An exceptionally adept Florida lawyer is offered a job at a high-end New York City law firm with a high-end boss - the biggest opportunity of his career to date.An exceptionally adept Florida lawyer is offered a job at a high-end New York City law firm with a high-end boss - the biggest opportunity of his career to date.An exceptionally adept Florida lawyer is offered a job at a high-end New York City law firm with a high-end boss - the biggest opportunity of his career to date.
- Director
- Writers
- Stars
- Awards
- 2 wins & 7 nominations total
Chris Bauer
- Lloyd Gettys
- (as Christopher Bauer)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Stylish, sexy, suspenseful thriller stars Reeves as an accomplished southern lawyer who's never been beaten; he travels to New York City to take a job with powerful legal mogul Pacino, but his once ideal life is soon turned upside down as he's plunged into a surreal, demonic world of lust, temptation, and vanity. Slick writing, direction, and an array of startling scenes, breathtaking effects, and dazzling performances make this an imaginative thriller quite unlike any other. Reeves gives one of his finest performances to date, aided immeasurably by a wild, wickedly over-the-top performance from Pacino and a first-rate supporting cast. Not for all tastes, but highly watchable indeed. ***½
10weckker
I saw this movie back in '97 in the theatre. It was running just a week after Cameron's Titanic. I remember the crowds that rushed to see Titanic, and an almost empty room when this movie was playing. After seeing this I thought how unbalanced is this creativity (originality) vs big budget blockbusters on one side, and the number of viewers on the other side. Later I realised that blockbusters are for the masses, and interesting movies like this one are for the few who can see beyond the FX and the small little girls tears. I was just a kid back then. I watched it again last night. And although I knew the ending, it was an awesome ride, and the ending gave me the same shivers as the fist time. If you haven't seen this one - go get it, if you have - watch it again. It never gets old, nor boring.
This is one of the most intensely dark and beguiling movies I have seen. The purpose behind it is to create a moral drama about the fight between good and evil in a man, or the devil's everlasting quest to conquer man's soul. In retrospective, there are few movies I've seen that bring out such strong feelings in me. Specially the first hour. We follow a young couple, played by Reeves and Theron in her first big picture, who move to New York from the south when he is given a job as attorney in one of the biggest firms in the country. We see the change come in Kevin as he is introduced to a world of luxury and pleasure by his boss, THE DEVIL, played by old master Al Pacino.
The ending brings a new, unpredictable and great twist to the story. I will not give it away. The supporting cast is pretty strong, specially Jeffrey Jones who plays a senior partner in Lucifer Pacino's firm and who first arises the suspicion in Kevin/Keanu with his mysterious behaviour, and Connie Nielsen as Cristabella, an extremely hot Italian colleague who is the very symbol of temptation. Nielsen looked even better here than in "Gladiator" and her performance is also more interesting. Charlize Theron displayed her range here for the first time, showing she had a great potential to become a star with her mix of ethereal beauty and acting talent. Reeves was also very good as the hotshot attorney and his looks elevated his macho hero potential. Al Pacino didn't disappoint, but his performance here counts as one of his least spectacular.
This is a dark movie with elements of horror and some gore and sex thrown in for good measure. I think Taylor Hackford never did it better. He gave us something to ponder on while entertaining and scaring us at the same time. It is a film one can't forget.9/10
The ending brings a new, unpredictable and great twist to the story. I will not give it away. The supporting cast is pretty strong, specially Jeffrey Jones who plays a senior partner in Lucifer Pacino's firm and who first arises the suspicion in Kevin/Keanu with his mysterious behaviour, and Connie Nielsen as Cristabella, an extremely hot Italian colleague who is the very symbol of temptation. Nielsen looked even better here than in "Gladiator" and her performance is also more interesting. Charlize Theron displayed her range here for the first time, showing she had a great potential to become a star with her mix of ethereal beauty and acting talent. Reeves was also very good as the hotshot attorney and his looks elevated his macho hero potential. Al Pacino didn't disappoint, but his performance here counts as one of his least spectacular.
This is a dark movie with elements of horror and some gore and sex thrown in for good measure. I think Taylor Hackford never did it better. He gave us something to ponder on while entertaining and scaring us at the same time. It is a film one can't forget.9/10
The reviews for "The Devil's Advocate" were not too kind, to say the least. But what did the critics refuse to see in this? With movies nowadays being nothing but flashy, over-the-top, masturbatory, CG-fests, "The Devil's Advocate" holds up like osmium.
The cinematography is good because it's quite understated and that's a virtue in today's cinema. The acting, while containing pretty lame Southern accents, is still pretty good. Even from Keanu, dude.
Sorely forgotten in it's day, the script tells a very deep, original and interesting story, with lots of development, respect for the characters, delicate pacing, and a head-spinning ending. The movie is solely about the people and their struggles. Fear takes hold of the audience through the dialogue.
Think of "The Devil's Advocate" as Woody Allen trying his hand at a horror/thriller and succeeding. This movie never makes you jump, but it puts you in a general state of discomfort through it's atmosphere. As with all memorable supernatural dramas, this one handles its spectacle with discretion and grace.
Isn't that what we hope to see when we watch any movie? 10/10
The cinematography is good because it's quite understated and that's a virtue in today's cinema. The acting, while containing pretty lame Southern accents, is still pretty good. Even from Keanu, dude.
Sorely forgotten in it's day, the script tells a very deep, original and interesting story, with lots of development, respect for the characters, delicate pacing, and a head-spinning ending. The movie is solely about the people and their struggles. Fear takes hold of the audience through the dialogue.
Think of "The Devil's Advocate" as Woody Allen trying his hand at a horror/thriller and succeeding. This movie never makes you jump, but it puts you in a general state of discomfort through it's atmosphere. As with all memorable supernatural dramas, this one handles its spectacle with discretion and grace.
Isn't that what we hope to see when we watch any movie? 10/10
I don't think you could put this movies in a particular catagory. It's not quite a drama and it's not quite a thriller but a bit of both. Both the movie is good, for instead of making the devil just a blood thirsty killer, it's based on temptation. Al Pacino lives in a world of beautiful women, money, power, and no guilt. There is a lot of nudity and extreme violence in this movie, but if it wasn't there the movies purpose and story wouldn't work. The final half of this movie put me in more suspense then any movie has in a long time. In conclusion, don't miss this film.
Did you know
- TriviaKeanu Reeves accepted a lower salary so the producers could pay Al Pacino's asking price. When Pacino later heard about this, he donated the same amount of his salary to charity.
- GoofsPam says she's working on getting Kevin entered into the New York bar, but New York and Florida do not have a reciprocity agreement, meaning Kevin would have to sit for the New York bar exam.
- Quotes
[last lines]
John Milton: Vanity, definitely my favorite sin.
- Alternate versionsAfter the film's initial release, Washington National Cathedral asked sculptor Frederick Hart to join in a suit against Warner Bros. claiming that a large sculpture prominently featured in the film on the wall of Al Pacino's penthouse apartment is an unauthorized copy of Hart's work "Ex Nihilo", displayed at the entrance of the cathedral. When the court stated that film's video released would be delayed if the case went to trial, Warner agreed to settle the case in February 1998. For all future releases, 20 minutes of scenes where the sculpture can be seen were edited to remove similarities with Hart's work.
- SoundtracksPaint It Black
Written by Mick Jagger & Keith Richards
Performed by The Rolling Stones
Produced by Andrew Loog Oldham (as Andrew Oldham)
By arrangement with ABKCO Music & Records, Inc.
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- El abogado del diablo
- Filming locations
- Trump Tower - 725 Fifth Avenue, Manhattan, New York City, New York, USA(Cullen's apartment - Donald Trump's personal home)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $57,000,000 (estimated)
- Gross US & Canada
- $60,944,660
- Opening weekend US & Canada
- $12,170,536
- Oct 19, 1997
- Gross worldwide
- $152,944,660
- Runtime2 hours 24 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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