Du venin dans les veines

Jackson Baring takes his girlfriend Helen to his family's horse farm Kilronin. Jackson's mother Martha has been running the place but would like her son to take over. Jackson and Helen are living together in New York City and are reluctant to leave that life. But Helen somehow gets pregnant, even though she was using birth control, and the two get married and eventually do take over the farm.

Jackson blames himself for his father's death when he was 7. Martha knows the truth but won't tell him, and she seems to have an unnatural relationship with her son. It's almost as if she sees his father and wants to be with him in that way. And she sees the baby as a means of continuing the legacy, but not a child to be loved, at least not in the way most people would. Her treatment of Helen is strange, as if Helen is only useful until the baby is born, and then she will be in the way.

The ending is exciting and sort of creepy at the same time.

Jessica Lange does a fine job here as Jackson's overly controlling and demented mother. However, Nina Foch gives the standout performance as Jackson's grandmother, who is kept in a fancy nursing home because only she knows the truth about how her son died.

I think all the leading actors did a good job here. I usually can't stand Debi Mazar, who was a co-worker to Helen and possibly her boss, but I would like to have seen more of her here. But if Helen had to move out of New York, I guess keeping her job was out of the question.

I suppose my favorite scene was the one where Helen gets out of bed naked and meets her mother-in-law for the first time. That one was edited for TV in such a way it seemed kind of jerky and I didn't get to see much, but a lot depends on how one sees this movie.

It's not typical of what I like in a movie, but still entertaining.

"Hush" is the kind of film that's so easy that it should work right on the first view but it's not the case. I remember watching it a few years ago and finding one of the most boring things I've ever seen except for the outstanding acting of Jessica Lange. Fate pulls its strings sometimes and one of those nights when you're desperate for something to show up on TV and there you go, there was this and I got a little gripped into seeing it again, this time paying more attention to details. Well, it turned out to be quite a good film, undeserving the low rating that is getting now.

A twisted and thrilling tale about acceptance and skeletons in the closet? You can say that. Gwyneth Paltrow plays the lovable Helen, a successful and beautiful woman, loved by a man who's also both of the fore-mentioned qualities, the great Jackson (Johnathon Schaech) of the powerful Baring family. But he has a mother, the surprising Martha (Jessica Lange) of whom Helen always tries to please to the best since Jackson and his mom has some strong bonds between them and she wants to be part of this quite perfect family. Habitual to flicks of the same caliber, there's secrets, tension between both women and a certain disdain the old lady feels for the younger and it's up to Helen to discover what's the problem with the Baring family. Her only great ally is Jackson's grandmother (Nina Foch, excellent), father of Martha's late husband, and keeper of some family secrets that can storm a big mess in everyone's lives.

There isn't much to be said about "Hush" except that the cast is great, even though they're not at their greatest moment. Except Lange and Foch who are brilliant, and the memorable special appearance of Hal Holbrook as the doctor. But it's Lange who steals the show playing a pitiful villain, sometimes adorable, other times really cruel but most of the time always in control of the situation. The plot should include more characters to make this more tense and less concentrated in those three main characters. The relationship between Jackson and Martha could've go to more controversial ways, cause everything seems to indicate that (the scene where he's covered in mud and she cleans him, they're like pretending it's just a silly joke. There's something going on there).

I know Jonathan Darby has directed better films (like the criminally underrated and almost forgotten "The Enemy Within" with Forest Whitaker) but what he makes here is quite good, never cheap and at the most entertaining to watch for its cast and the beautiful cinematography. 8/10

I agree with several other reviewers that this movie is underrated here.

It keeps your interest, especially if you like horses, and the contrast between hectic, noisy, frustrating, randomly violent, dirty, inhumane city life and the clean air and soothing charms of the "simple life" in the country (which now costs much more than most of us can afford).

I think both Jessica Lange and Gweneth Paltrow handled their roles with aplomb. Anyone who's seen Lange in "Blue Sky" with Tommy Lee Jones will not be a bit surprised at her ability to successfully carry off a full-on lunatic.

I think people may be a little put off by the happy ending from a lower budget, non-mainstream film, but what do I know?

Well, I know I liked it more than it's rated on here, and I'd recommend it to friends. A masterpiece, it isn't, but I'd consider it entertaining and worthy of your time if you like mystery/thrillers set mostly in beautiful country surroundings with good acting.

If you take it for what it is,a feast of camp,then this movie (and particularly Lange) is much fun to watch.Probably influenced by Davis's (see "hush hush sweet Charlotte") and Crawford's end of career ( see "straitjacket"),Jessica Lange gives an over the top performance of the bitchiest mother-in-law you can think of.Always a beaming smile on her face even when she 's at her most sadistic.Her bubble head son seems not to have overcome his Oedipus complex;when at the turning of the year,"Auld lang syne" is played,he dances with his mom.As for the wedding ,he seems to marry her. Besides,being able to lead a normal life

after what we learned from his "education" is hard to believe ;a boy like him would have normally ended up like cousin Sebastian in "Suddenly last Summer".

This extravaganza has also intellectual pretensions:in the church ,Martha keeps on reciting her act of contrition while quoting the Ruth Book in the Bible;in her troubled mind ,her unfortunate daughter-in-law becomes Ruth ,whose affection to mother-in-law Naomi reflects her own situation.

If you're not a highbrow,and if you like old-fashioned cheesy melodramas "Hush" is made for you.If you're a "pulp fiction" fan,well,please pass by.

Jessica Lange commenced her career by following in the (admittedly light) footsteps of Fay Wray. She seems determined to end it by stomping in the heavier footfalls of middle-period Joan Crawford. As the cyclonic star of this film, Lange runs the gamut. She flings her arms around, tugs at her hair, reverts to that coy, sideways glance that implies she's only about, oh, forty five, bellows out in growling chest tones, sobs hysterically - she does, to state it simply, the lot.

Which leaves her co-stars understandably bewildered. Gwyneth Paltrow manages to look more annoyed than frightened, and when, in the best Scooby Doo manner, she neatly ties up the loose threads of the plot, annoyance gives way to abject boredom. With her dead fish eyes and droning monotone, Gwyn obviously wants the whole thing over with more than we do. Quite an achievement.

And few could blame her. Of all the silly premises that have been put on film, the monster mother is surely the silliest. Its mighty hard to believe that Jessica's Ken doll son has managed to go thirty years without once telling the old cow to put a sock in it. Perhaps I'm a bit obtuse but I still don't quite get the bit about the murder with the suction pump (or whatever it was.) At any rate if some post natal, gormless drip can figure it out surely it shouldn't be taxing the police too much to make an arrest.

That would imply real life of course, and Hush has nothing to do with that. If you're in the market for an aged, raging southern belle then you can't go past this, but have a look at the genuine article - Joan Crawford in "Queen Bee" - first.