Broadway Damage

Two years ago, in high school, I did some community theater shows in a theater that was also used by the actress Mara Hobel as part of her acting school for children (in suburbs outside of NYC). There was a big bulletin board showing pictures of Mara's film work, including of course "Mommie Dearest," (she was Baby Christina) and a movie I had never heard of, "Broadway Damage." I didn't see it until a few months ago, and being a student at NYU, I was able to play "spot that building" since much of the movie was filmed in NYU's surrounding neighborhood. But on to more important things: Regardless of where I grew up or where I live now, this is one adorable movie. When it was over, I felt like I wanted to hug the world. And it's great when movies have such a positive effect on you. Watch this one with people you love. 9/10

Two friends, a young gay man and his straight girl friend share an apartment in Manhattan and try to deal with life in the big city. Mara Hobel is very funny as the fag hag friend and the movie is light and comical as it explores the characters lives and loves. Seeing the film in a packed house of gay men in Manhattan made it clear that the filmmaker was pretty on target as the audience laughed with recognition through most of the film. A very fun movie!

"Broadway Damage" is a sweet confection spun around the the classic gay triangle: the lovable Hunk, the fag hag Chunk, and the best pal Lunk secretly in love with the Hunk. More corn syrup is ladled on thick when Hunk and Chunk move in together in modern Greenwich Village, no less. Apparently set in the present, "Damage" feels like the kind of screwball romantic comedy that Hollywood never really made. You half expect the cast of "Wonderful Town" to come marching down Sheridan Square humming a showtune.

Combing the obits finds them a bohemian squat lately owned by a deceased young actor - they've hit the real estate jackpot! No one mentions, however, that their good fortunes are probably due to the tenant's death from AIDS. In true fairy tale style, the dive is transformed into an ultra cool pad in one brief montage segment. (You know how talented those fellas are with decorating!)

Despite some modern kinks (Hunk's love trouble, Chunk's job trouble, and Lunk's Hunk jones) flick never can get too serious about much. And dialogue never really cracks like genre demands. Fade out is just as we'd expect. And no one suffers much damage - on Broadway or elsewhere.

C'mon, World, wake up and REdiscover this little gay gem of a movie. There are so many out there that easily deserve their 0- or 1-Star; surely this little pearl deserves more. Yes, 1997's "Broadway Damage" is probably one of the most underrated and least known "gems" of gay filmdom........why not discover its delights yourself? So, just what is it about this production? Well, hey, there's no weird, dreary storyline; it's lite and fun......with guys who are not afraid to kiss. Yes, Michael Shawn Lucas (as Marc) has a body "to die for" and, c'mon, when he's also as earnestly sincere and sweet as he is, who wouldn't wanna wind up with him. And it would be very hard to forget Aaron Williams (as Robert), playing an endearing "little puppy" of a guy, who'll bring down Marc in the end. In fact, both male leads wear their sincerity on their sleeves----kinda refreshing to think there might still be guys like this out there.

Above all, if you can't stand the sunny sincerity of a Broadway musical (but without all the singing), then stay away from this cuz it definitely tries to be sincere.......and succeeds at that in spades. Along with this there's really great cinematography: brite and colorful (how'd they do it with what must have been a piddl'in budget?). Hey, and there's that soundtrack to fall in love with, too. How Director Victor Mignatti put all this together, with no more money than he likely had, is anybody's guess and is a minor (scratch that), major miracle. How does a guy like this then just disappear from directing for the next 8, 9 years? Sad, sad, sad.

In closing, one thing to possibly question is if maybe, just maybe, Director Mignatti should'a rethought the title. "BD" might resonate more with NY City-ers, but his own within-the-movie phrase: "The Grand Gesture" might have had more meaning to audiences at large (would the latter, as a title, have drawn in more viewers/buyers who'd fondly remember this film?). Ah, well, Monday morning "after-thought-ing" is always easier, isn't it? Besides, any way you look at it, Marc and Robert are gonna wind up being one of the favorite couples you'll meet in your home film library from time to time.....I betcha.

PS: You know what? I'll even betcha this movie is one that other favorite film couples, such as Aaron & Christian (see Title 1, below) and Cedric & Laurent (see Title 2, below) would wanna have in their home video collections.

(1) "Latter Days" / (2) "Just A Question Of Love"

The acting, for a low budget movie, is surprisingly not horrendous. The story is coherently told and is shot in an unobtrusive straight forward manner. It's just that the characters are insipid, the plot is predictable, and sitting through it borders on mentally damaging. The characters are written as if they are supposed to be likable, clever, thoughtful, and funny. They are instead, vapid, predictable, shallow and a total waste of time.