Le flic de San Francisco

Eddie Murphy plays a hostage negotiator in San Francisco, he lives a dangerous life, but he still thinks it´s pretty okay. One thing he doesn´t think is okay is when his friends gets killed. But that is just what happens, his best friend is murdered by an evil jewel-thief, and now Murphy wants revenge.

The plot in "Metro" did not really impress me when I heard about it. Eddie Murphy as a comical hostage negotiator... It sounds pretty corny to me, but it was actually not as bad as it first seemed. The action scenes are well made, especially the breath taking car chases down the steep streets of San Francisco.

But I can´t really say the movie was good. The plot is not very original, this could actually have been titled "Beverly Hills Cop 4" and no one would have noticed. Between the action scenes there aren´t very much to write home about. Murphy is occasionally funny, but he can be really annoying too.

The best thing in "Metro" is definitely the villain, played by the underrated Michael Wincott. He is truly the perfect bad guy. That rasping voice, that glance in his eyes, wow! He can make even the simplest villain into a terrifying monster, which he should be highly praised for. And I wonder if not this guy holds the record in movie-deaths? I´ve seen Wincott in about ten movies, and he gets to meet his maker in all of them! I almost feel sorry for him, but I don´t think he´s complaining too much. If he dies in "Metro" or not, I´ll let you figure out for yourself.

Back to "Metro" now. If you don´t expect any clever ideas, just some good action sequences with a silly plot, it´s not that bad. But on the other hand, not that good either.

* * ½ out of * * * * *

If you rent this movie thinking it is another Eddie Murphy action-comedy, you better think again!!!! This movie is STRICTLY an action flick. Of course, that's not a complaint, it's just a statement. Murphy still is enjoyable as the hero. He's not playing Axel Foley from the BEVERLY HILLS COP movies, but he sure seems a lot like him. It also steals elements from some of his earlier films. In my opinion, this is a guy movie. The women will probally be bored by the non-stop action and the fact that the only woman in the movie is Eddie Murphy's girlfriend, but action fans will LOVE this movie!!!

Eddie Murphy as a foul-mouthed, loud-mouthed action lead? I'm in. True, the man has done little worth one's time past the 80's, but he's fun to watch with only a few exceptions. The plot and writing in general is cliché-ridden... the best way to enjoy the film is really to avoid thinking about it, and just going with it. The action scenes are fairly well-done, and the cinematography is decent enough. Whether or not you enjoy the frequent jokes appearing early on regarding one particular characters identity is difficult to say... personally, I found them to be somewhat cute. The humor in general is fair. The dialog is okay, but not terribly memorable. The plot progression is good enough. The action isn't breaking any new ground, but it manages to be exciting and intense, and fairly well-edited, as well. The finale is quite good, very good tension. The acting is good... Rapaport and Murphy work well together, and Wincott makes a good villain(as Alien: Resurrection will tell you, he makes an awesome bad guy, criminal type). The romantic interest of Murphy works well... they've got good on-screen chemistry, and their scenes together are credible. In conclusion; sure, we've seen all this before... but it's still good for a fun two hours. I recommend this to big fans of action films and/or Eddie Murphy. 6/10

Perhaps the biggest problem in Eddie Murphy's career always was, that people expected him to be a fast talking guy whose mouth gets him in and out of trouble. As soon as he tried to escape that formula, viewers were in for a disappointment and found his movies below than average.

If you leave that behind, "Metro" is a solid action movie with a couple of remarkable stunt scenes. It's also very delightful to see that it tries to leave some of the usual "veteran cop gets rookie partner" routine behind and playfully mocks some standard suspense elements: you see a young girl in front of her opened bathroom mirror searching for something. The music swells. She starts to close it and what does the viewer expect? To see the face of the killer when the mirror closes. But nada. Those are really refreshing bits.

Murphy's performance is quite solid, the story is what to expect from an action movie and refreshed, as I said, by the bits above.

Scott Roper is a wise cracking hostage negotiator, he is however exceptionally good at his job. After bringing down a particularly nasty bank robber called Michael Korda, he sets about winning his old girlfriend back whilst breaking in a new partner, Kevin McCall. When Korda escapes from prison there is only one thing on his mind, revenge, can Roper outwit Korda once again? And if so, at what cost?

There has always seemed to me to be something of a negative bias towards post 1980s Eddie Murphy (Roper) films, it appears that no matter what, nothing that comes close to his best 80s efforts will ever be deemed worthy. Now I'm not saying that Metro is a world beater, or even close to Beverly Hills Cop and Trading Places, but it's an accomplished thriller with classy bits of Murphy humour thrown in. It also boasts splendid support from Michael Rapaport as Roper's intelligent partner McCall, both men playing off each other to good effect, while Michael Wincott with his gravel voice used to full effect, is impressively devilish as the bad guy of the piece. Let down by a weak female lead in Carmen Ejogo, and certainly the familiarity of the genre loses the film any real sense of impending dread, but for a quick fix of nonsense entertainment on a blustery cold night, it's a more than OK viewing. 6/10