Conceiving Ada

Sounds like an oxymoron right there. Contradictory as it may seem, it's literally that: Travels back in time, capturing a moment in history in "real" time -- "Mo-memory" captured and SAVE'd. Computer enthusiasts, come ye one and all -- this includes computer graphic artists, programming experts. Mind you, leisurely-paced is truly so -- nothing's really hurried. If you want action -- it's very much simply intellectual intercourse. It's not Hollywood intrigue -- it's mind game -- not tour de force like "Brainstorm" -- yes, L-E-I-S-U-R-E-L-Y-paced -- nothing really hits you over the head.

It's intriguing -- but NFE (Not For Everyone). Some might think it's too slow or seemingly just chatters and undramatic -- 'less you're a computer literate, -enthusiast, ever-fascinated by Tilda Swinton (no matter how long or short her appearance is), or simply love a film however it may be delivered. See it with an open mind (Empty your cache before you go).

There are nuances of little indications: a computer-minded person could very well be, at times, lacking in "real" emotions and feelings -- the human touches. E.g., Ada Byron King (Tilda Swinton) said to the main character Emmy, "Can you save me?" and Emmy (Francesca Faridany) said, "yes" and hit SAVE. Or, to take this further, one might see it as a comparison of then and now: what may seem difficult and impossible for a woman to break through barriers to be recognized (as the mathematical genius that Ada was) then, is fairly easy and accessible now, as Emmy hits a key and it's done -- she will be recognized for what she has researched, programmed and discovered!

Ah, there's some insights into the life of a computer couple -- some diet suggestions: they're presented as a certain COLOR day of the week, e.g., bananas are included on Yellow day, then there's BLUE day menu, WHITE day entree. (Are you curious?)

Written and directed by Lynn Hershmann-Leeson, it does feel like a story told from a woman's perspective. Definitely showed the "obsessive" pursuit of what the main character (perhaps autobiographical?) is after in her participation and wanting to succeed in this M.I.T. "ALIVE project".

You may say this is a love story -- love in different angles juxtaposed on the computer grids. There's also a dog of an interest called Charlene. Its ultimate gist of the whole event could be summed up in what Ada said -- that we should not be hung up in what she, the past, thinks and tried to immortalize her memory -- we need to move beyond and be in touch with the present and feel ALIVE and continue to discover things…

When Emmy was talking with her mentor (Timothy Leary portrays) who appeared on the wall size screen, it brought to mind Dennis Potter's "Cold Lazarus" -- a stylish scientific tale with also an advance techno challenge theme of capturing a specific person's memory and "SAVE" -- keeping the memory ALIVE and recallable. The specific person is namely Albert Finney's character in the prequel "KARAOKE". If you enjoy Albert Finney and relish Dennis Potter's amazing storytelling, you must not miss "KARAOKE" nor "Cold Lazarus".

This film also reminds me of Douglas R. Hofstadter's books -- 1) "Metamagical Themas: Questing for the Essence of the Mind and Pattern (An Interlocked Collection of Literary, Scientific, and Artistic Studies)", and 2) his Pulitzer Prize winner "Godel, Escher, Bach: An eternal Golden Braid (A Metaphorical Fugue on Minds and Machines in the Spirit of Lewis Carroll)". There's also 3) Rudy Rucker's "The Fourth dimension -- A Guided Tour of the Higher Universes". All three are worthwhile books -- fun and intrigue -- if you're so like-mindedly disposed.

A caveat: If you're tired -- unless you're a computer "nerd" -- you probably don't want to view this movie yet, as the seemingly flat tone and leisurely pace until Tilda appears may not pick you up. If you're curious and patient, and you love the idea of what computers can do, go for it, this can be enjoyable and insightful for you.

Other Tilda Swinton gems that has more of her: "Orlando" 1992 written and directed by Sally Potter, and "Female Perversions" 1996 written and directed by Susan Streitfeld, both for mature audiences.

Ok, first off *DO NOT* watch this movie if your idea of an independent film is something starring Johhny Depp or Hugh Grant. That said, *DO* watch this movie if you liked 'Pi,' or other movies that were shot on almost no budget, but still somehow manage to mix cinematic exploration of abstract concepts with elements of science fiction. Don't expect to understand this movie the first time you watch it, but after two weeks of mulling it over as you try to get to sleep at night, it'll come to have more meaning.

I found this movie important, enthralling, and maddening. Important, because Ada Byron King, Countess of Lovelace, deserves iconic status today. After all, she was the first computer programmer on record. Ada's character is well-portrayed by Tilda Swinton, who gives her both excellent clarity and a fascinating wild side. The backdrops on the past sections are recognizably digital, but lushly colorful.

The maddening part comes from the modern sections, where we are given a modern programmer who contacts Ada through her computer. This narrative drags the movie down, because it's just not as interesting as Ada. The dragging bothered me, because I really wanted to love this movie.

Throughout the movie, women are explored as complex characters, while men are rendered as arbitrarily cruel caricatures. Oh, well, turnabout is fair play, I suppose, but it didn't enhance my appreciation of the film.

Overall, I'd say, see this film. Ada Lovelace is important to our generation. Grit your teeth and sit through whatever you don't like.

This textured and thoughtful film tells the story of Ada Lovelace whose 19th century work provided the foundation upon which computer language is built. Her genius thwarted by social convention, Ada gets a second chance at immortality when a 20th Century computer genius reaches back in time to communicate with her. Both the 19th and 20th Century female geniuses must find a way to be true to their work, the driving passion behind each of them and raise their children. As a working mother I found these issues well presented. As someone who is in awe of computers and genius, I found the intensity of the performances inspiring.

Despite some occasionally original touches, like the "virtual sets" that provide the background for the Victorian interiors featuring Ada Lovelace and her circle, this film falls short and ultimately disappoints. Newcomer Francesca Faridany seems talented, but is wasted as Emmy, a character who by mid-film is reduced to nothing more than staring at a monitor watching Lady Ada narrate an autobiography. 'Conceiving Ada' takes off briefly when Lady Ada (Tilda Swinton) appears; the camera lingers on her facial expressions, mannerisms, even making her appear to be translucent or momentarily invisible, apporting into scenes to dramatize Emmy's "virtual" rendering of her.

A straightforward biopic of Ada Lovelace would have been worthwhile, but this film unfortunately makes a hash of both Lady Ada's life, and that of a modern-day computer scientist (and her broadly-drawn, doltish boyfriend).