Les seigneurs de Harlem

It seems to me like in today's film world, critics, whether it be Ebert or the viewers, are quick to down a film if it has a large budget. I think Hoodlum fell victim to this epidemic. With a bankroll of wonderful actors and actresses, and some of the best historical recreation of the locations, the movie delivers. The plot was simple, but it doesn't need to be complicated in a gangster flick like this. It was based on real people, so the creators of the film cannot go ballistic on changing the story. Maybe the 'critics' would like it better if it had a little green man who uses the force, or maybe a future crime prevention device. Well, you won't find this here. It's a wonderful, semi-true story about the way things were in Harlem and the surroundings areas back then. Fishburn turned in a wonderful performance, and Roth played a great villian as he always does. Just relax, and take it for what it's meant to be. Entertainment.

"Hoodlum" is a film that deserved much better. Bill Duke, its talented director, gives us a picture of what the Harlem of the thirties was like. In fact, "Hoodlum" suffers when it's compared to Coppola's "The Cotton Club". Mr. Duke, an actor himself, was able to amass a great cast and he got performances that are amazing from this first rate ensemble.

The cast headed by the brilliant Laurence Fishburn is amazing. Mr. Fishburn is basically the whole reason for watching the film. His Bumpy Johnson is a larger than life figure in that era. Tim Roth also is quite amazing as Dutch Schultz, a white man who saw the hidden treasures of the black community of Harlem and tried to capitalize in that world. Andy Garcia plays Lucky Luciano, an Italian man who also was instrumental in the criminal activities one sees in the film.

Also in the cast, Vanessa Williams, Cicely Tyson, Loretta Devine, William Atherton, Queen Latifah, and the rest, respond well to Mr. Duke's command.

The film is entertaining and will not disappoint fans of the genre, or of Mr. Duke.

Riveting film about gang wars and race relations in 1930s New York, with Ellsworth "Bumpy" Johnson (Laurence Fishburne) at the center. Engaging characters and situations make this overlong movie watchable; but Andy Garcia doesn't channel Luciano as well as he should, and Tim Roth turns Dutch Schultz into such a blatant stock villain that one wonders what the real Arthur Fleggenheimer was like. Otherwise, excellent performances all around - and Paul Benjamin steals several scenes as a creepy assassin who talks as if he eats tobacco leaves for breakfast. Emotional and powerful.

I had this movie on homemade VHS for a while and just received the DVD.

Mesmerizing!!! Beautifully Filmed! Hats off to Bill Duke - another very distinguished African-American director!! Once you get past the fact that the movie is FILLED with phenomenal performances from the likes of Laurence Fishburne, Andy Garcia, Tim Roth, Vanessa Williams. Queen Latifah, Loretta Devine, Clarence Williams III, and of course, Miss Cicely Tyson you also discover a gem of a movie.

It follows the exploits of a 30s Harlem gangster Bumpy Johnson. Fishburne reminds you of why he is such a charismatic actor. His performance here is one you can watch over and over again. Of course the movie may have been exaggerated but what movie isn't?! It is a very stylized presentation and the obvious attention to detail to create the look and the feel of the period help intensify the viewing experience.

I am quite proud of the production and highly recommend it become part of your movie collection. Notwitstanding that is a worthy project, there are treasures of performances here that warrant attention.

Overlong but riveting, highly visceral mob movie with a difference, as it shows the rise to prominence of "Bumpy" Johnson (Laurence Fishburne). Johnson, fresh from a stint in prison, goes to work for successful Harlem numbers racketeer Stephanie St. Clair (Cicely Tyson), then takes over the operation when she is sent to prison. His approach, unsurprisingly, is much different and more proactive than hers, which comes in handy when they are forced to deal with the activities of Arthur Flegenheimer, a.k.a. "Dutch Schultz" (Tim Roth), a pathologically greedy, flamboyantly nasty creep just full of swagger.

Fishburne commands the screen with his calm and cool performance as Bumpy. His Bumpy is a man never caught off guard, a man with his own philosophy and way of life that prevents him from wanting to enter churches. His love story in this fictionalization is Francine Hughes, played by the lovely Vanessa L. Williams, who adds a great deal of humanity to the scenario as she tries to distance herself from Bumpys' actions; even when she is clearly acting in self defense as she shoots a would be assassin, she feels very uneasy about it.

Andy Garcia is merely passable as mob boss of the day "Lucky" Luciano, but there are plenty of other despicable antagonists to raise the ire of the audience. Richard Bradford plays a corrupt police captain, calling to mind his role in "The Untouchables", except that here his character is a racist as well. William Atherton plays real life attorney Thomas Dewey, who is portrayed as being just as crooked as anyone in this tale. The radiant Tyson shines in her limited screen time. Chi McBride supplies both comedy relief and a level of heart as Bumpys' cousin "Illinois" Gordon, and Loretta Devine is likable as his lady friend. Queen Latifah isn't given much to do in her small supporting role. Some very fine character actors dot the landscape: Clarence Williams III, real life brothers Mike and Beau Starr, Paul Benjamin, Joe Guzaldo, Ed O'Ross, J.W. Smith, Eddie Bo Smith Jr., and John Toles-Bey. Roth tends to steal the show, although there's nothing subtle about his performance or the way that Schultz is written.

On the technical side, some reasonably good period recreation is done, Bill Duke directs with style, and there's a lovely score by Elmer Bernstein as well as a few musical numbers.

"Hoodlum" is decent entertainment, but that's what it is: entertainment. It's only loosely based on the real stories of the real life people involved, so it isn't to be mistaken for a history lesson.

Seven out of 10.