A man searches for his missing wife after his car breaks down in the middle of the desert.A man searches for his missing wife after his car breaks down in the middle of the desert.A man searches for his missing wife after his car breaks down in the middle of the desert.
- Awards
- 1 win & 2 nominations total
Moira Sinise
- Arleen
- (as Moira Harris)
Alitzah
- Spanish Girl
- (uncredited)
Featured reviews
"It could happen to you", the tag-line reads: not quite, but it is a white-knuckled ride all the way
Jonathan Mostow, before he went on to helm the big-budget U-571 and the even bigger budgeted Terminator 3, brought out this taut little thriller and cemented a reputation he's yet to really live up to (though some would disagree about that). His film has that tag-line, but it's not entirely accurate, even though it has a very familiar and eerily recognizable threat at the core: the outsiders coming in to a territory that is very close knit and practically inbred, where one wrong step could cost you and/or your loved ones lives. In this case, Kurt Russell and Kathleen Quinlan are the married couple caught in the cross-hairs of kidnapping, blackmail, and ultimately vengeance. They're moving from Massachusets to San Diego, and driving on through the desert they get side-swiped by a car, then later on after a near-altercation at a pit-stop, they move on only for the couple's car to breakdown. Help comes in the form of a trucker, who offers help for to drive the wife to get a tow-truck. No need for the truck, anyway, because the car didn't have much wrong with it...but what about the wife, Amy?
From there on in, Mostow takes Breakdown into the realm of paranoid thriller, then into just full-on chase/action/revenge/chase again picture. One might wonder if there could be a more noirish quality to it if the wife actually left for a reason other than abduction, though the path that Mostow takes the story is fine as it is. He keeps things simple in the story sense, with elements of the Western thrown in, but also makes it very much character-based as well. Russell's performance as Jeff Taylor is kind of the opposite of his recent turn as Stuntman Mike in Grindhouse: starting off as the average-Joe who tries to be polite, albeit from a yuppie background, he gets put to the test by the enormity of the situation, and finally becomes a real take-no-prisoners hero. Towards the very end it almost reaches the point of being TOO much of hitting over the head with payback, and there are little things regarding the nature of Red Barr (JT Walsh, great villainous presence in a real sinister, calm way) and his ties to the town as to whether or not things are really as controlling as they might be (i.e. the bank scene, which is perfectly acted, though not entirely feasible in the paranoid sense).
But all this aside, what Breakdown remains ten years after is a competent, un-pretentious thrill-ride where the dialog is never too heavy, the action is packed with real stunts and few special effects, and some of the brighter moments for Russell in recent years (or rather, the last ten). It knows what it is, and has the professional temerity of a cult effort.
From there on in, Mostow takes Breakdown into the realm of paranoid thriller, then into just full-on chase/action/revenge/chase again picture. One might wonder if there could be a more noirish quality to it if the wife actually left for a reason other than abduction, though the path that Mostow takes the story is fine as it is. He keeps things simple in the story sense, with elements of the Western thrown in, but also makes it very much character-based as well. Russell's performance as Jeff Taylor is kind of the opposite of his recent turn as Stuntman Mike in Grindhouse: starting off as the average-Joe who tries to be polite, albeit from a yuppie background, he gets put to the test by the enormity of the situation, and finally becomes a real take-no-prisoners hero. Towards the very end it almost reaches the point of being TOO much of hitting over the head with payback, and there are little things regarding the nature of Red Barr (JT Walsh, great villainous presence in a real sinister, calm way) and his ties to the town as to whether or not things are really as controlling as they might be (i.e. the bank scene, which is perfectly acted, though not entirely feasible in the paranoid sense).
But all this aside, what Breakdown remains ten years after is a competent, un-pretentious thrill-ride where the dialog is never too heavy, the action is packed with real stunts and few special effects, and some of the brighter moments for Russell in recent years (or rather, the last ten). It knows what it is, and has the professional temerity of a cult effort.
This is great! The action and intensity never let up for a second. Kurt Russell gives a riveting performance as the hero in search of his missing wife, and JT Walsh is a fine bad guy.
You will keep yourself on the edge of your seat the entire time and will not want to turn it off, even at the end. It's that good. I promise.
If you like intensity and good movies, rent this one. You will not regret it.
*** out of ****
You will keep yourself on the edge of your seat the entire time and will not want to turn it off, even at the end. It's that good. I promise.
If you like intensity and good movies, rent this one. You will not regret it.
*** out of ****
Kurt Russell is excellent in this taunt, thrilling, non-stop action film. Russell plays Jeff, a husband who has to get his wife back after she's abducted by a trucker after their jeep breaks down and she accepts a ride from him. Every actor is almost pitch perfect for the parts they play and the movie was very enjoyable. J.T. Walsh is suitably menacing as Red,in my mind, but this IS Kurt's movie through and through. Mr. Russell has to be one of my favorite actors working today. And this film has to be one of the best 'Chase for family member' type movie in the last decade..HIGHLY recommended
My Grade: A
Where I saw it: HBO plus
My Grade: A
Where I saw it: HBO plus
Every time Kurt Russell is in something you can always rely on a solid film. And once again in Breakdown you will not be disappointed. A solid cast with great directing makes this a must see. A great thriller that keeps you second guessing until the end which I love. Russell always puts in the full 100 percent and it shows here again. Why can't actors do what he does like this anymore. Good performances all around make this a tight entertaining watch that you will feel you have not wasted your almost 2 hours. A fast paced thriller that hits the mark at every turn. See this one and you will see how the 90s had great suspenseful films lacking today.
In my opinion, Breakdown is one of the best thrillers of the 1990's. It has everything, great scenery, great acting, aand a great plot too! This one will keep you guessing for quite a while, and even after you figure out the ending, you'll still be guessing who's gonna come out on top, Kurt Russell, or the bad guys. I highly recommend this movie, if for nothing more than to pay tribute to the late great, J.T. Walsh.
Did you know
- TriviaM.C. Gainey said that Earl was the darkest character he ever played in a film and regretted it afterwards.
- GoofsWhen the Jeep quits running, the odometer reads 242 miles. It has already been driven from Massachusetts to the western US desert.
- Alternate versionsThe film originally had a prologue added at the behest of the producers showing Kurt Russell's character as a cameraman in a war zone. He witnesses the death of a young girl and this prompts the cross country trip with his wife to start a new job. Director Jonathan Mostow did not like the opening and asked Paramount to test screen one version with the prologue and one without. After the screenings, the studio executives agreed with Mostow and opted to remove the prologue.
- ConnectionsEdited into Breakdown: Alternate Opening (2021)
- SoundtracksBurgers & Fries
Written by Ben Peters
Performed by Charley Pride
Courtesy of the RCA Records Label of BMG Entertainment
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Details
Box office
- Budget
- $36,000,000 (estimated)
- Gross US & Canada
- $50,159,144
- Opening weekend US & Canada
- $12,307,128
- May 4, 1997
- Gross worldwide
- $50,159,144
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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