The Climb

I am in general agreement with my fellow reviewers: despite the predictability of much of the story, the acting was well done overall & the story was plausible. John Hurt is always a pleasure to watch; David Strathairn reminded me a lot of a younger Sam Waterston. I found the climactic rescue scene very unsettling, and that's a tribute to the actors, since they (more than the special effects) conveyed the danger of the situation. I had never heard of this film before I saw it, so I had no big expectations--my formula for being pleasantly surprised.

I disagree completely with Sweedy regarding the plot. I found the plot to be very plausible. The character studies were very well laid out, and the movie worked well enough for me to rate it very highly. I could relate very well to everything in the movie, including wanting to climb a tower in my neighborhood when I was younger. Perhaps one needs to understand the setting for this film to understand the movie completely. The people that made this movie did a great job of capturing the feel of the era, and wove the story and the characters into a very memorable film.

I'm very sorry Mr. Jacobs found this movie so dismal, and incorrect. I for one found it very much a portrayal of what life was like in the late 50's and early 60's, at least for me, and my brother. Of course, we can't really speak to what Baltimore looked like since we lived in Philadelphia, but I really didn't tune this in because I expected it to be a documentary of Maryland landscape in '58 or '59, so maybe I missed something. England never much looked like what we saw in Sweeney Todd either, but what can you say?

As for the plot, I was thrilled. The story line has been described at length by others, so I won't waste the space on that. I did find a couple of scenes so riveting that I'll never lose them. The first was John Hurt describing the effect of absolute exhaustion and searing heat being assuaged by a Argentine lady sliding an ice cold beer across the bar to him. Having worked many an hour in the sun out near Barstow, CA in the summer, I could truly understand and appreciate the imagery of that dialogue with no extra effort at all.

The next was the scene where Strathairn's character has had enough of the neighborhood drunk firing his weapon into the sky in the middle of the night and walks across the street and clocks him good. A good man, pushed to the limit, can't take any more and does something about it. Well acted, and very tense exchange between the two men. And Mr. Jacobs? You think that 13 years was enough time that everyone would have forgotten a "draft dodger" and let it go? Think again. It damn sure would have been a roadblock for the little boy to play on the VFW sponsored baseball team.

My favorite scene of this movie though, with no doubt, was watching the look on the kids face when the apparatus Hurt designed begins to haul his little body up the inside of the tower in a flash. Man that was something, you could almost feel the wind in your own hair and watch the ground recede below you.

We had a similar dare target where I grew up. A huge natural gas line spanned a river, and the dare was to walk across it without using your hands to hold on to the guy wires. Up to the time we moved from there (1967) no one ever had. Maybe that's why this one resonated so deeply with me.

I thought it was wonderful, with just enough surprises and laughter to make it not too heavy, which it damn sure could have been.

I think this is one of those hidden gems that make you just delighted you stumbled across. I'm glad I saw this, and have it in my DVD library.

thoughtful, lucid direction with oodles of gentle, good humor smartly mixed up with some pre-adolescent raucousness and nope, not even a touch of smarminess or condescension. What could be better than that?

Gregory Smith is a youngster who has a goal to climb to the top of a very tall radio tower. He befriends an old man, John Hurt, whose goal is to die. Together they cooperate in order to reach their objectives. There is a subplot involving David Strathairn, the boy's father, who is perceived as a coward, because he didn't fight in World War 2. This simple story is well told, with good character development, and fine acting. This is a little beyond typical family entertainment, and more suited to adult audiences. The climactic climb is exciting, and in the end, not only are everyone's goals accomplished, but some important lessons are learned. - MERK