Ma 6-T va crack-er

Ma 6-T va crack-er is one of a rare breed: a genuinely rebellious movie. But also a movie with a strong political perspective: the perspective of true marxist-leninist communism, the idea that we have to build a revolutionary communist party and that - although the working class strikes remain the center of the revolutionary process - spontaneous violent resistance from the poor suburbs (the "banlieue" around Paris and other large French cities, with a great majority of immigrants) will be an important part of the revolutionary process. This movie also makes a strong point about violence between proles: it says that poverty makes you direct your violence against ill-chosen targets (rival gangs, ...), but that one spark can set the plain on fire, that one "incident" (the cops killing one youth, for example) can redirect the just violence against the true enemies: the state, the bourgeoisie, the cops.

It is not a thriller nor a crime film, but a social, brutal, gritty but also a bit ankward social drama in the line of LA HAINE, or RAÏ, made two years earlier. But there is a thing that I can't realize, I can not believe, is that no one - even in France, on french movie blogs - no one has noticed that the previous Jean-François Richet's film: L'ETAT DES LIEUX, made two or three years earlier, was also a suburb violent social depiction. L'ETAT DES LIEUX was somewhere the prequel, the draft, of this one. Played in both cases, for both films, by mostly non professional actors - as also was LES MISERABLES - made twenty years later, those two features are mainly destined to suburb, ghetto audiences for whom it was a huge success, as also was SCARFACE, one decade earlier.

After learning that some brave soul (fool?)was remaking Assault on Precinct 13, a seminal movie experience from my youth, I tracked down this earlier effort from Richet because he sounded like a fascinating director. There are some clear comparisons to be made in regard to this film and Le Haine, they share the same milieu and the focus is almost exclusively on the male protagonists. However, Ma 6-T feels more like a documentary at times, the style less obvious than that of Kassovitz. When the camera follows the players on a youth centre's basket ball court, the game deteriorates in to ugly gang violence and the viewer feels like an helpless spectator on the side lines, such is the ability of Richet's camera to draw us into the drama. This long take-the film is made up of a majority of these-is the kind of cinema that Andre Bazin would applaud, however he may have been less amoured to the occasional flourish, particularly during one scene where the circular motion of the camera feels more like an homage to DePalma. Richet clearly likes his characters (he his from the Paris projects)but unlike Le Haine there is more of them and thus they are less clearly defined, making it difficult to empathize with them. He does not give them any kind of arc, allowing for a more fly on the wall feel. This approach forces the viewer to consider their plight without having to fall for the winning charms of Vincent Cassel. Are they victims of society or just a bunch of losers? There is some suggestion that they are both, the few women portrayed in the film have jobs or are trying to better themselves, or more tellingly represent authority figures, like the female head teacher and police woman. The male characters just seem to complain about their lot without ever doing much about it, brilliantly conveyed during one scene by two of them pondering why they are sitting at a bus stop. Some of them talk of revolution but are more interested in their turf wars between rival project gangs, rather than joining together for a real class war. A riot seems to be the only possible conclusion but the film is bookended by the images of a women and a girl, presumably her daughter, raising arms. Is the future in the arms of the women? Perhaps so, because regardless of the obvious intelligence of the male characters, they are all oozing too much testosterone to care too much about the future and seem to enjoy a pretty vacant and violent now. This film gives me hope for the forthcomimg remake of Assault on Precincr 13, lets hope that Richet can apply as much intelligence to the remake as he did to this engrossing sophomore effort.

exactly , that was the mistake of Jean Francois Richet, he tryed to mix hiphop and political convictions, the idea is smart, but youth in france are not followers... they tryed to make hiphop artist represent their propaganda to influence youth,,, but you also have to know that Jean francois Richet first movie was already a rebellious and destructive movie about ghettos in France...

its interesting to see this movie, but its is a point of view of whats happening in France, not what is really happening,,,

a movie like " THE HATE " from Matthieu Kassovitz , is way more realistic on this subject.

I wonder what people find so wrong about this film for giving it a 5.4 -I give it a 8 . I find this film superior to LA HAINE , because it don't just show the thirst for revolution of the youth , its analysing it and shows why a certain system dont work and have to be changed . Its not one of those movies that pretends to show a fair and realistic view on delinquency just by showing nothing or in an artificial way , those film who preravicate what's really the truth, like all those American almost ridiculous films like DANGEROUS MINDS. The good films about the culture of the youth of today , violence , anarchy , are MA 6-T VA CRAC-KER ( CRACK C-T ) ,and others like DE BRUIT ET DE FUREUR . Its not the conventional filmmaking, there's clips, long shooting and riots sequences and its filmed in an almost documentary and innate approach , Richet directed his film freely , with no big spending, he said to the non-professional actors to just act and talk in a natural style, like everyday , as though there wasn't any camera. A good film who show the youth abject to the capitalism and want some radical change. A film showing violence by showing violence , not really denouncing it but encouraging it.