The Manson Family

One can certainly forgive the filmmaker for not consulting with the family for accurate info. Dead end there. As Robin Williams said, if you can remember the sixties, you weren't really there. What remains is a great pop-culture plethora of reconstructions to choose from. What we sicko film fans have been waiting for for years is a truly hardcore no-holds barred version of the Manson saga. The two made-for TV versions are okay, Steve Railsback is great in The Stunt Man as well, and Ed Gein, very underrated actor.

Anyway, mad overdue for an NC17 splatterfest, and as long as it's low budget, you can expect some artistic license and the freedom to inject more social commentary on the subsequent generations who've adopted such an apocalyptic mind-set. JVB does get a bit carried away, integrating modern-day punks, junkies, tabloid journalists,Jim Jones recordings and poseurs into the mix. JVB goes out of his way to mirror the history of nihilistic punk attitude, straight on through the 80s with the Richard Kern film clips (You killed me first, starring the inimitable Lung Leg) So the film is a bit inconsistent. Far from perfect. It also combines remakes of the Manson documentary footage shot in the early 70s, while the girls are all armed and determined to free Charlie and crew. It's all over the place, very NBK. Also a very big dose of processed noise and simulated dirty film effects.

But the performances are good, the frenzy and mania are there. Very queasy and rough recreations of the Hinman/Tate/LaBianca murders. Strong stuff. Managed to cram a lot of character development into 95 minutes, despite also having fictional characters running rampant as well.

**1/2 out of ****

By golly, it's about time that a film about the Manson Family wasn't made to be more of an event then it really was. I mean sure, it is very tragic that those people died, I always will mourn for their families and them, being that they were innocent people who did not deserve to die, but the family isn't something that should be really feared. When you really break it down, the members of the cult were not smart people. They didn't ask questions as to what was the purpose was for murdering all those innocent people, they didn't see Charlie as someone who should not be taken seriously, and they didn't even know who they were murdering. They were very foolish people, and they should be anything but feared. I don't understand the rationale of someone who finds the incident of the cult to be so shocking. I mean sure, it's shocking that these people actually went out and committed these murders, but they were just a group of people who had obviously lost too many braincells. That is why I thought this was a good movie. Because it is honest, shows the incident from the evil side, and does it in a responsible and realistic manner.

The film structure consists of the members of the family being interviewed in jail about what they did. We briefly see Charlie as the ringleader and we see him as a foolish looking funny man who mostly doesn't know what he is talking about. The film builds up to a Roman Polanski's MACBETH style third act in which the family goes on their killing spree, but by the time they begin to do these things, the audience realizes that these people don't have any rationale except for hate, and they gradually became blinded by it and began thinking that they were doing something of purpose, which they were certainly not.

I don't recommend this to the casual movie goer. People who rent this thinking that it's just a horror film are wrong. This is not just a horror film. This is an extremely disturbing, gruesome, tasteless, and senselessly brutal film that just so happens to depict an honest representation of the family. People who will see this film will wonder if it merits any purpose. Indeed, it may not. That is not the point though. The point is that Mario Vanbebbler wanted to make the most realistic version of The Manson Family as possible, so even though the film may not be good, I am happy to say that he has succeeded in doing exactly what he wanted. That is something I greatly admire, and that's why I like this film.

Not Rated. Adults only. contains explicit violence and sexuality, and drug use.

Jim Van Bebber's "The Manson Family" is an extremely violent and bloody horror film that reconstructs the early activities of the Family and their descent into the Tate-LaBianca killings.Van Bebber mixes this with a contemporary sub plot involving tabloid journalist Jack Wilson's quest to film a documentary on the subject.The film is loaded with plenty of sex and full-frontal nudity.The final third of "The Manson Family" is a grueling nightmare with some of the most sadistic and savage murders ever captured on screen.The acting is generally amateurish,although Marc Pitman is truly impressive as Tex.The photography perfectly captures the hazy sex-and-drug fuelled lifestyle that Charlie and his largely female disciples indulged in on their Californian ranch.The killings themselves are extremely graphic and gory as hell,so I was satisfied.The scene of blood drinking orgy is truly frightening as is the slow progression of Charlie from a peaceful Jesus Christ figure to Satan himself."The Manson Family" is easily one of the most controversial and disturbing horror films ever made.Give it a look.

A really demented but compelling take, on the life and times of Charles Manson. Incredible story for all the best (and worst reasons) and a difficult picture to get exactly right. At times this film takes you into a world were madness and mayhem, truly rules the roost. One long acid trip and no doubt a fairly accurate portrayal of events that actually happened (on the Spahn Ranch). To be honest you could never make up a fiction story anywhere near as bizarre as this and whatever your views on Charles Manson, he was a complete one-off!

Many years in the making this is, if ultimately rather sad and depressing with a confused ending, an involving documentary style depiction of what life may well have been like within the notorious 'family'. At the beginning there is a fair mix of youngsters held together largely by sex and quasi religion. Largely it's the girls that talk of Jesus whilst disrobing and the men of, f***ing. Fuelled by dope and acid they go their merry way for a while but then interestingly Charlie reckons a mix of blood and death will keep the group alive. And so it does but always of course spiralling hell bent towards the inevitable, 'helter skelter'. The best and worst of the hippie movement is depicted here in what was essentially it's death throws. Bebber makes considerable play on the racist slant to the 'family' belief structure and their fear of a black takeover, none of which have I been aware of before. Very interesting with lots of gore and bare flesh with much emphasis on the meaning/meaningless of words, gullibility and the mighty power of the promise of sex and violence.