IMDb RATING
5.2/10
20K
YOUR RATING
A federal agent uncovers lucrative toxic waste dumps in Appalachia and must deal with the locals who want to keep their 'gold mine' secret.A federal agent uncovers lucrative toxic waste dumps in Appalachia and must deal with the locals who want to keep their 'gold mine' secret.A federal agent uncovers lucrative toxic waste dumps in Appalachia and must deal with the locals who want to keep their 'gold mine' secret.
- Awards
- 1 win & 5 nominations total
Featured reviews
Steven Seagal is one of those actors with a totally winning personality
He is simply an authority figure, a killing machine with a heart of purest gold
I can't help it; I like the guy.
In 'Fire Down Below,' he is an outsider posing as a church sponsored carpenter while he works for the Environmental Protection Agency to stop a greedy coal baron from dumping extremely large quantities of toxic wastes in abandoned coal mines Those dangerous chemicals could destroy the drinking water for thousands of miles and kill a bunch of people around the hills Seagal gallantly promised not to leave the small town until the poison from the air, the streams and the earth is taken out
Many thugs (with snakes, sticks, guns, and big trucks) are hired by the uncaring mining magnate to get rid of our action hero but Seagal remains virtually untouched
'Fire Down Below' highlights new environmental message but fails to come up with the expectations First, Seagal's amorous interest with the sad country woman seems artificial, used in the film to grant the 'new visitor' easy access to statements he might need Second, the motion picture lacks the best villain whose prowess could equals Seagal's... Steven's character never really faces much of a challenge In fact, the fight scenes are too short and extremely fast and easy
If you are a fan of country music and you want to see Seagal playing guitar and singing, and you like to explore sweeping vistas with glorious sunsets, don't miss this movie!
In 'Fire Down Below,' he is an outsider posing as a church sponsored carpenter while he works for the Environmental Protection Agency to stop a greedy coal baron from dumping extremely large quantities of toxic wastes in abandoned coal mines Those dangerous chemicals could destroy the drinking water for thousands of miles and kill a bunch of people around the hills Seagal gallantly promised not to leave the small town until the poison from the air, the streams and the earth is taken out
Many thugs (with snakes, sticks, guns, and big trucks) are hired by the uncaring mining magnate to get rid of our action hero but Seagal remains virtually untouched
'Fire Down Below' highlights new environmental message but fails to come up with the expectations First, Seagal's amorous interest with the sad country woman seems artificial, used in the film to grant the 'new visitor' easy access to statements he might need Second, the motion picture lacks the best villain whose prowess could equals Seagal's... Steven's character never really faces much of a challenge In fact, the fight scenes are too short and extremely fast and easy
If you are a fan of country music and you want to see Seagal playing guitar and singing, and you like to explore sweeping vistas with glorious sunsets, don't miss this movie!
It's been a few years coming, but not since 'Under Siege' has Steven Seagal easily fitted into his role. 'Fire Down Below' marks the beginning of a successful change of focus for Mr Seagal. Gone are the bone breaking fatal blows that really are not what Aikido is about anyway. The martial art scenes are done with speed and precision as always but are not over the top. After all, Mr. Seagal is a 7th Dan Black Belt Aikidoist. [Martial Art freaks who want blood and guts can go and watch 'Mortal Combat'.] The Mine Scene was a bit disappointing, a little unbelievable, but I did say this was the beginning of a change of focus. Gone is the basic Seagal signature type 'here comes the hero' music. Sound track is great - and yes he writes his own music and yes he can play the guitar. The scenery was great and cast, well it's as if they radiated Kentucky - I could feel it and I'm from Australia. I would have liked a little more passion at the end. Mr. Seagal seems a little ill at ease, but it may be a reflection of his own uneasiness with commitment, who wouldn't be after three marriages. All in all I liked it very much. I look forward to 'The Patriot' and 'Blood on the Moon'.
Since I haven't seen this since the turn of the 21st century, it would be interesting to see again just to see Marg Helgenberger. I really wasn't that familiar with her when I saw this movie a couple of times in the late '90s, although I had seen her before. However, now she's a very familiar face thanks to the hit CSI television show.
Anyway, the movie was a typical Steven Seagal film in that he's the likable hero, you had despicable villains that were easy to hate, and every action scene is Rambo-like in which Seagal never misses injuring his foes.
One big difference in this film from his earlier efforts: an emphasis an aesthetic cinematography. This had some beautiful rural scenes of Kentucky and in particular, a church on a top of a hill, in which a number of scenes take place. Not only is the country scenery nice but there are some good country songs in here and better yet - blues guitar music in the background throughout the movie. All of this was different for a Seagal film. Of course, the nice scenery was probably due to the fact Seagal played an Environmental Protection Agent ("Jack Taggart").
Also different was the fact that Helgenberger ("Sarah Kellogg") was not the typical gorgeous young sexpot normally paraded out in these martial arts films, but was rather plain with no makeup. She wore conservative clothing and showed no skin. (Contrast that to her CSI roles the past six years) Then again, Appalachia being the setting for this story, her dress and manner was appropriate and realistic.
Language-wise, most of the hard profanity comes from Kris Kristofferson's villain character, "Orrin Hammer, Sr.," in the first hour.
How they treated "religion" in this film was bizarre. Good, bad, good, bad - like watching a tennis match. The country reverend was the typical Hollywood wishy-washy minister: the kind would NOT see in this area in real life. The screenwriters are so clueless Seagal called him - a Protestant minister - "father" - as if he was a Catholic. Anyway, the wimpy reverend does "come around" at the end.
More examples: good-guy Seagal bows his head in prayer at church but also tells Helgenberger that "I don't hand out bibles." He also mentions UFOs and Zen to a sick little boy but also mentions "God's work" other times. He covers all the bases, I guess, from occult to the real thing. The bad guys attend church, but then they burn it down! Harry Dean Stanton tells someone that "church people talk down the others," but the next scene something positive is shown. I'm telling you: the theology in here would make your head swim.
Seagal plays a smug kind of guy but his smugness doesn't translate into an offensive jerk, perhaps because his character is so soft-spoken and he is, after all, the good guy. Every action scene in here is a Rambo imitation in which Segal beats up his opponents no matter how many of them are against him. It's ludicrous. Yet, most of the time it's enjoyable enough to watch and the sound-effects on those fights are actually entertaining, almost humorous.
About the film, I still like the blues guitar and the Kentucky scenery the best. The rest of it is pure Seagal nonsense....but entertaining.
Anyway, the movie was a typical Steven Seagal film in that he's the likable hero, you had despicable villains that were easy to hate, and every action scene is Rambo-like in which Seagal never misses injuring his foes.
One big difference in this film from his earlier efforts: an emphasis an aesthetic cinematography. This had some beautiful rural scenes of Kentucky and in particular, a church on a top of a hill, in which a number of scenes take place. Not only is the country scenery nice but there are some good country songs in here and better yet - blues guitar music in the background throughout the movie. All of this was different for a Seagal film. Of course, the nice scenery was probably due to the fact Seagal played an Environmental Protection Agent ("Jack Taggart").
Also different was the fact that Helgenberger ("Sarah Kellogg") was not the typical gorgeous young sexpot normally paraded out in these martial arts films, but was rather plain with no makeup. She wore conservative clothing and showed no skin. (Contrast that to her CSI roles the past six years) Then again, Appalachia being the setting for this story, her dress and manner was appropriate and realistic.
Language-wise, most of the hard profanity comes from Kris Kristofferson's villain character, "Orrin Hammer, Sr.," in the first hour.
How they treated "religion" in this film was bizarre. Good, bad, good, bad - like watching a tennis match. The country reverend was the typical Hollywood wishy-washy minister: the kind would NOT see in this area in real life. The screenwriters are so clueless Seagal called him - a Protestant minister - "father" - as if he was a Catholic. Anyway, the wimpy reverend does "come around" at the end.
More examples: good-guy Seagal bows his head in prayer at church but also tells Helgenberger that "I don't hand out bibles." He also mentions UFOs and Zen to a sick little boy but also mentions "God's work" other times. He covers all the bases, I guess, from occult to the real thing. The bad guys attend church, but then they burn it down! Harry Dean Stanton tells someone that "church people talk down the others," but the next scene something positive is shown. I'm telling you: the theology in here would make your head swim.
Seagal plays a smug kind of guy but his smugness doesn't translate into an offensive jerk, perhaps because his character is so soft-spoken and he is, after all, the good guy. Every action scene in here is a Rambo imitation in which Segal beats up his opponents no matter how many of them are against him. It's ludicrous. Yet, most of the time it's enjoyable enough to watch and the sound-effects on those fights are actually entertaining, almost humorous.
About the film, I still like the blues guitar and the Kentucky scenery the best. The rest of it is pure Seagal nonsense....but entertaining.
unlike most of seagal's earlier films with almost too much action,fire down below takes its time to weave another true to life tale of the abuse done to our earth by corporate americia. folks,this kind of stuff goes on everyday and it's films like these sneak a message into you without beating you over the head with it.those who are expecting plenty of guns and bodies flying all over the place every 5 seconds will be disappointed,but those who have a better view of the movie genre can enjoy this film better.
It is interesting how a previous comment on this movie was unflattering. In my opinion, this was one of his best. True, it's not as good as Out For Justice or either Under Siege flicks, but I still liked the action and the storyline. The fight scenes were great too (let's be careful to compare any Seagal fight scene to the great pool room scene from Out For Justice). I didn't think the country music was that bad (good grief, it was set in Kentucky). What else do you expect??? I'm a country music lover, so I am biased. Also, I think the country music singers (Mark Collin, Randy Travis, etc.) who had parts in the movie did an excellent job. Overall, it's worth the purchase price, and a fine addition to your collection.
Did you know
- TriviaThe box office flop of this movie caused Steven Seagal's multi-picture contract with Warner Bros. Pictures to end. However, he would work with them one last time for Hors limites (2001) and that movie proved to be a box office success.
- GoofsNear the end of the movie, Jack throws a flare towards one of the fake US Marshals who catches it just inches before it lands in a puddle of gasoline. Liquid gasoline is itself not flammable; but gasoline vapor is. Holding a flame inches away from such a large puddle of gasoline would ignite the vapors.
- Quotes
Jack Taggert: I think, Junior, if your daddy knew how stupid you were, he'd trade you in for a pet monkey.
- SoundtracksStormhouse
Written by Steven Seagal, Alex Harvey and Levon Helm
Produced by Steven Seagal and Alex Harvey
Performed by Alex Harvey
Courtesy of Clearwater Beach Records
- How long is Fire Down Below?Powered by Alexa
Details
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $16,228,448
- Opening weekend US & Canada
- $6,073,094
- Sep 7, 1997
- Gross worldwide
- $16,228,448
- Runtime
- 1h 45m(105 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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