Kull le Conquérant

Kevin Sorbo goes from TV's legendary Hércules to Sword-witchery hero Kull the conqueror , a warrior who becomes king of a mythic land , Valusia . Overthrown by a corrupt nobility (Douglas Henshall , Thomas Ian Griffith) Kull starts a perilous journey to a Island of Ice to find God Balka and the one weapon that will destroy the she-demon , an evil sorceress Akiyasha (Tia Carrere) . Meanwhile , Kull falls for a slave (Karina Lombard) of the former harem of a nasty King (Sven-Ole Thorsen) .

Stars the hunk Kevin Sorbo who battles warlords in animal skins , wizards, sorceress and fantastic gods in this dumb-but -fun Sword and Witchery film . Featuring brutallity , magnificent production values by prestigious designer Benjamin Fernández , colorful cinematography and rousing musical score by Joel Goldsmith . Acceptable film , although the PG-13 rating keeps some the mayhem and violent fights less bloody than might be expected for this popular sub-genre : ¨Sword and Witchery¨ that had splendor in the 80s .¨Kull the Conqueror" is based on the 30s character created by pulp writer Robert E Howard who also originated Conan the Barbarian . A fine Sword and necromancy movie in the wake of Conan The Barbarian by John Milius and Conan the Destroyer by Richard Fleischer produced by De Laurentiis . In fact , it was originally going to be the 3rd Conan film "Conan The Conqueror" also financed by Raffaela De Laurentiis and would be an adaptation of the novel by Robert E. Howard. Which a 45 year old Conan, now King of Aquilonia, learns of a group of conspirator's plot to depose of him, by resurrecting the ancient sorcerer from the pre-Hyborian empire of Acheron. Camp fun , good humor and somewhat silly finale with embarrassing FX with a horrible , ugly and badly-made monster . Passable acting by body-builder Kevin Sorbo in heroic Hercules style , he maintains sympathy admirable sense of humor throughout . He is well accompanied by a good support cast , such as Tia Carrere , Douglas Henshall , Thomas Ian Griffith , Harvey Fernstein , Sven Ole Thorsen , Edward Tudor , Litefoot , among others .

Thrilling and exciting soundtrack by Joel Goldsmith , son of the notorious composer Jerry Goldsmith ; however , containing some inappropriated electronic sounds . Evocative and glimmering photography by Rodney Charters . This action-fantasy was professionally directed by John Niconella (1942-98) . He was a writer , director and especially producer . He directed a few films such as Sunset Heat , Runaway father and Finish line . And directed various TV episodes as Crime Story , Leg work , The watcher , Dark Justice , The Heights , Miami Vice and several others until his early deat at 53 . rating : 5.5/10 , decent action fantasy movie though it has some flaws and gaps .

Former slave and pirate, Kull is now a great warrior but can't seem to fit in with the army because he is one of the few who does not have noble blood. When he stands up to the King for slaying his relatives, Kull is forced to fight and kill him and, as a result, the King sees the light and passes the crown to Kull seconds before dying. The Princes don't like it and the court officials are pretty unimpressed but the law is the law and whatcha gonna do? When he starts to free slaves, treat lesser as equals and generally be a nice king, the Princes plot his removal but when assassins fail they go to a wizard to breathe life into a demon in a ginger wig in the form of a gorgeous woman.

I must admit that, when I recorded this I thought that it was Krull from 1983 simply because I had misread the television guide. Never having bothered with Xena, Hercules or any of these modern swords and sorcery television series and movies that tend to clutter some cable stations in the UK because they all seemed of very low quality to me, but I still decided to watch this anyway. Perhaps it is because the lack of development and character isn't a major problem for me over 90 minutes whereas it is over a 22 week long series but I actually did enjoy this even if it just plays like an extended version of one of these shows – all rock music and modern humour.

The plot is very simple but is enough to allow for the basic fighting and swaggering that the audience would demand. It isn't that well written of course and simply has lots of mystical nonsense in the place of narrative while the characters could only be more one-dimensional if they had been painted onto a wall. Likewise the cast don't do a great deal but at least they seem to be having fun and at least not take it too seriously. Although I'm not about to claim he is anything other than a muscle-bound cable television actor, I was quite won over by Sorbo's charisma and good humour – he makes a good lead for stuff at this sort of level. Despite being stuck in a silly red wig that does nothing for her looks, Carrere enjoys overacting in a vampy role which is good even if she has little screen time. Lombard has a plainer, less fun role but I did enjoy her and she worked well with Sorbo. The princes are quite fun, in particular Griffith and, as always, Fierstein camps in up in the way only he can. None of them are great but at least they make the film seem like a bit more fun.

Overall this is not the film to come to if you don't like the genre or have standards higher that daytime television (Hercules is now a kids TV filler on channel 5 here) but if you like that sort of thing then this does just about enough to be an entertaining little bit of modern sword and sorcery in the mould of, well, everything else Sorbo has been in!

KULL is not to be taken seriously, even though it is derived from a serious book by the author of the Conan stories, Robert Howard. Kevin "Hercules" Sorbo plays Kull, a warrior in search of a kingdom in a time long forgotten, in a breezy, off-handed manner -- and his refusal to take his character too seriously works in favor of this low-budget quickie. The ever-delectable Tia Carrere plays a witch who plans to take over the world, and she is absolutely delicious as a supernatural villainess. The fights are clumsily staged, the sets are from hunger, but the dialog is a lot of fun and everyone would appear to be having a good time. A rainy day pick. It certainly kicks Red Sonja's butt.

The screenplay writer must have read Howard's book, since there are literal quotes like `By this axe I rule!', which Kull exclaims during the coronation, yet again, this movie is no serious attempt to capture the raw, barbarian spirit of Howard's heroes. `Kull the Conqueror' reminds me of `Sinbad and the Eye of the Tiger' rather than `Conan the Barbarian' or `Hercules'. Exactly like Patrick Wayne, Kevin Sorbo has to sail to the Land of Ice to find a solution to his problem: the evil witch threatening the once peaceful kingdom. `Kull' is nice, colourful adventure, Sinbad with more muscles and less charm, nothing special, but not as bad as some reviewers wrote, either. I'll watch it again on a rainy day. Of course, if you expected another `Conan the Barbarian', you'll be disappointed, but `Conan the Destroyer' and `Red Sonja' were no match for this masterpiece in the past, and `Kull' is at least a bit better than these two.

Tia Carrere as the red-haired witch Akivasha who cannot be killed, for she is living in a fire, is brilliant. Her immediate transition from the enchanting beauty to screaming rage compares to nothing. I still didn't figure out why Sorbo chose the same profession as De Niro and Dustin Hoffman, but he's passable here. Give it a try if you like the genre.

I like Kevin Sorbo, so I watched the film. It wasn't mentally tasking and it never set out to be. The movie was designed to be campy and it said so. You heard the rock music in the background during the trailer, so why are people so disappointed with it? I still enjoyed it for its dry wit and simplicity. It was a nice flashback to those old Conan movies. I've heard that Kull is Conan's father, and I don't know much about this character from the Conan films, but I dug him. I found him charming. The Conan movies wasn't much in the way of smart either, but people still enjoy it. I liked the combination of modern themes and music with the extremely old school nature of the film. It was like a land before time or something. Watch it if you just wanna watch something and don't expect much.