Iruvar

Undoubtedly the best movie i have ever watched. Mani Ratnam, Mohanlal, Prakash Raj, A R Rahman & Santosh Sivan at their best. Mohanlals act in this film is a guide for all budding actors. The soundtrack of the film is amazing. Every shot of this masterpiece looks like picture postcards. Thanks to Santosh Sivan. I don't mind watching this film a hundred times. Iruvar is Aiswarya Rai's first film & its definitely her career best film. Mani Ratnam , Mohanlal & Rahman deserved national awards. Its a pity that they were not given national awards.Another thing which surprises me is that the movie was a flop, which is a wonder aspect of Tamil Cinema.

Iruvar is a kind of movie only Mani can make. It is an experimental work with almost true storyline, mellow music score and wonderful performances from the cast.

The movie might not be of interest and significance by the audience who aren't familiar with the political history of Tamilnadu. Before watching this piece, the viewer needs some knowledge about the relationships and friendships of Ex-CMs of Tamilnadu.

Mohanlal, Prakashraj and Aishwarya Rai are the main leads in this movie. Lal and Prakash have done their best. However talented actresses like Tabu and Revathi appear in few scenes and don't have much scope to show their acting skills. But this is one movie they would not have regretted acting in. The art direction, camera-work and costume design are excellent.

An outstanding experimental work though not a huge commercial success. A must see for the film institute students.

This film tells the story of two friends and the parallel events in their lives. Although Rathnam states officially that this film is not a true story, it is generally believed that it was inspired by the real life stories of M. R. Karunanidhi and MGR during the beginning days of the DMK and their respective film careers.

Everyone always calls this film a "documentary" and tends to emphasize the fact that it supposedly tells the story of Karunanidhi and MGR. I think this film has very little to do with politics. It goes beyond the popular perception of two famous political figures in TN and tells their personal stories and attempts to disconnect these two characters in the movie from the superficial symbols of power we may perceive them as.

People that stubbornly hold onto to the idea that this film is about former Tamil Nadu chief ministers Karunanidhi and MGR (M.G. Ramachandran) will most probably not enjoy this film as much as people who view it as a drama about two ordinary men who turned out to do extraordinary things.

Some of the finer points in the movie are the unsaid words between Mohanlal and Prakash Raj (not their role in politics!). All the invisible dialog that goes on between the two of them is reflected in the background music. Mohanlal plays Anand with a high level of sensitivity. Prakash Raj is also brilliant. Good, controlled performances from the rest of the cast. This film also has two wonderful songs--"Narumugaye" & "Poo Kodiyin Punnagai." Both have amazing lyrics by Vairamuthu and good visuals, as well. Santosh Sivan's camera-work is spectacular, as usual. He impresses in a nicely-captured, post-lovemaking scene with Tabu and Prakash Raj.

Mani Rathnam has told a fine story about two friends. One who is a film actor whom the people love dearly and harbours political ambitions. One who is an accomplished writer, poet and politician. sounds familiar?

Anand is played by Malayalee actor Mohan Lal and Tamil Selvam's role by the very talented Prakashraj.

One cannot miss the resemblance to the real lives of M.G. Ramachnadran and Karunanithi. However very little is revealed of Pushpa who plays the love interest of Anand. Perhaps Manirathnam was playing his cards carefully, avoiding possible repercussions from Ms Jayalalith, who was the real life mistress of MGR.

There is also some fine acting by Naser who portrays the real life Tamil leader, Anna Durai. Indian cinema has few directors who can make a film that will stand the test of time. Manirathnam is one of them. The story for this film has been well researched and planned. Most Indian films skip these vital steps prior to production. Some may complain about the typical indianess of the film with the usual song and dance sequences in a good film like this. But do bear in mind that the intellectual crowd who sees the usual song and dance as a distraction is a minority. Majority of our desi brothers go to see Aishwarya Rai shaking about. And a movie can make money only by pleasing the Lowest common Factor of the society: The typical desi. Unless Mani Rathnam entertains them we won't have the opportunity to see more movies from this fine director.

Anandan is a very aspiring and talented stage-actor. He dreams of making it big in films and approaches various sources. Luck favors eventually and he notches up with a director and meets Tami Chelvan who happens to be a writer and an atheist. They both become the thickest of friends. Anandan meets huge success and Tami Chelvan uses his popularity to make in-roads in his political career.

Ego clashes erupt subsequently and Anandan overthrows Tami Chelvan from power. It is a beautiful drama of two friends and their ego. Photography, Score and Direction are commendable.

I really recommend this to connoiseurs of quality films