Keep the Aspidistra Flying

No one is better at pontificating while poking fun at themselves than the English, and if you enjoy that sort of thing, this movie is definitely worth watching. Along the way you get to sneer at wealth, poverty, capitalists, communists, the bourgeoisie and proletariat, business, respectability, advertising, poetry, bookstores and readers, hardy plants, loathsome but endearing friends, parasitic siblings, impatient lovers, and self-delusion. All of this comes with an intelligent script, quality acting, and personalities you've met before and would like to meet again. A gleeful romp for those who don't take themselves or their ambitions too seriously, who find sadistic humor distasteful, and who tire quickly of nude/bathroom/body fluid jokes.

In 1930's London, Gordon Comstock (Richard E. Grant) works in the advertising business as a copywriter. His work is so outstanding that he is one of the most valued employees of the firm. Yet Gordon longs to leave the mundane existence of the average worker and become "a poet and a free man". When one of his poems sells for a reasonable sum, he quits his job to devote himself to writing. However Gordon's girlfriend, Rosemary, is aghast. She had hopes for an impending marriage and a comfortable, middle-class life. When writing full-time proves difficult, Gordon sinks lower and lower in terms of places of residence and fiscal circumstances. Yet, he stubbornly pursues his dream, leaving Rosemary in a most unhappy state. Will Gordon come to his senses and return to the stable existence of the work force and the good graces of his lady love?

This is an absolutely delightful movie that is a joy to watch. The main actors are excellent, the cinematography is outstanding, and the costumes and settings lovely to look upon. The script, based on a George Orwell book, is first-rate and engagingly humorous. There is also a level of sophistication that is as pleasing as it is approachable. Finally, there is a satisfying love story that will please any fans of romantic comedies. In short, this is a movie that should appear on lists of recommended films of the highest level. It is truly worthy of much praise.

I went to see the film as I saw parts of it being made. I wanted to see how Woburn Walk could be turned into a road in Hampstead. I liked the film. I wondered why the critics had such a downer on it. Then I read the book and could understand why.

Richard E. Grant was not vicious enough as Comstock and somehow the poverty which Orwell depicted in his book has been cleaned up to the point that you just can't see why Comstock was having so much of a problem. Comstock's arrest has been cleaned up too and the ending was all wrong.

If the film had been released under another name then it would probably have got a smoother ride and only been said to be a pastiche of Orwell's work. If you haven't read the book or seen the film, see the film first.

I loved this film. It's much more cheerful than the book, but what's wrong with that? Artistic license can be a wonderful thing, and those who wanted it to be 1984 should go and watch 1984. When I watch this, I see Gordon Comstock engaged in a futile battle against his own intrinsic middle-classness. He's a pain at times and the film has endowed the character with more humour than he had in the book, probably so that the viewers understand why his friends don't just leave him to stew.

Grant is perfectly cast as Comstock, and keeps him just this side of bearable. Bonham Carter is equally perfect as Rosemary, the long-suffering girlfriend. Add in an excellent supporting cast and there you have it.

The soundtrack's beautiful, except for the song at the end which just shouldn't be there. The settings are stunning, as they rightly should be. All in all, it's a perfect, witty film and one I will never tire of.

If only more films were made with such clever and funny script, lively characters and downplayed irony! Comstock is perfectly embodied by Grant, and it's not hard to participate in his tribulations, as 90% of people have had money troubles and have tried to write a poem at one time or another in their life. I totally disagree with the comments which would like this film to be another Kafka-clone. We've had enough of that!