In & Out
- 1997
- Tous publics
- 1h 30m
IMDb RATING
6.4/10
46K
YOUR RATING
A midwestern teacher questions his sexuality after a former student makes a comment about him at the Academy Awards.A midwestern teacher questions his sexuality after a former student makes a comment about him at the Academy Awards.A midwestern teacher questions his sexuality after a former student makes a comment about him at the Academy Awards.
- Nominated for 1 Oscar
- 7 wins & 18 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Some movies want to make us think, some want to excite us, some want to exhilarate us. But sometimes, a movie wants only to make us laugh, and "In & Out" certainly succeeds in this department.
Indiana high-school teacher Howard Brackett (Kevin Kline) is going to be married to fellow teacher Emily Montgomery (Joan Cusack) in three days, but the whole town is more excited about the Oscar nomination of former resident Cameron Drake (Matt Dillon). But when Cameron wins an Oscar for playing a gay soldier, he thanks his gay teacher, Howard, for inspiration. What follows is Howard denying it in an hilarious set of mishaps in a truly screwball fashion.
Kevin Kline is great, exuding gay stereotypes. Joan Cusack really has a knack for screwball antics. Debbie Reynolds is utterly hilarious as Howard's mother. And Bob Newhart is also a hoot as the homophobic principal.
Gay screenwriter Paul Rudnick really achieves a delicate balance here. He knows the stereotypes and exploits them in a way that's mostly tolerable to conservative Midwesterners and yet mostly inoffensive to the gay audience. It's not exactly progressive, but it's funny and inoffensive, and definitely a step up from the previous year's "The Birdcage."
Indiana high-school teacher Howard Brackett (Kevin Kline) is going to be married to fellow teacher Emily Montgomery (Joan Cusack) in three days, but the whole town is more excited about the Oscar nomination of former resident Cameron Drake (Matt Dillon). But when Cameron wins an Oscar for playing a gay soldier, he thanks his gay teacher, Howard, for inspiration. What follows is Howard denying it in an hilarious set of mishaps in a truly screwball fashion.
Kevin Kline is great, exuding gay stereotypes. Joan Cusack really has a knack for screwball antics. Debbie Reynolds is utterly hilarious as Howard's mother. And Bob Newhart is also a hoot as the homophobic principal.
Gay screenwriter Paul Rudnick really achieves a delicate balance here. He knows the stereotypes and exploits them in a way that's mostly tolerable to conservative Midwesterners and yet mostly inoffensive to the gay audience. It's not exactly progressive, but it's funny and inoffensive, and definitely a step up from the previous year's "The Birdcage."
In & Out is a comedy with a simple premise. It admirably succeeds in the mission of being funny and entertaining.
The comedy in this film ranges from the ridiculous to the sublime, physical comedy exists alongside dry humor, with a nice veteran turn by Bob Newhart. Kevin Kline is predictably in excellent form in this film, alongside Tom Selleck not playing to his expected "square jawed" leading man type. Mr. Selleck plays his humor well and displays a nice sense of comedic timing. The cast makes this film successful.
Not all films with homosexual themes are made to advance some sort of sinister, hidden Hollywood liberal agenda, in point of fact this film was simply made to entertain, and if any part of this films makes the viewer think, then it was a byproduct of the well-acted work by a terrific cast of professionals. Frequently tongue-in-cheek, I found myself laughing at the right moments. A solid "B."
The comedy in this film ranges from the ridiculous to the sublime, physical comedy exists alongside dry humor, with a nice veteran turn by Bob Newhart. Kevin Kline is predictably in excellent form in this film, alongside Tom Selleck not playing to his expected "square jawed" leading man type. Mr. Selleck plays his humor well and displays a nice sense of comedic timing. The cast makes this film successful.
Not all films with homosexual themes are made to advance some sort of sinister, hidden Hollywood liberal agenda, in point of fact this film was simply made to entertain, and if any part of this films makes the viewer think, then it was a byproduct of the well-acted work by a terrific cast of professionals. Frequently tongue-in-cheek, I found myself laughing at the right moments. A solid "B."
Without a doubt, much humor and good performances. The scene with the "Exploring Your Masculinity" tape (this is the one where Kline is told that real men don't dance) had me laughing so hard that I had tears in my eyes.
Unfortunately, everything that I had seen and read about this movie before I went to see it indicated that it was a case of a man who was wrongly "outed"... period. When it became evident that he was going to end up being gay (notice his foot-lifting during the kiss with Selleck), I felt very let down.
I didn't want to go see an "it's okay to be gay" movie (there seem to be enough of that type already). I wanted to see the teacher who seems to fit the "gay profile", if you will, gets falsely outed, but nevertheless is "straight".
Making Peter Malloy (Selleck) gay shows that gay doesn't have to fit any preconceived profile (remember, this is the guy who played Magnum, P.I.). But by making Howard Brackett (Kline) gay, it supports the idea that sensitive, poetry-loving (etc.) men must be gay. The viewer would have been better served had the movie stuck with the premise that gay/straight doesn't have to fit a stereotype; let "manly" Sellect be gay and "sensitive" Kline be straight.
Don't interpret this as a gay-bashing/homophobe review; it is not. I sympathize with Kline's character inasmuch as I am a man in his early 30's who is still unmarried, and occasionally catches the "how come he isn't married" sort of thing from people.
Unfortunately, everything that I had seen and read about this movie before I went to see it indicated that it was a case of a man who was wrongly "outed"... period. When it became evident that he was going to end up being gay (notice his foot-lifting during the kiss with Selleck), I felt very let down.
I didn't want to go see an "it's okay to be gay" movie (there seem to be enough of that type already). I wanted to see the teacher who seems to fit the "gay profile", if you will, gets falsely outed, but nevertheless is "straight".
Making Peter Malloy (Selleck) gay shows that gay doesn't have to fit any preconceived profile (remember, this is the guy who played Magnum, P.I.). But by making Howard Brackett (Kline) gay, it supports the idea that sensitive, poetry-loving (etc.) men must be gay. The viewer would have been better served had the movie stuck with the premise that gay/straight doesn't have to fit a stereotype; let "manly" Sellect be gay and "sensitive" Kline be straight.
Don't interpret this as a gay-bashing/homophobe review; it is not. I sympathize with Kline's character inasmuch as I am a man in his early 30's who is still unmarried, and occasionally catches the "how come he isn't married" sort of thing from people.
I didn't care for this at first, but it is really a funny movie. Kevin Kline is his usuall good self as an english teacher who is outed at the Academy Awards by a former student, and he is due to get married soon. Wilferd Brimley is hilarious as Klines dad & Tom Selleck as an openly gay reporter steals almost every scene he is in. Its not one of my favorites, but its better than alot of other "gay comedys".
...in every way. It's a 1997 Fairy Tale. If you think this set LGBTQ rights back 20 years, we'll IT's 26 years OLD!!!!
Get a grip; this is a charming, sweet fairy tale about self discovery, and these days, a bit of a time capsule- So watch it, enjoy the good, funny and occasionally biting script, the wonderful performances and terrific direction.
It is what it is- engaging and enjoyable,
I'm kind of shocked that people in 2023 watch films and TV from the 1960's, 70's, 80's and 90's and judge them for not being woke enough: this is this very media that woke us up! We would not be as aware, inclusive or ( at least most of us) understanding if it were not for the ideas in older media.
Get a grip.
RESPECT!
Enjoy!
Get a grip; this is a charming, sweet fairy tale about self discovery, and these days, a bit of a time capsule- So watch it, enjoy the good, funny and occasionally biting script, the wonderful performances and terrific direction.
It is what it is- engaging and enjoyable,
I'm kind of shocked that people in 2023 watch films and TV from the 1960's, 70's, 80's and 90's and judge them for not being woke enough: this is this very media that woke us up! We would not be as aware, inclusive or ( at least most of us) understanding if it were not for the ideas in older media.
Get a grip.
RESPECT!
Enjoy!
Did you know
- TriviaThe Oscar statuette used in the film is Kevin Kline's. He won it in 1989 for his performance in Un poisson nommé Wanda (1988).
- GoofsThe timing referred to in the film is way off. The celebration dinner before the wedding is held in the daytime before the Oscars. At the dinner, Howard states that he is getting married on Sunday, in three days. The Oscars are never held on Thursday, they have been held either Sunday or Monday. Meanwhile, this is a short time before high school graduation, which is in late May or early June. The Oscars are now being held in January or February.
- Quotes
[while listening to the "How to Be a Man" tape]
Voice on tape: Repeat after me: Yo!
Howard Brackett: Yo!
Voice on tape: Hot damn!
Howard Brackett: Hot damn!
Voice on tape: What a fabulous window treatment!
Howard Brackett: What a fabu...
Voice on tape: That was a trick!
- Crazy creditsDuring the end credits, the cast is dancing to "Macho Man" and goofing off at Berniece and Frank's wedding reception.
- SoundtracksEverything's Coming Up Roses
Written by Stephen Sondheim and Jule Styne
Performed by Ethel Merman
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- ¿Es o no es?
- Filming locations
- Sparta, New Jersey, USA(exterior bar scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $63,856,929
- Opening weekend US & Canada
- $15,019,821
- Sep 21, 1997
- Gross worldwide
- $63,856,929
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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