A therapist counsels Will Hunting, a janitor with a genius IQ.A therapist counsels Will Hunting, a janitor with a genius IQ.A therapist counsels Will Hunting, a janitor with a genius IQ.
- Won 2 Oscars
- 25 wins & 61 nominations total
- M.I.T. Student
- (as Vic Sahay)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Featured reviews
Because before they were anybody, they were just the writers of this tale of a reluctant human being named Will Hunting, a mathematical genius who wore the guise of a hoodlum, and all of the sudden obstacles he had to take on to truly step in to manhood. Among these obstacles were a straight-forward shrink who outright dared Will to bulls*** him (played by Robin Williams, who got his overdue Oscar for it), a brilliant M.I.T. professor who felt it his own personal redemption to put Will's mind to great use somehow (Stellan Skarsgård, who never fails to steal nearly every scene he's in), and a girl who doesn't understand why the boy she loves so much cannot love her.
It was these obstacles that made Will Hunting such a complex character: while he was a genius at the definite (math), he was a bit of a moron at the indefinite (human relationships). His rough-edged exterior was simply a cry for help, and the process of which the obstacles in his life realized that and attempted *to* help him was nothing short of extraordinarily touching.
Yet I'm giving this one 10 out of 10.
I don't know whether Matt and Ben have ever been in therapy, but they certainly understand a lot about the human psyche, how it ducks responsibility, and pushes blame onto others, how it dismisses the real gifts it has and concentrates on running itself down. How many of us suffer from the same problems as Will? Only those who deny their own vulnerability will remain unaffected by this film.
Not only is the script powerful, but the dynamics between the characters - all of them selfish, even Skylar - is vividly and plausibly executed. The film just about manages to avoid easy answers, preferring to acknowledge (indeed, highlight) the complexity and pain of personal growth and self-realisation.
You could read a lot of self-help books, but they won't bring across to you as powerfully as this film what it's like to be scared, what it's like to experience loss, how difficult it is to shake off your old ways of thinking, how important honesty to yourself is. If this is the kind of revelation Matt and Ben are going to come up with, I look forward to their future efforts.
The first time I saw it, I felt moved as the credits rolled. On my way home from the cinema, I felt sombre. When I got home, I finally burst into tears. This film burns slowly, inside you.
As cinema, it's fair to middling. The performances are all first class. The script is a jewel. As wisdom, it's second to none. A fine achievement.
What "Hunting" essentially consists of is some two dozen conversational scenes, bridged together with short transitions of physical activity. What is rather remarkable is that one isn't aware of the dramatic limitations comprising the structure. This is a real tribute to the cast, director, and of course, the script. While the basic situation is really quite far-fetched, it is made to seem plausible--again, the mark of good, convincing writing. The story behind getting the script sold and produced on the terms of the writers' preferences is fascinating. Still, one can't really call it luck, for both Damon and Affleck "paid their dues" -- and success did not just fall into their laps. These are two talented young men, with perseverance; and how wonderful for them to have achieved such success while still youthful and full of vitality.
"Good Will Hunting" is a good production, with solid craftsmanship in all departments -- thanks to the creativity of Damon and Affleck.
The fact that it was written by Ben and Matt was a shock to me, I did not expect any strong writing and a solid script, but boy was I wrong. The movie lasts for 2 hours, and every minute of it I couldn't even focus on anything beside the incredible world of Will Hunting.
Matt plays Will Hunting, who is a brilliant young man who denies his unreal intellect. Will has had a very abusive childhood which hurt him mentally to a point where he can no longer let anyone close to him aside from his best friend who is played by Ben. That is until a professor at one of the top colleges finds Will's talent and helps him out of trouble with the law. Robin Williams later comes in as a therapist to Will, he is the only one who can really stand up to Will's intellect and manages to break the layer of distrust that Will has developed over years of solitude, and the two develop a bond beyond friendship.
Yes there is a girl, but this is not a romantic movie. There is more to life then what we are taught and what we have to show for it.
The writing is witty, brilliant and hilarious at times, both Matt and Robin Williams preform wonderfully from both a comedic and theatrical prospective. Matt's best work since Dogma and Williams best along side Dead Poet's Society.
If your looking for a typical Hollywood movie with a Hollywood ending, then do not bother spending two hours on this movie. This movie is ahead of it's time, and lands an easy 10 out of 10.
This one is a keeper in my movie library.
Did you know
- TriviaIn 2014, after Robin Williams died, the bench in the Boston Public Garden where he and Matt Damon had their conversation scene became an impromptu memorial site. People left flowers, quotes, and various items at the bench. A petition has been passed around to erect a statue in Williams' memory near the bench.
- GoofsWhen Sean tells Will his wife used to fart all the time, even in her sleep, everybody laughs. The camera starts bobbing up and down twice during that dialogue. Apparently, the camera operator was laughing, too.
- Quotes
Sean: [sitting on a bench in in front of a pond in park] Thought about what you said to me the other day, about my painting. Stayed up half the night thinking about it. Something occurred to me... fell into a deep peaceful sleep, and haven't thought about you since. Do you know what occurred to me?
Will: No.
Sean: You're just a kid, you don't have the faintest idea what you're talkin' about.
Will: Why thank you.
Sean: It's all right. You've never been out of Boston.
Will: Nope.
Sean: So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right?
[Will nods]
Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
- Crazy creditsThroughout the end credits, Will's car is driving down the highway until the very end, when the car drives around a bend and disappears.
- Alternate versionsIn the theatrical release, Chuckie gets angry with Morgan for using his little league baseball glove as "clean up." However in the TV version, Chuckie ends the scene with a curt "Why don't you do what you're doin' at your house." Also, when Will is with the first psychiatrist, the mention of "putting from the rough" is deleted.
- ConnectionsEdited into Good Will Hunting: Deleted Scenes (1998)
- SoundtracksBig Strong Man
Arranged by Brian Warfield
Performed by The Wolfetones (as Wolfe Tones)
Courtesy of Shanachie Entertainment Corp.
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Mente indomable
- Filming locations
- Massachusetts Turnpike, Massachusetts, USA(End scene with Will driving down an idyllic highway on his way to Stanford)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $138,433,435
- Opening weekend US & Canada
- $272,912
- Dec 7, 1997
- Gross worldwide
- $225,933,435
- Runtime2 hours 6 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1