The Big Lebowski
- 1998
- Tous publics
- 1h 57m
Jeff "The Dude" Lebowski, mistaken for a millionaire of the same name, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.Jeff "The Dude" Lebowski, mistaken for a millionaire of the same name, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.Jeff "The Dude" Lebowski, mistaken for a millionaire of the same name, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.
- Awards
- 5 wins & 18 nominations total
Terrence Burton
- Maude's Thug #2
- (as Terrance Burton)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'The Big Lebowski' is acclaimed for its unique mix of comedy, drama, and noir, offering a memorable experience. Its unconventional plot and quirky characters contribute to its cult status. Themes of absurdity, fate, and identity are explored through 'The Dude'. The witty dialogue and performances by Jeff Bridges, John Goodman, and Steve Buscemi are highlighted. The soundtrack and cinematography enhance the atmosphere, though its unconventional style may polarize viewers.
Featured reviews
The Coen brothers are up there with my very favorite filmmakers (Scorsese, Kubrick, Carpenter). I am very fond of their work. Throughout their irreverent career, they have explored different subjects and themes. Their best stories evolve from kidnapping schemes in films like "Raising Arizona " and "Fargo", one of my very favorites. I thought that film was fervently free. I was so ever wrong. It's as if the Coen Brothers have celebrated their complete breakthrough success (Academy Award winners), and now are willing to do whatever they please. "The Big Lebowski" is a film so meandering, so wonderfully novel, that I found myself missing the many other sporadic jokes as I was heaving from laughter. The film is basically about mistaken identity, eccentric characters, and a soiled rug. This film extols the bowler, the allies, even the pins. We experience an actual bowling ball POV, as the Dude (Jeff Bridges) hallucinates. This film has nihilists, feminists, millionares, paedophiles, drugged out hippies, underachieving students, incompetent criminals, pornographers and 'Nam veterans. This movie is open to anything , anything... Some people are turned off by absurd looniness, because it's so grandiosely different. Yet who couldn't chuckle, if not explode, when a bowler dressed in a tight purple suit licks a bowling ball's finger hole, and the camera pans down to reveal his name as Jesus! I will disclose no more, but urgently recommend you to traverse to your nearest video abode and rent this true escapists' feature. Abandon all solemn inhibitons, though! One can not keep a straight face whilst watching.
More than 20 years it took me to have a look at this cult classic. Finally did it and I do undestand the fuss about it.
Not a flick for everybody that I can tell because a lot of talking is done but it's the talking that starts to get funny after a while. In fact, a bunch of loser trying to solve a abduction and trying to hold the money for themselves goes terribly wrong.
After a while you even want the talking to go on and on. And some art flick here and there it was indeed a hell of a ride, funny, stupid but genious in its kind.
Gore 0/5 Nudity 1/5 Effects 3/5 Story 4/5 comedy 2/5.
Not a flick for everybody that I can tell because a lot of talking is done but it's the talking that starts to get funny after a while. In fact, a bunch of loser trying to solve a abduction and trying to hold the money for themselves goes terribly wrong.
After a while you even want the talking to go on and on. And some art flick here and there it was indeed a hell of a ride, funny, stupid but genious in its kind.
Gore 0/5 Nudity 1/5 Effects 3/5 Story 4/5 comedy 2/5.
10OttoVonB
Those Coen brothers have an ear for language. You feel it in the sing-songy banalities of Fargo, and in the noiresque machine-gun dialogue of Miller's Crossing, but neither of these can prepare you for the feast for the ears that is The Big Lebowski.
Channeling the opaque mysteries of Raymond Chandler, the Coens throw LA resident bum and Bowling aficionado Jeff Lebowski ("The Dude" to his friends) into a strange triple-crossing case of kidnapping, ransoms, nihilists and urinated-upon rugs. It is the equivalent of throwing unrelenting forces at an immovable object, the Dude's bemused stoicism at constant odds with the world around him. He'd much rather be bowling with crazed Vietnam Vet Walter (John Goodman) and pure silent soul Donnie (Steve Buscemi).
As with so much of the Coens' output, style is more than half the point: not just visual, though ace DP Roger Deakins paints an alluring canvas, but tonal and auditory. This is an insanely funny head-trip of a movie, with wonderfully idiosyncratic characters, down to the smallest part. Who better than the Coens to reinvent the comedy of errors?
This is without a doubt one of their very best, a personal favorite, an unmissable film and the kind of experience that will plant an indelible smile on your face. Do yourself and see this now, if you haven't already.
Channeling the opaque mysteries of Raymond Chandler, the Coens throw LA resident bum and Bowling aficionado Jeff Lebowski ("The Dude" to his friends) into a strange triple-crossing case of kidnapping, ransoms, nihilists and urinated-upon rugs. It is the equivalent of throwing unrelenting forces at an immovable object, the Dude's bemused stoicism at constant odds with the world around him. He'd much rather be bowling with crazed Vietnam Vet Walter (John Goodman) and pure silent soul Donnie (Steve Buscemi).
As with so much of the Coens' output, style is more than half the point: not just visual, though ace DP Roger Deakins paints an alluring canvas, but tonal and auditory. This is an insanely funny head-trip of a movie, with wonderfully idiosyncratic characters, down to the smallest part. Who better than the Coens to reinvent the comedy of errors?
This is without a doubt one of their very best, a personal favorite, an unmissable film and the kind of experience that will plant an indelible smile on your face. Do yourself and see this now, if you haven't already.
The Dude, aka Jeff Lebowski, is mistaken for a shady, millionaire businessman with the same name, a gang of thugs, searching for money, smash his place up and steal his rug. The Dude is given the chance to seek out those men.
What a hilarious movie this is, from start to finish it's sheer brilliance, it doesn't matter how many times I watch it, I never tire of it, talk about a film you can watch over and over.
It's genuinely funny, and with plenty of mixed humour, some of it's smart, some of its slapstick, some of it's a little surreal, overall, it just works. I'm not sure the story is anything new or complex, but that idea of two people with the same unusual name being linked by a crime, it works.
The scene with Larry and the car is probably my favourite from the whole movie, talk about hilarious, that poor car.
Jeff Bridges has put in some marvellous performances over the years, for me though, this is the best, he just nails it, he's hilarious.
John Goodman is great, he steals many of the scenes, Julianne Moore is terrific, not sure if I prefer the accent or hairstyle, she's so good.
Perfect music throughout, seeing this you'll want to download The Gypsy Kings. You'll want to sip a White Russian at the same time.
A Joy!!
9/10.
What a hilarious movie this is, from start to finish it's sheer brilliance, it doesn't matter how many times I watch it, I never tire of it, talk about a film you can watch over and over.
It's genuinely funny, and with plenty of mixed humour, some of it's smart, some of its slapstick, some of it's a little surreal, overall, it just works. I'm not sure the story is anything new or complex, but that idea of two people with the same unusual name being linked by a crime, it works.
The scene with Larry and the car is probably my favourite from the whole movie, talk about hilarious, that poor car.
Jeff Bridges has put in some marvellous performances over the years, for me though, this is the best, he just nails it, he's hilarious.
John Goodman is great, he steals many of the scenes, Julianne Moore is terrific, not sure if I prefer the accent or hairstyle, she's so good.
Perfect music throughout, seeing this you'll want to download The Gypsy Kings. You'll want to sip a White Russian at the same time.
A Joy!!
9/10.
My favourite Coen brothers movie changes over the years as I watch and rewatch their amazingly original and consistently surprising oeuvre. When I first saw 'The Big Lebowski' on its original release I enjoyed it but thought it was a bit of a slight "fun" movie with less depth than many of their previous works. Now, a few years and several viewing later, I have come to realise just how accomplished a movie it is, and it has become one of my all time favourite movies. Other film makers have attempted to weave together various genres, styles and images in a similarly eclectic, postmodern fashion, but few do it as seamlessly and with such wit as Ethan and Joel Coen. 'The Big Lewboski' is an extremely smart film, but it doesn't shout "look at me! Aren't I clever?". It sucks you in from the get go, and bottom line it is FUNNY, and as it is a comedy that's what counts the most! Everything about the movie is perfect, the script, the direction, set design, costumes, and the wonderful soundtrack (one of the most brilliant ever assembled, it includes lesser known Dylan and Elvis Costello numbers, Creedence classics, and songs from cult favourites like Yma Sumac, Captain Beefheart, Moondog, Esquivel and garage gods The Monks). Plus of course the actors, who are well cast and virtually flawless. Jeff Bridges ('Fat City', 'Starman') IS The Dude, and it's impossible to think of anyone else acting the role. Coen regulars John Goodman, Steve Buscemi, John Turturro, Peter Stomare, and Jon Polito are all on board, as well as Julianne Moore ('Boogie Nights'), David Huddleston ('Capricorn One'), Philip Seymour Hoffman ('Magnolia') and Sam Elliot ('Mask'), even surprise cameos from Ben Gazzara ('The Killing Of A Chinese Bookie') and singer Jimmie Ray Gilmore. I can't fault 'The Big Lebowski', it is one of the most original and entertaining comedies ever made and a genuine modern classic. It's movies like this that keep me watching despite the endless mountain of mindless garbage that Hollywood continually spews out. If only every movie in the box office Top Ten was as inspired and amusing as this one!
Did you know
- TriviaIn an interview with Rolling Stone Magazine, John Goodman stated that The Dude referring to The Big Lebowski as a "human paraquat" was one of the only improvised lines to make it into the final film. Virtually every other line, including every "man" and "dude," was scripted.
- GoofsWhen the Dude is at Jackie Treehorn's and he rubs the pad of paper with a pencil revealing Treehorn's drawing of a naked man, the Dude tears the page off the pad and quickly crumples and shoves the paper into his pocket. Later, while in the office of the Malibu Chief of Police, the Chief goes through the Dude's wallet and the same piece of paper is neatly folded in the wallet with no sign of the previous crumpling.
- Quotes
Walter Sobchak: Nihilists! Fuck me. I mean, say what you want about the tenets of National Socialism, Dude, at least it's an ethos.
- Crazy creditsBaby Wranglers: Howls/Giggles/Marmots
- Alternate versionsThe version which premiered on USA Network in September, 2000 has been severely cut (aside from the usual edits for content). Among the story lines excised are virtually all the scenes involving Jesus Quintana (John Turturro), the private eye from Minnesota (Jon Polito) looking for Bunny Lebowski and the scene where Maud is trying to conceive The Dude's child.
- ConnectionsEdited into The Making of 'The Big Lebowski' (1998)
- SoundtracksTumbling Tumbleweeds
Written by Bob Nolan
Performed by Sons of the Pioneers
Published by Williamson Music Company / Music of the West c/o The Songwriters Guild of America (ASCAP)
Courtesy of the RCA Records Label of BMG Entertainment
Details
- Release date
- Countries of origin
- Languages
- Also known as
- El gran Lebowski: Identidad peligrosa
- Filming locations
- South Pasadena, California, USA(opening sequence at grocery store)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $19,488,923
- Opening weekend US & Canada
- $5,533,844
- Mar 8, 1998
- Gross worldwide
- $48,261,691
- Runtime
- 1h 57m(117 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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