Les années rebelles

"Inventing the Abbotts" seems like the sort of movie that they just made for no particular reason. Portraying some relationships in 1957 Illinois, the movie is worth seeing. Maybe not any kind of masterpiece, but interesting. I liked the fake sideburns scene, and the, uh, scene under the table. Joaquin Phoenix was showing the same acting skills that he later brought to "Gladiator" and "Walk the Line", and Liv Tyler, Billy Crudup, and Jennifer Connelly also did quite well.

I guess that overall, there's nothing really unique here. There have been many slice-of-life stories. But this one is pretty well done with some good performances. Worth seeing.

Don't know why I didn't see of hear of this film back in 1997, but I don't remember any noise about it at all. Excellent screen play with fine characterizations by all actors; absorbing story and a true-to-life story that hits home at any time. The era was well represented by costume and settings; one of those "good little films" that get lost in the shuffle I guess. Bravo to all associated. I'll recommend it!

Pat O'Connor's coming of age period piece 'Inventing The Abbotts' tells the story of two brothers and the Abbott family from their point of view (even though Doug does the narrating). Most have described this as a romantic film but I see it more as a human drama about relationships and growing up in the 50s. It also works very well as a character-driven film and there's plenty of symbolism in Ken Hixon's screenplay, giving the film (in combination with the score and beautiful cinematography) a lyrical feel.

'Inventing The Abbotts' boasts of a wonderful ensemble. The Abbott sisters are played by beauties Jennifer Connelly, Joanna Going and Liv Tyler while the Holt brothers are played by Billy Crudup and Joaquin Phoenix. Tyler does a decent job while the rest of the actors are excellently cast. Phoenix portrays Doug's recklessness, frivolity and growth with conviction while Crudup demonstrates Jacey's obsession and resentment with élan. Connelly (as the wild and tragic sister), Baker (as the quiet, strong and fragile mother), Patton (the ruthless father) and Going (the doomed sister) are superb.

O'Connor has successfully captured the look of the 50s and 60s. The art direction is splendid. There are some beautiful shots of breathtaking landscape.

In the end, 'Inventing The Abbotts' is a very human story. It stresses on human flaws, the perception of them and how it can lead to ones destruction and how 'loving no matter what' can help overcome any obstacle.

I saw this film on a flight to Australia. I'd never heard of it but it would pass some time. In fact, I thoroughly enjoyed it. It has a Forest Gump kind of charm but a lot less humour. It also reminded me of the early soap operas like Peyton Place in the way it portrayed 1950's America. The unfolding of the family story is well spun out so that you only gradually come to appreciate the tensions involved and indeed some of the scenes are only understood after later revelations show up a new significance. The characters were believable and the twist in the tale of the story sufficiently unexpected but predictable in retrospect that you kick yourself for not realising. A family film with little to worry the censor other than some mild fisticuffs and a small amount of what might have been referred to in the film as "fooling around". The interplay between the leading roles is exceptional, both between the two brothers and between Liv Tyler and Joaquin Phoenix.

I found this to be a sweet and emotional film. The direction by O'Connor was swift and engrossing and I liked the way he let you see each character differ when they were around another character. Like the way Joaquin Phoenix's character gets all lustful around Jennifer Connolly, but restrains himself around Liv Tyler.

Considering this is the film that brought them together in real life, I'm not surprised that Joaquin and Liv were so tender with one another. Both of them have the acting ability, where you only have to look into their eyes to know what they're feeling or trying to convey. For all the bitterness some characters offered, it was the relationship between Pamela and Doug that captured me.

Just a sweet love story, and that can be OK sometimes!