Highball

Okay, now this is a very funny movie...if you can appreciate its brand of humor. If big-budget Hollywood comedies are your bag, and you need a bunch of sight gags and constant over-the-top situations in order to laugh, then you'll probably see this movie as a boring, poorly-made waste of time. But it's not...and if you're a fan of stage plays or older-style comedy films (before the attention span of the average film-goer plummeted), then you'll certainly get some laughs from this outing.

Filmed on a shoestring budget over six shooting days, this film is an impressive result. If it had been shot in three months, and had turned out the way it had, it wouldn't seem quite as impressive...but it would still be a funny movie. What I'm saying here is that not only is it a good comedy, it's also one of those rare films that's shot quickly, for very little money, and STILL manages to shine.

As a filmmaker, I would have never attempted to shoot a comedy on such a tight schedule, with so little money. Comedies are very tricky...by comparison, dramas are much easier...at least in my mind. But this little no-budget comedic gem packs in enough laughs to please fans of stage comedies and classic cinematic comedies. Truly an impressive film which delivered more than I'd expected it to.

I could talk about what's wrong with this movie but the most important thing is I laughed out loud several times. That makes it worth the time I spent watching it and I would do it again. Oh yes, don't expect there to be any point to what is going on - there is none.

What a shame this movie was so dull. So many great actors, some doing a terrific job. Chris Eigeman, for example, is a master of this type of intimate, low-budget film which, with far less editing than is seen in slicker productions, is at times closer to theater than to Hollywood; his delivery is natural and his body conveys enough that the extensive cutting it takes to make some actors come alive can be safely dispensed with. For pure fun, the great Peter Bogdanovich spoofs the insider impersonations that are a well-known aspect of his conversation.

Sadly, such quality is not the standard. John Lehr starts out painfully over the top as Miles, and Carlos Jacott as Felix is barely believable until the bar scene well into the middle of the film - although he redeems himself with a strong and funny performance in the last ten minutes of the film. The couple whose apartment is the only setting are an unlikeable and unconvincing pair much given to excesses of acting that bring out rather than overcome the weaker points of the script.

In fact, unlikeability is at the center of the film: Felix, about whom what little plot there is revolves, is known to all but his 'best friend', Jessie, as a louse; Jessie's wife describes Felix accurately as an asshole. Unfortunately few characters are more sympathetic, and only Eigeman's Fletcher, who rarely appears, is pleasant enough to carry the viewer past the stilted dialogue and melodramatic hamming that are the movie's basic features.

If this were a student film, I would understand, but it's not. The director takes a pseudonym because, well at least I believe, because it's an experiment gone very wrong. I'll make a list

1. The lighting, blunt, bullying, washout. It's almost unnerving to watch as if a science fiction.

2. No story served with a never ending plate of hit or miss bon mots. I call it self-indulgent. I won't lie to you and say there aren't flashes of wit and charm... there are, but I find that this film is very much like what it shows: a person who tries too hard and has you cornered at a party.

3. The set... it's soooo dark. Why? Do you want me to have a nervous breakdown instead of laughing which is the intent I assume.

4. Noah Bambaugh has made me laugh a lot in his other films. All the while, I felt that he had the potential to go off the rails into the realm of pretentiousness, banal, insufferable New York upper east/west side intellectual hipster dreck. In the previous films he created memorable, earnest characters and a plot. Not this time... without story you are left with nothing.

It's a nice surprise to see so many famous names get together for a (very) low budget film like this (the end credits celebrate its being filmed in just six days). Even nicer than that is the incredibly witty dialogue and situations that are so perfectly satirized at a party. This film follows a group of couples (and the permutations therein) and their friends at three parties- a housewarming, Hallowe'en, and New Years. You've been to one of these parties. You know these people. There's the insufferable prick that keeps getting invited, theres the Grudge between two guys, there's the ex-girlfriend dating someone else now... etc. It's a BRILLIANTLY funny movie, and there it gets funnier each time you watch it- too many of them go over your head the first time round.