Une maison de rêve

This is a shocking movie. Shocking in the sense that it's centered around a family that genuinely loves each other. It came across as such an odd concept in this day and age that I thought at first that there must be a catch - could the family be cannibals? Zombies? A cult of pagan jaywalkers? But no, they were simply a "family" in absolutely the best sense of the word. The conflict of the movie arises from the fact that the airport bordering their loving home wants to expand and uses some Australian law that grants them the right to buy out their neighbors without the neighbors having any sayso in the matter. Well this just won't do and so the plot is set into motion when the quirky homeowner decides to fight the ruling with his reluctant friend, a probate attorney who is woefully unprepared to take on the big guns in law, but who nonetheless feels obligated to help his friends no matter what the obstacle. Overall the movie has such charm, such style and such love that, by films end, you want to be adopted by the family, quirks and all. An excellent movie.

Of all the excellent comedies the vastly underrated Australian film industry makes, this is the only one which I insist that every single friend I make from overseas must watch.

This is the quintessential Aussie film - a simple story about a family trying to keep things the way they are, not afraid to have a go at those in power who think they would like to "develop" these people. It's brilliant.

Basic plot: The Kerrigan household is a happy one, but a knock on the door one day changes that. Faced with a compulsory acquisition notice, the family's patriarch decides to take on the system, and to prove for once and for all that a man's home is his castle.

The jokes are funny, but are very Aussie-centric. I'm really surprised at the amount of positive feedback in these reviews from non Aussies, I've always felt that this is one movie which requires a 'native speakin' translator' if you are to get all the jokes! (And tend to recommend overseas folk watch The Dish, made by the same film team but is far more accessible and wider in scope than the very narrowly aimed Castle, which is really just driven by Australian humour, language and colloquialisms).

A true gem, very vibrant movie. For anyone who grew up in a similar location (not next to an airport, but in a 'bogan', working class suburb or small town) it will remind you of so many things you saw as a child. Profanity? Get over it, that's how we talk!

This is one of those movies, like "This Is Spinal Tap", that appears to aim low but taps into a certain subculture so precisely that it is elevated into something wonderful.

As a pom living in Sydney, I always insist that all overseas visitors watch this film in order to "get" Australia and Australians. The Kerrigan family are easy to mock, but qualities of togetherness, moral courage, unpretentiousness and un-PC earthiness embody a great strand of the national character and warm them to us.

Most of all, though, The Castle is just plain funny. You'll find yourself using the catchphrases over and over again, and you'll smile every time you do it. It's just one of those films. A classic.

Every once and while you find yourself watching a movie you have heard nothing about. A film with no A-Listed actors, no director with a treasure trove of awards and the sheer name of the films title at an office water cooler would result in blank stares and crickets scratching their hind legs in the background. Such was the case with the 1997 Australian gem, The Castle.

Directed by Rob Sitch, who went on to help another underachieving treasure with The Dish, the story is about an Australian family's struggle to keep their home in lieu of being given a compulsory notice from the government that the airport is expanding where their house presently stands. Although I try not to be simplistic and sum up an entire plot in as little as one sentence, really, that is all you need you know to enjoy this independent comedy.

The family is played by a host of unknowns. Michael Caton, Anne Tenney, Stephen Curry, Anthony Simcoe, Sophia Lee and Wayne Hope play Darryl, Sal, Dale, Steve, Tracy and Wayne Kerrigan. The family lives a simple life and enjoys their time together to the fullest. They complement each other at each dinner table, they watch television as a family unit and they spend their time discussing items listed for sale in the trades papers. Their sister just got married and other than the eldest son being in jail for a crime the family holds no grudges, things could not be better.

So when the government sends notice that they must leave their house for the airport expansion, they agree not to go down without a fight and they illicit the help of other street families and a local barrister that has no business defending in Federal Court.

You might think this all sounds very serious for a comedy plot line, but it's the exact opposite. The story begins with a long narration from the youngest son who reflects on how proud he is of his family. He talks about how each member bring a unique talent to the unit and how the father figure is the one that is full of positive reinforcement. The narration and visuals surrounding his description are Australian humor at its best. Whether we are laughing at the fathers adoration and praise of simple tasks like the scooping of ice cream from a tub or the wonderment of family members over an invention of a motorcycle helmet with a brake light on the back, we marvel at the sheer naivety of the family and what it deems to be important.

The best way to covey this functional family unit is to describe it as a family of Woody Boyd's from Cheers or a litter of Joey characters from Friends. They all utter words we would deem obtuse, but it is all in good fun and it comes across as simple people simply observing their surroundings and commenting on how they interact with the world. As example, when Dale Kerrigan is speaking of the family's fame after taking the matters to court, he narrates, `Dad said it was funny how one day you're not famous, and the next day you are. Famous. And then you're not again.' There speech is entirely primitive, but funny in the same vein.

To go into more detail about the film would give away too much and this film must really be viewed and enjoyed without expectation. You may not belly laugh at any time during the short 84 minute running time, but I doubt you won't spend time shaking your head in reaction to something a Kerrigan family member utters with a ‘I can't believe he just said that' notion.

So I recommend The Castle. I recommend it with pause. It is an above average comedy that was made for less money than the cost of the Matrix end credits (They used the family name Kerrigan so they could use Kerrigan trucks during the shoot), but it can teach us a lot about the family unit. Here is a group of simpletons that love each other, respect each other and will do anything to preserve their ‘home'. What better lesson is there than that?

The Kerrigan family live in a top property at the end of an airport runway. Dad has endless projects round the house and often stands in proud amazement at the size of his aerial, the hole that his son dug or some of the ideas his middle son has had. Mum is a great cook that can do a sponge cake as easy as seasoned chicken. Wayne is in prison, Steve is an apprentice mechanic and an ideas man, while Dale is just plain happy with his simple family life. However, when a compulsory purchase order comes through the post, the family find that they are being forced to sell up to make room for an extension of the airport.

Shot in less than two weeks because that is all they could afford to do, this comedy is a delightfully gentle comedy that draws laughs from the Kerrigan family but balances it perfectly so that we still like them. This is not as easy as it sounds because, in UK parlance, the Kerrigan's are "chavs" and are very simple people, they admire things that many of us would dislike (living below planes and beside pylons) and they are not the brightest in the world. In essence they are the "typical" Australian working class family and Darryl is the classic Aussie battler. The plot is simple and, although it is fairly obvious where it is going and isn't ever that dramatic, the story is gently engaging and pleasing. The laughs are gentle but consistent and show a real good touch in the writing – taking "normal" eccentricities and exaggerating just enough to be funny but not to the point where it is absurd. It is hard to describe but basically give it five minutes – you'll either get it or you won't and, if you don't, then don't bother with it because it is the same from the start onwards.

The direction is a bit rough and ready but that does suit the material – as does the cast. Caton is enjoyable and fits the bill spot on. Tenney has a smaller role but does it well; likewise Simcoe, Hope and a pre-Hollywood Bana. Narration is good from Curry and the majority of the cast play their material well considering the real time pressure they must have been under. One bit of trivia that illustrates the constraints in making this film is that the family name "Kerrigan" was selected because the tow trucks used for the film already had that name painted on them, so it saved costs to change the script rather than change the paint job.

Overall this was a delightfully amusing film with not a single harsh or cruel line in the whole thing. It may make fun of the Kerrigan family but it does it in an affectionate manner that is consistently funny without being a real belly-laugh fest. A perfectly entertaining family film that doesn't appear to have been damaged or compromised by the rushed shoot or the tiny budget.