The Climb

I'm very sorry Mr. Jacobs found this movie so dismal, and incorrect. I for one found it very much a portrayal of what life was like in the late 50's and early 60's, at least for me, and my brother. Of course, we can't really speak to what Baltimore looked like since we lived in Philadelphia, but I really didn't tune this in because I expected it to be a documentary of Maryland landscape in '58 or '59, so maybe I missed something. England never much looked like what we saw in Sweeney Todd either, but what can you say?

As for the plot, I was thrilled. The story line has been described at length by others, so I won't waste the space on that. I did find a couple of scenes so riveting that I'll never lose them. The first was John Hurt describing the effect of absolute exhaustion and searing heat being assuaged by a Argentine lady sliding an ice cold beer across the bar to him. Having worked many an hour in the sun out near Barstow, CA in the summer, I could truly understand and appreciate the imagery of that dialogue with no extra effort at all.

The next was the scene where Strathairn's character has had enough of the neighborhood drunk firing his weapon into the sky in the middle of the night and walks across the street and clocks him good. A good man, pushed to the limit, can't take any more and does something about it. Well acted, and very tense exchange between the two men. And Mr. Jacobs? You think that 13 years was enough time that everyone would have forgotten a "draft dodger" and let it go? Think again. It damn sure would have been a roadblock for the little boy to play on the VFW sponsored baseball team.

My favorite scene of this movie though, with no doubt, was watching the look on the kids face when the apparatus Hurt designed begins to haul his little body up the inside of the tower in a flash. Man that was something, you could almost feel the wind in your own hair and watch the ground recede below you.

We had a similar dare target where I grew up. A huge natural gas line spanned a river, and the dare was to walk across it without using your hands to hold on to the guy wires. Up to the time we moved from there (1967) no one ever had. Maybe that's why this one resonated so deeply with me.

I thought it was wonderful, with just enough surprises and laughter to make it not too heavy, which it damn sure could have been.

I think this is one of those hidden gems that make you just delighted you stumbled across. I'm glad I saw this, and have it in my DVD library.

While a little old, I've heard this movie is being released again on the 21st of August. I was lucky enough to see it the first time around and WOW, what a great film! This film chronicles the life of people in 1950's Baltimore after WWII. I have to say that it does a good job of showing what life was like back then. The acting is great and it includes many actors who have since become larger names such as Gregory Smith, the star of Everwood, and Sarah Buxton. I would recommend this movie to people of all ages. It definitely has something for everyone and is very entertaining. While not an action film, the superb acting, character development, and complex plot make this a film that will withstand the test of time. It's definitely worth hunting down or buying!

I am in general agreement with my fellow reviewers: despite the predictability of much of the story, the acting was well done overall & the story was plausible. John Hurt is always a pleasure to watch; David Strathairn reminded me a lot of a younger Sam Waterston. I found the climactic rescue scene very unsettling, and that's a tribute to the actors, since they (more than the special effects) conveyed the danger of the situation. I had never heard of this film before I saw it, so I had no big expectations--my formula for being pleasantly surprised.

thoughtful, lucid direction with oodles of gentle, good humor smartly mixed up with some pre-adolescent raucousness and nope, not even a touch of smarminess or condescension. What could be better than that?

While some aspects of the plot of "The Climb" may be predictable, this is a character film and the characters are well drawn and well acted. The lead actor, the young Gregory Smith, is especially excellent in the role of a seemingly typical youth of 1959, eager to display his courage in a typical escapade of boys his age: the climbing of a decommissioned radio tower to compete with other kids in the Baltimore neighborhood where the story is set. He is complemented by veteran actor John Hurt as a crusty old neighbor who seeks solace in drink until Gregory's "12-year-old" character comes into his life via an arrow through his window! The two become pals of sorts as Hurt helps young Gregory in his aim to be the first kid to climb the rusty tower, slated for demolition soon. This time-is-of-the-essence element moves the story along as it is also part of Hurt's dying character. This is what keeps the vignettes of 50s America and side lines of the peripheral characters in proper scope and duration. Perhaps the most multilevel performance is that of Gregory's father played by David Stratharin, a man of evident decentness in his portrayal, and, one would think from this, in his personal life as well.

Gregory Smith went on to other films, and is perhaps best known in the TV series "Everwood", but he is at his most attractive and engaging in this role in "The Climb." Dave Stratharin has done many fine performances as his page on this site makes clear, but this is one of his most nuanced roles as others have noted. We could have done without the boobs scene between Hurt's daughter-in-law and the priest, but I suppose it was supposed to lighten up a rather sober story line, and with its omission, this is a also a good film for kids. This flick is neither high drama nor a laugh fest, and it may not be a classic, but it is thoroughly enjoyable as the rich character study it is.