Robinson et les sauvages

This story was great. I was on the edge of my seat worried for the boy the whole time. It brought out a strong emotional response considering there is so little dialog. Almost as good as Schindlers List if not so much an epic. Makes you want to go after the Nazi's yourself. Because of the Nazi's this boy endures and is forced to do things that a Little boy should never have to do. He survives only due to his ingenuity, bravery, and the compassion of a few that don't agree with what the Nazi's are doing to Jews in Poland. A must see, but bring your Kleenex. It has very little dialog, but the visual story and the music set the mood.

Left alone to fend for himself in the rubble of the Warsaw ghetto, 11 year old Alex (Jordan Kiziuk) must try to survive and also avoid the ever-present Nazi soldiers in this gripping, intensely moving film. The viewer becomes totally involved with Alex and his plight, as he courageously and inventively continues to avoid detection. The acting, particularly that of young Kiziuk and the late Jack Warden as his kindly uncle Baruch, is superb. The dialog is fairly sparse, letting Alex's expressions and body language show his fears and emotions, which are masterfully rendered. The production design is incredible, and one feels transported to that time and place. The musical score is appropriately somber and haunting, and the cinematography stunning. Some reviewers have commented on the British accents of several characters, but I don't feel that it's a detriment. Overall, an outstanding cinematic achievement, deserving of its many awards. Appropriate for older children (12 and up), though there are several scenes that contain violence. Well worth seeking out, this is a film you won't easily forget. Highest recommendation.

i was a little uncertain when i was first introduced to this film...my friend had bought it and it really didn't seem interesting, i mean come on...another nazi v. jew film but i was surprised...

this story is origional following a little boy who is left alone and is being hunted by the nazi's. his courage comes from a book and his best friend is a little mouse named snow...

the story follows the boy as he decides to wait in dangerous territory for his father, whom although was taken away, promised to return...

this is a touching story and a great chapter for anyone iterested in this tragic time period...

I don't know if the story's true - it might be. Makes you think. At times makes you even feel that it is real - right in very front of you.

I found myself from all the hiding games. The boy's events were partly an adventure - playing hide and seek with the gestapo (panthers) all by himself with his assistant Snow (Friday). And partly a nightmare where the war grips everything away and leaves you no choice but to crawl into your hideout and cry. You really feel&fear for the kid when soldiers come to find the last of the Jews again and again and again...

I think the director made quite a decent job (at least above the average) by telling the story so visually. Not too much talking here - and it is mostly in English, which is odd. Although some scenes I would've done differently.

I didn't know the composer was Z.Preisner until read it here, but you sure will notice a meister at work. At least when the ending credits roll.

Director Soren Kragh-Jacobsen sure picked his young protagonist well -- Jordan Kiziuk as Alex in the Danish film "The Island on Bird Street" practically carried the film by his undeniably superb performance. The film is about a Jewish young boy, bordering teens, his survival "adventure" in Poland during Nazi occupation.

How heartwarming can an uneasy wartime premise be? It actually achieves beyond "Jakob the Liar" -- Alex's courage, his creative ways in taking care of himself when he's all alone, his tenacity and steadfast belief that his Dad would come back for him…hold its own. And there is suspense: we fear for him, we want him to succeed, we pain, and we felt angst and joy with him. The set of his hide-out is somehow graphically appealing: a solitary, broken brick wall arrangement, with atmospheric lighting, and momentary interludes: a solitary dog on a street, paper off the ground dancing in the wind…

Music is by Zbigniew Preisner (Krzysztof Kieslowski's "Trois couleurs: Bleu" 1993, "Rouge" 1994, "The Double Life of Veronique" 1991, also "Fairy Tale: A True Story" 1997), hauntingly complements the plot. This may not be of Hollywood stature likened to "The Schindler's List", yet it's a small film with powerful impressions. It's a life-affirming story. Alex hanged on to hope -- we can, too.