Hercule

I'm a huge fan of Greek mythology, so even though I really liked this movie, I couldn't stop knit-picking all the little details that Disney screwed up. Here's just a short list:

1) Hercules wasn't Hera's son. In fact, she hated him!

2) Amphitryon, Hercules's foster dad, wasn't alive. Zeus came to Alcmene in the form of her dead husband's spirit.

3) Hercules wasn't a god. He was the son of a god (Zeus) and a mortal (Alcmene), making him a demigod. However, he did gain access to Mt. Olympus following his death.

4) The titans were not the monsters depicted in the movie. They were the Gods before the Greek Gods came on the scene, though it was after Zeus came along that they lost most of their power and got smaller jobs.

5) Hades was never `sentenced' to be the God of the Underworld; he asked for the job. Zeus even tried to persuade him not to do it.

6) Hercules never rode Pegasus; that's a totally different legend.

OK, I'll admit that I'm anal-retentive about the facts, but honestly, I really did like the movie. James Woods was hilarious as Hades (I couldn't stop laughing, he obviously had a lot of fun doing his lines), and Megara has got to be my favorite Disney heroine ever. This is definitely a movie for all ages; as long as you can get the Greek mythology fans to shut up for five seconds, you'll enjoy it.

Although I know I have heaped praise on several other Disney films...Hercules stands out as my favourite among them all. After this movie the Disney features once again seemed to slip downhill. However I can watch this movie again and again, it has a spectacular Greek chorus, gospel type score, which will ring in your head for days (and you will like it!). The characters are all likeable, even the villain and it is absolutely hilarious!

I have never understood the panning this film got from Disney fans, as I have never comprehended what there is to dislike. The animation is beautifully done, although it is done in the style of Greek art, which may not be to everyone's taste (very similar situation to Sleeping Beauty which was disliked by some because it was animated in the style of a medieval tapestry), but it works wonderfully for the film.

Take a chance and watch it...and when you're done watching it for the sixteenth time, go out and buy the soundtrack!

I'm shocked to see this movie with a rating below 7. As a big Disney fan, I'll go out on a limb and say this is one Disney's top 5. There isn't a Disney movie out there with wit as sharp as this one's with much of it probably lost on the audience guessing by the rating given to this movie.

"Meg" definitely emerges as my all-time favorite female Disney role. Breaking from tradition, her character is not all that lady-like in her biting wit and sarcasm, but it works, serving to make the movie funny and her character lovable despite working with questionable motives.

The set-up and plot is typical for the movie but the script, animation, and music are most original AND good. IF I had to register a complaint, I would say that it's perpetual humor kept the movie from being emotionally wrenching. However, this movie remains one of the most entertaining I've seen. 8.5/10

I don't usually like villains, even in Disney movies, because they're too scary, but I loved James Woods as Hades. He was so funny. I loved the way he called Megara "my little nutmeg." I also loved the way they depicted Thebes like New York and they called it "the big olive." I loved Meg's cynical and sarcastic attitude. Hercules himself was rather bland. I loved the song "Go the Distance." Paul Wylie skated to it and showed how powerful the song is. I really enjoyed this movie and I don't care if it departs from Greek mythology. It was really about our time anyway. I'd watch it again in a Pelopenisian minute.

This is possibly my favorite Disney movie ever. With a razor-sharp wit, perfect comic timing and a fresh plot that transcends most other Disney fairy tales, this one's definitely a keeper.

You'll be enchanted right from the first number, in which the five Muses (from Greek mythology) set the stage of ancient Greece in a powerhouse gospel number which gives a whole new meaning to a Greek chorus. Recalling the three ladies in Little Shop of Horrors or Motown groups like the Supremes, the Muses appear randomly throughout the movie to narrate the story of Hercules with jazzy musical numbers that you'll be humming for days. The songs (by Alan Menken) are certainly a twist from the classic Disney musical, but there's enough variety to create a great, well-rounded musical. The writing is the wittiest in any Disney movie ever, with constant in-jokes and hilarious references to Greek mythology to reward the amateur scholar. The lyrics, too, are witty and full of tricky rhyme schemes that must have been a doozy to write but play out perfectly on screen. (You'll be flat-out awed by how many things rhyme with the phrase "gospel truth".)

Another of the highlights is the heroine, Megara or Meg. She's in no way a typical Disney princess. She's sassy, sexy, cynical and dangerous - and more winning by far than any warbling Cinderella or whiny little mermaid. The villain, Hades, is also a fun, witty character, although plenty dangerous in his own right.

Of course liberties have been taken with Greek mythology. The dysfunctional Olympian family has been cleaned up (No more Zeus having affairs or Hera trying to kill people) and the story has little in it of the original Greek legend. Instead, it's really an archetype, a modern retelling of all the Greek legends at once. Appearances are made by the Muses, the Hydra, satyrs, the Fates, Pegasus, the Titans, Narcissus, and of course all of the Olympian gods. Scholars may take offense, but since legends evolve and are to be taken with a grain of salt anyway, I didn't have a problem with it.

Yes, it's cheesy, just like other Disneys. But when nobody else is around, there's no resisting the corn. The third act is absolutely heart-wrenching, and even if it's over-the-top, it never truly goes over the top, and the constant bombarding of wit keeps things from getting too touchy-feely. Besides, tied together with a golden Disney score, who couldn't resist a dose of adventure, heartache, redeeming love, and most of all, heroism? Just let yourself be carried away to ancient Greece and you'll forget the movie's problems in a Pelyponnesian minute. As the Muses would say, that's the gospel truth.