Phoenix

Did you ever see one of those awful action thrillers or crime dramas (where, as Jon Stewart once pointed out, "all the action takes place in a strip club"), usually starring Mickey Rourke, Eric Roberts, Rutger Hauer, Michael Madsen, or some refugee from the Brat Pack, on late night cable? Well, "Phoenix" is the "Chinatown" of those movies. Which, in case you miss my meaning, means it's really quite good.

This is a supremely fun film if you like (or hate but have seen) any of these B action flicks. It should be used in film schools when teaching this overlooked genre ("Contemporary exploitation films," they'd probably call them.). This movie has a loan shark, a bookie, crooked cops, bagmen, a strip joint that figures prominently in the plot, a sultry siren in bed with everybody, a cleverly masked heist, a lucky fill-in-the-blank item, a burned out beauty with a sexy jailbait daughter, and a hero with a chance at redemption, if only he can keep from screwing everything up. This movie's got everything, and that's the point.

Ray Liotta stars (in, for my money, the best performance of his career) and, although one of the aforementioned crooked cops, has an incorruptible sense of honor. For example, he has accumulated a substantial gambling debt, but won't let anyone else pay it off or make it go away because he refuses to "welsh." It's a piece of advice given to him by his late gambler father, you'll probably not be surprised to learn.

The plot is, to pay off the sizable debt, Liotta and three of his fellow crooked cops mastermind a heist in a strip club where everything goes wrong while they wear funny animal masks. "But," as I often tell people, "it's not like it sounds."

If you're still not convinced, the fact that Anjelica Huston is a part of this film's great cast should tell you something. Also, watch out for the amazing Tom Noonan as a lisping bookie and a scene with Giovanni Ribisi where you can see the conclusion coming but is still satisfying even if you've already figured it out because of Liotta's intense performance.

3 out of 4 stars on the fun scale. (Probably less on the quality scale.)

I, too, had never heard of this movie. I never saw it advertised, and I never saw it at theaters. I happened to stumble on this on cable one night. Man, what an excellent movie. A dark, brooding movie of desperation and corruption. Ray Liotta is as good as I've ever seen him, and Anthony LaPaglia nearly steals the movie with his portrayal of an evil, brutal cop, whom you will hope and pray you never cross paths with. Just an excellent little movie that, it appears, not too many people knew about. Very well done!

"Phoenix" is a hidden gem. I've seen it over five times. For some reason, it never gets old.

Harry (Liotta) is a cop with a gambling problem. He can't stop. He owes money to "Chicago" (Tom Noonan) and he if he doesn't pay up, he dies. Harry's partners Henshaw (LaPaglia) and Nutter (Baldwin) are dirty and are becoming "collectors" to bookie Louie (Giancarlo Esposito). Harry needs money fast and the only way is to rob Louie. Everybody goes along with the plan until there's a double cross.

There's not a lot of action in the movie until the end, but it's not needed. Ray Liotta is excellent in the movie. But the supporting cast steals it from him. LaPaglia is fantastic as Henshaw. He makes the character come alive. Baldwin, Esposito, Kari Wuhrer, and Anjelica Huston all get their time to shine.

"Phoenix" is a gritty crime movie that Liotta and LaPaglia fans must see.

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This is one of those films that somehow falls under the radar and languishes undeservedly in obscurity. In a fairly convoluted plot, Ray Liotta plays an honest cop with a gambling addiction who comes up with a plan to rob a loan shark in order to pay off his debts. He enlists the aid of three of his colleagues (Daniel Baldwin, Jeremy Piven and the unappreciated Anthony LaPaglia, who gives a film-stealing performance here) unaware that one is sleeping with another's wife and is under investigation.

Although the story unfolds a little too slowly at times, writer Eddie Richey's script has a lot of depth, lending some diversity to a bunch of what could otherwise have been genre-stereotypical tough guys. The quality of the writing is high, with some off-the-wall dialogue and unique insight into such diverse subjects as King Kong, Three-on-a-match, Looney Tunes cartoons, and Dostoyevsky's gambling addiction. Brit director Danny Cannon creates some arresting images (an alternately sun-scorched and rain-sodden Phoenix in monsoon season) and manages to create loads of atmosphere despite often selecting extreme close-ups to emphasise the thoughts and emotions of the characters. There are no weak performances but, together with LaPaglia, the ever-dependable Ray Liotta stands out in the lead role.

The ending is probably weaker than it should be because it takes a little too long for all the strands to be neatly tied, but this is still an impressive piece of entertainment that deserves to be better known.

Harry is a police officer - he is also a degenerate gambler in debt to bookie Chicago for $32K. That's basically the plot, it seems simple but it is enough to drive the film's core once it has been surrounded by plot twists, tension, strong performances, interesting characters and good dialogue.

Hats off to Danny Cannon - he was the great British hope once after making Young Americans and going to the US he then messed up with Judge Dredd. But here he shows that he does have talent to lead a dark thriller successfully - albeit he is helped greatly by the plot and his actors. The film follows Harry and his 3 colleagues as they revolve around several loan sharks and bookies whilst also trying to have lives and relationships. The main focus is Harry's addiction to gambling in all areas of his life. There is also a subplot involving Angelica Huston which is meant to represent Harry's potential redemption, but this is not well developed and is secondary to the main story. The story eventually turns into a heist-gone-wrong movie but even then has enough twists to keep the interest.

The main strength of the film lies in the actors that are assembled together here. Liotta plays the role well, making it possible to like this person but also making his gambling side believable - it's hard not to feel for him and his bad luck as the film progresses. Anthony Lapaglia, Daniel Baldwin, Jeremy Piven are all excellent for different reasons as his colleagues. Piven good as the cop drawn into things he doesn't want to do and Baldwin and Lapaglia are as solid as every in corrupt roles. Both Ribisi and Huston are capable of great performances but neither have a lot to work with here in terms of time or plot involvement. Giancarlo Esposito is as good as ever in a small role as Louie the loanshark - but then I've never seen him put in a bad performance, even in a bad film.

Overall the plot is similar to many other crime thrillers out there. What makes this rise above the normal TV material is a dark atmosphere from Danny Cannon, a strong lead in Liotta with uniformly great support from the rest of the cast and tension an twists throughout.