Jeremy Piven and the unappreciated Anthony LaPaglia, who gives a film-stealing performance here) unaware that one is sleeping with another's wife and is under investigation.

Although the story unfolds a little too slowly at times, writer Eddie Richey's script has a lot of depth, lending some diversity to a bunch of what could otherwise have been genre-stereotypical tough guys. The quality of the writing is high, with some off-the-wall dialogue and unique insight into such diverse subjects as King Kong, Three-on-a-match, Looney Tunes cartoons, and Dostoyevsky's gambling addiction. Brit director Danny Cannon creates some arresting images (an alternately sun-scorched and rain-sodden Phoenix in monsoon season) and manages to create loads of atmosphere despite often selecting extreme close-ups to emphasise the thoughts and emotions of the characters. There are no weak performances but, together with LaPaglia, the ever-dependable Ray Liotta stands out in the lead role.

The ending is probably weaker than it should be because it takes a little too long for all the strands to be neatly tied, but this is still an impressive piece of entertainment that deserves to be better known.

I was expecting straight-to-video fodder here the kind you watch stupefied because it happened to be on late at night. It revealed itself to be a taut little thing that tries to create its own world.

It was caught in the Tarantino craze so we have small talk about cartoons, movies and music peppered throughout. It has, eventually, a heist in animal masks gone awry that makes poor sense and cookie cutter resolutions where we drive around to settle scores with a bunch of characters that were left hanging so that it's all neat by the end.

For a while it manages to strike some spark, most of it in the first half.

A man who we understand is trying to be upstanding while everyone around him is fickle, but he has a blind spot for gambling. It's not about the money, for him it seems to be a warped way of measuring himself up against the universe, challenging the fates to pave whatever way they have in store so he can have a mandate to abide by. He makes a mess, owing everyone in town, but won't take the easy way out because a bet is a bet; opportunity for self-worth.

So when the fates shuffle the deck and he's dealt the role of hapless stooge who loses everything, he goes through it with stoic persistence to settle debts. Ray Liotta is as good as he was for Scorsese in a similar twitchy role as fates conspire to crush him.

It's no Asphalt Jungle where the heist is the ritual that opens us from anxiety to dreamlike visions, but it beats Reservoir Dogs.

Noir Meter: 2/4 | Neo-noir or post noir? Neo

I, too, had never heard of this movie. I never saw it advertised, and I never saw it at theaters. I happened to stumble on this on cable one night. Man, what an excellent movie. A dark, brooding movie of desperation and corruption. Ray Liotta is as good as I've ever seen him, and Anthony LaPaglia nearly steals the movie with his portrayal of an evil, brutal cop, whom you will hope and pray you never cross paths with. Just an excellent little movie that, it appears, not too many people knew about. Very well done!