Du venin dans les veines

Everybody should just relax and enjoy watching a red hot, middle aged Momma's sexual jealousy over her beautiful daughter in law. The photography was great, loved the rural location (without the stupid horses), and Gwyneth and Jessica look as good as they ever have. The problem is that the director tried too hard for believability, and that resulted in a very average, plodding, sometimes laughably bad movie. If they had taken it over the top, like what you find in good novels, (torture, perversion), then we would have had a classic.

Its a shame they held back because Jessica and Gwyneth looked amazing. Who cares if their performances weren't great? Their screen presence made up for it. They were ripe for a deliciously violent, twisted older woman/younger woman B-movie and the director blew it. (Check out Piper Laurie and Sissy Spacek in "Carrie." They set the standard for over the top, twisted mother-daughter action.)

I've just finished watching this movie and the only thing I can think is "I should have done anything else in those 90 something minutes." What was that? I can't even say the plot wasn't OK because there was no plot at all. And how about the preview, full of shots that are not on the film, and give the wrong impression about it. How come Jessica Lange got involved in something like that? Was she in debt with someone?

If you take it for what it is,a feast of camp,then this movie (and particularly Lange) is much fun to watch.Probably influenced by Davis's (see "hush hush sweet Charlotte") and Crawford's end of career ( see "straitjacket"),Jessica Lange gives an over the top performance of the bitchiest mother-in-law you can think of.Always a beaming smile on her face even when she 's at her most sadistic.Her bubble head son seems not to have overcome his Oedipus complex;when at the turning of the year,"Auld lang syne" is played,he dances with his mom.As for the wedding ,he seems to marry her. Besides,being able to lead a normal life

after what we learned from his "education" is hard to believe ;a boy like him would have normally ended up like cousin Sebastian in "Suddenly last Summer".

This extravaganza has also intellectual pretensions:in the church ,Martha keeps on reciting her act of contrition while quoting the Ruth Book in the Bible;in her troubled mind ,her unfortunate daughter-in-law becomes Ruth ,whose affection to mother-in-law Naomi reflects her own situation.

If you're not a highbrow,and if you like old-fashioned cheesy melodramas "Hush" is made for you.If you're a "pulp fiction" fan,well,please pass by.

Jessica Lange commenced her career by following in the (admittedly light) footsteps of Fay Wray. She seems determined to end it by stomping in the heavier footfalls of middle-period Joan Crawford. As the cyclonic star of this film, Lange runs the gamut. She flings her arms around, tugs at her hair, reverts to that coy, sideways glance that implies she's only about, oh, forty five, bellows out in growling chest tones, sobs hysterically - she does, to state it simply, the lot.

Which leaves her co-stars understandably bewildered. Gwyneth Paltrow manages to look more annoyed than frightened, and when, in the best Scooby Doo manner, she neatly ties up the loose threads of the plot, annoyance gives way to abject boredom. With her dead fish eyes and droning monotone, Gwyn obviously wants the whole thing over with more than we do. Quite an achievement.

And few could blame her. Of all the silly premises that have been put on film, the monster mother is surely the silliest. Its mighty hard to believe that Jessica's Ken doll son has managed to go thirty years without once telling the old cow to put a sock in it. Perhaps I'm a bit obtuse but I still don't quite get the bit about the murder with the suction pump (or whatever it was.) At any rate if some post natal, gormless drip can figure it out surely it shouldn't be taxing the police too much to make an arrest.

That would imply real life of course, and Hush has nothing to do with that. If you're in the market for an aged, raging southern belle then you can't go past this, but have a look at the genuine article - Joan Crawford in "Queen Bee" - first.

Jackson Baring takes his girlfriend Helen to his family's horse farm Kilronin. Jackson's mother Martha has been running the place but would like her son to take over. Jackson and Helen are living together in New York City and are reluctant to leave that life. But Helen somehow gets pregnant, even though she was using birth control, and the two get married and eventually do take over the farm.

Jackson blames himself for his father's death when he was 7. Martha knows the truth but won't tell him, and she seems to have an unnatural relationship with her son. It's almost as if she sees his father and wants to be with him in that way. And she sees the baby as a means of continuing the legacy, but not a child to be loved, at least not in the way most people would. Her treatment of Helen is strange, as if Helen is only useful until the baby is born, and then she will be in the way.

The ending is exciting and sort of creepy at the same time.

Jessica Lange does a fine job here as Jackson's overly controlling and demented mother. However, Nina Foch gives the standout performance as Jackson's grandmother, who is kept in a fancy nursing home because only she knows the truth about how her son died.

I think all the leading actors did a good job here. I usually can't stand Debi Mazar, who was a co-worker to Helen and possibly her boss, but I would like to have seen more of her here. But if Helen had to move out of New York, I guess keeping her job was out of the question.

I suppose my favorite scene was the one where Helen gets out of bed naked and meets her mother-in-law for the first time. That one was edited for TV in such a way it seemed kind of jerky and I didn't get to see much, but a lot depends on how one sees this movie.

It's not typical of what I like in a movie, but still entertaining.