Maverick teacher John Keating returns in 1959 to the prestigious New England boys' boarding school where he was once a star student, using poetry to embolden his pupils to new heights of sel... Read allMaverick teacher John Keating returns in 1959 to the prestigious New England boys' boarding school where he was once a star student, using poetry to embolden his pupils to new heights of self-expression.Maverick teacher John Keating returns in 1959 to the prestigious New England boys' boarding school where he was once a star student, using poetry to embolden his pupils to new heights of self-expression.
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- 20 wins & 19 nominations total
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Summary
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The thing about this film is that it doesn't shorten its importance to Williams's performance. The supporting cast is one that balances the film like no other. Every one of those students that revived the DPS is, in one way or another, influenced by Mr. Keating, be that positively or, unfortunately, negatively. The story being an Oscar winning screenplay, is one that I think mostly resonates with younger people, and with this movie being part of my 10th grade Portuguese course, I, personally, embraced its essence and of course its driving message of seizing the day.
As I've seen here on IMDb, this movie might not gather nearly uncontested praise, but it is very much highly regarded today as it was 25 years ago. The final scene still gives me chills to this day, and in the midst of our sad goodbye to Mr. Williams I just wanna say Thank You My Captain. It was a pleasure learning to become my own motivated person. May we all Carpe Diem
Rating: 9/10
When I first saw this in the theater I felt disappointed and baited and switched. Robin Williams may be top billed, but he is not the center of the film although he is the motivating character. He is a new teacher at an elite private school for boys that has traditions that probably nobody remembers the reasons for. Williams' character is out of step with the rest of the faculty at the school and encourages his students to seize the day. Anyone who grew up with the overbearing-we-expect-more-out-of-you parents, or even attended boarding school, or grew up in some similar environment can identify with the students in the film.
Every aspect of this film is powerful. From screenplay to direction, casting to acting, the movie drags us into a world of teenagers that are REAL. Sometimes funny, sometimes sad, sometimes rebellious ... sometimes they win, sometimes they lose. This is very much a Peter Weir film. The screenplay is one the most powerful ones ever, and one characteristic of this movie is the evolution the characters go through. Just like Truman Show, Witness, The Last Wave and Fearless, Weir drags his characters into the story and changes them. He evolves them so that, in the end, his characters are more human and feel something beyond traditional beliefs and codes; Things that people have died for throughout history: Freedom, Respect, Pride... things that may not be that important to an average person, things that make one a hero.
Dead Poets Society is one of those few films.
I saw the movie back when I was in High School. I had a teacher who told us that we really needed to watch it; in fact, it was our "homework" for the day. We didn't need to bring back a report, or talk about it in class. All he asked from us was to watch it, make up our own mind about it, and that was it. As you can imagine, many friends of mine didn't watch it at all; I did. And yes, I feel I changed a bit from there on.
Back when you are young, you never really stop to think what in the world you are doing with your life. You simply live for the day, hope your grades will be enough to pass, and that's it. Long term thinking involves maybe flirting with a girl. Nothing more. What this film showed me was that we have the responsability and the joy of being alive in this planet. That we are dust, and we will go back to it, so we have precious little time to make a difference. That we have a moral obligation to "seize the day, and make our lives extraordinary" (my favorite quote in all movie history). That the world, basically is ours. That the only limitations are within ourselves, and that we owe it to us to fight, to rebel against conformity, to change what we hate and keep what we love. That living in this world is a beautiful responsability, and that only cowards dare not to change it for the better.
The fact that the cast was basically my age, and was passing through the same dilemmas and situations I was facing made it all so much more powerful.
So here I sit, 12 years from that day. I still don't think I have seized the day completely. But I keep on trying; I always will. I wonder how many people were transformed by this gem of a movie; I hope many.
10 out of 10. A definitive masterpiece.
Dead Poets Society is a most underrated film by a most underrated director whose inspiring, uplifting and moral tales firmly grounded in reality are not nearly as appreciated as they should be. Here, we see one of his very personal and cradled projects, and he shows the visual style and concentration on characters in which he is so affluent. His control of the camera and the characters are very strong and very smooth. The cinematography is near perfect, with every shot, along with the editing, seamless. Also very compelling are the color-tones in every scene, perfectly matching the mood and events of the scene. Could you say this is art? Absolutely.
Then we have the performances. Robin Williams continues in stride as one who has to-date remained the most touching, heart-wrenching, awe-inspiring comedians with inarguable acting talent (he still remains my most favorite performer on the film screen). His Professor John Keating is a man who embodies every professor who you thought was cool and respectable, every person who taught or enlightened you in something out of the ordinary. In fact - dare I say it? - he teaches something EXTRAORDINARY! We have the tragically underrated Robert Sean Leonard in his role as the free-thinking catalyst student Neil. Why is this man not a household name/Hollywood heavyweight? His roles are always full of inspiration, energy, and tragic emotion that never fail to move an audience. His role in this movie is fresh, unhindered, and never pretentious as the cautionary tale of the movie. And then we have Ethan Hawke in one of his earliest roles as the point-of-view character. The entire supporting cast is very strong, also, providing the foundation and serve as the various emotional ties that further involve us in the story. Josh Charles's role as Knox Overstreet is a role that almost all guys can relate to wholeheartedly. And of course, all the actors who are in that Dead Poets Society do a fine job.
And lastly, the story. I won't summarize it since it's been summarized many times here, but I will say that it is one of the best coming of age stories for not only adolescents, but anyone. I have personally heard from nine-to-fivers who were inspired by this movie to change the situations of their jobs, careers, relationships for the better. I first saw this movie when I was 13, and immediately stamped, crowned and elevated this movie as my all-time favorite. Now that I am 18 and living on my own, with very different concerns than back then, I turn back to this movie over and over again, to find inspiration, solace and of course, entertainment. It is still my all-time favorite, and it still inspires me to seize the day and make my life extraordinary.
This movie shattered me. There's the expression that something "tugs at your heartstrings," well this movie ripped mine out.
I'll be honest, I could find things to critique about this film, the instance of a scene that was used twice and felt sloppy perhaps; but this movie never claimed to be perfect, just to be emotionally moving, and that it certainly is. This review is written by a boy who also finds himself on the edge of adolescence and adulthood, does that mean I'm biased, absolutely, but everyone who watches this film is, everyone can relate. Your feelings I can assure you will be the same as mine when the credits start rolling, rolling like the tears down your cheeks.
This movie makes you think. Conformity is easy, conformity is comfortable, conformity gets you good grades, trust me you're listening right now to a past perfect GPA teacher's pet. The thing conformity doesn't give you though, is a life, one worth living. For something to be beautiful it must also have a side of danger, and that's what freedom of thought is, as is mentioned in the movie "we must constantly look at things in a different way," and that's beautiful! Yes, it means at times we don't agree, yes it means you might give this movie a 4/10 but I'll be damned if that changes my opinion of it.
The themes this movie explores such as, never letting a moment slip by where you don't think for yourself, where you don't seize an opportunity, it does so beautifully. Robin Williams was not acting he was believing, everything in this movie comes across as genuine, a slice of reality, a harsh but beautiful one at that.
Will I watch this movie again, I don't think so. But please, please watch it just once, you won't ever regret it.
Carpe Diem.
Did you know
- TriviaWhat attracted Robin Williams to the role of John Keating more than anything else was that he was the type of teacher he, in his school days, always wished he had.
- GoofsKeating's impression of Marlon Brando is not an anachronistic reference to Le Parrain (1972) but to his role as Mark Antony in Jules César (1953).
- Quotes
McAllister: "Show me the heart unfettered by foolish dreams and I'll show you a happy man."
John Keating: "But only in their dreams can men be truly free. 'Twas always thus, and always thus will be."
McAllister: Tennyson?
John Keating: No, Keating.
- Alternate versionsTV version shown on USA Network (and released on laserdisc) includes 14 minutes of extra footage not included in the original theatrical release.
- Soundtracks'Water Music': Suite III in D 'Allegro'
Music by George Frideric Handel
Performed by Stuttgarter Kammerorchester (as The Stuttgart Chamber Orchestra)
Conducted by Karl Münchinger
Courtesy of London Records
A Division of PolyGram Classics
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Details
- Release date
- Country of origin
- Languages
- Also known as
- La sociedad de los poetas muertos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $16,400,000 (estimated)
- Gross US & Canada
- $95,860,116
- Opening weekend US & Canada
- $340,456
- Jun 4, 1989
- Gross worldwide
- $235,860,116