Digging to China

Director Timothy Hutton together with an ensemble of right on performances turns what could be a weepy tale of friendship between a retarded man and an 11 year old girl into a deeply moving story on the power of love the need for human connection. Evan Rachel Wood is without a false note in her portrayal of Harriet, a little girl who searches for escape from her dreary life into an elaborate and eccentric fantasy world. She is looked at as slightly goofy by her classmates, a spirited handful by her alcoholic 'mother', and a major pain in the butt by her promiscuous older 'sister'. It isn't until Ricky, played by Kevin Bacon, and his mother come to stay at the family's motel cabins, on their way to bringing Ricky to an institution, that Harriet finds a real kindred spirit. After Harriet's 'mother' is killed suddenly in an auto accident (she had a tendency to drive on the wrong side of the highway) a crucial family secret is revealed. The friendship between these two outsiders begins to deepen. Despite the obvious obstacles of age and mental condition each provides a connection which the other needs, a relationship which allows Harriet's imagination to flourish and Ricky to feel valued and fully human for the first time. As the two other women in Harriet's family (who all look surprisingly alike enough to be a family), Cathy Moriarty and Mary Stuart Masterson are beautifully understated in their performances. Despite the problems in lives of these women each is characterized with the same indomitable spirit. We see the same spark in each of their personalities, each at a different stage of defeat and resignation. The struggle for them is not to let life's circumstances defeat them. For Harriet and for Ricky there develops a real love and friendship which is unique and wonderful but, as the title suggests, it is a relationship which is both dangerous and inevitably hopeless. First time director Timothy Hutton brings the same intelligence and thoughtfulness to his directing that he brings to his acting. He has created a great looking film and helped create some marvelous and honest performances. The visual scheme of the film effectively captures many its themes of connection, entrapment, secrecy, and fantasy. His camera also tends to sit low, giving us a child's eye view. He sometimes allows the camera to literally participate in the world through Harriet's imagination. By not burdening us with extraneous details concerning the women's relationships with male characters (except for Ricky) the characters to exist in their own emotional space. The music is artfully chosen. Digging to China captures the struggles of coming of age as well as to make our connections to one another richer and stronger. It is a carefully conceived, powerfully acted, and beautifully directed film. It goes beyond the familiar territory with style and grace. Take the kids and transcend the cynical. This is one of the best films I've seen all year.

Timothy Hutton and the cast of "Digging to China" deserve an "A" for effort and for having their hearts in the right place. Despite some awkward writing and a not entirely successful performance by Kevin Bacon, this film mostly succeeds by making you feel the deep need the characters have to connect with one another. Some scenes feel contrived, but the performances overcome this for the most part. Bacon is OK once you get used to him, but his performance feels a bit studied and overly mannered -- it doesn't flow as naturally as Leonardo DiCaprio's similar performance in "What's Eating Gilbert Grape?"

This movie shares some plotting and themes with "Lawn Dogs" -- in both films an older man befriends a lonely and odd young girl; people misunderstand and violence results -- which to me was a better movie. But "Digging to China" certainly deserves more attention than its gotten. The performance of Evan Rachel Wood as Harriet is one of the most amazing performances by a young actor I've seen in ages.

This is a poignant film that few moviegoers are familiar with. It is redolent of such recent works as Manny & Lo (featuring Scarlett Johanssen, the girl from Horse Whisperer) and Lawn Dogs (a decidedly darker vehicle, starring Sam Rockwell). Don't pass this one by, if you have a heart.

Digging to China is an unpretentious little movie. No great moral lessons are promoted here. It plays out within the limited area of a small resort motel, an old barn, the surrounding woods and streams, an elementary school, the connecting highways, a deserted caboose, and a school bus - with brief side trips to a cemetery and a hospital. No profound messages are involved; it doesn't probe the depths of the human condition. It's merely the story of the friendship between ten-year-old Harriet, a bright, imaginative loner, and Ricky, a man with special learning and behavioral handicaps. The relationship grows as each faces a major emotional life adjustment.

For a little movie, Digging to China is loaded with fantastic, deeply affecting, unforgetable images.

Tim Hutton is to be congratulated for putting this simple story together as a, yes, classic movie. Mary Stuart Masterson, quite possibly the most under-rated actress of our time, brings dignity to the evolving character of Gwen, who is determined to learn her new responsibilities. Kevin Bacon reads the part of the hurting Ricky with great sensitivity.

By its nature, the whole movie rides on the tiny shoulders of Evan Rachel Wood, and she carries it flawlessly. She can display a range of emotions many more experienced actors would kill for. In a few short minutes Miss Wood's features can slide subtly from questioning, to hopefully anxious, to happy, to forlorn - a masterpiece of acting.

Sensitive viewers will feel better for seeing it.

Director Timothy Hutton together with an ensemble of right on performances turns what could be a weepy tale of friendship between a retarded man and an 11 year old girl into a deeply moving story on the power of love and on the need for human connection. Evan Rachel Wood is without a false note in her portrayal of Harriet, a little girl who searches for escape from her dreary life into an elaborate and eccentric fantasy world. She is looked at as slightly goofy by her classmates, a spirited handful by her alcoholic 'mother', and a major pain in the butt by her promiscuous older 'sister'. It isn 't until Ricky, played by Kevin Bacon, and his mother come to stay at the family's motel cabins, on their way to bringing Ricky to an institution, that Harriet finds a real kindred spirit. After Harriet's 'mother' is killed suddenly in an auto accident (she had a tendency to drive on the wrong side of the highway) a crucial family secret is revealed. The freindship between these two outsiders begins to deepen. Despite the obvious obstacles of age and mental condition each provides a connection which the other needs, a relationship which allows Harriet's imagination to florish and Ricky to feel valued and fully human for the first time. As the the two other women in Harriet's family (who all look surprisingly alike enough to be a family), Cathy Moriarty and Mary Stuart Masterson are beautifully understated in their performances. Despite the problems in lives of these women each is characterized with the same indominatable spirit. We see the same spark in each of their personalities, each at a different stage of defeat and resignation. The struggle for them is not to let life's circumstances defeat them. For Harriet and for Ricky there develops a real love and freindship which is unique and wonderful but, as the title suggests, it is a relationship which is both dangerous and inevitably hopeless. First time director Timothy Hutton brings the same intellegence and thoughtfulness to his directing that he brings to his acting. He has created a great looking film and helped create some marvelous and honest performances. The visual scheme of the film effectivly captures many its themes of connection, entrapment, secrecy, and fantasy in a way that is rare in American commercial moviemaking. His camera also tends to sit low, giving us a child's eye view. He sometimes even allows the camera to literally participate in the world through Harriet's imagination. By not burdening us with extraneous details concerning the women's relationships with male characters (except for Ricky) he allows these characters to exist in their own emotional space. The music is artfully chosen. Digging to China captures the struggles of coming of age as well as the power of love and of the imagination to make our connections to one another richer and stronger. It is a carefully conceived, powerfully acted, and beautifully directed film. It transcends its familiar territory with style and grace. Take the kids and trancend the cynical. This is one of the best films I've seen all year.