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6.4/10
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Old professional killer Wagner seeks someone to teach what he knows as long as he is already dying, and he chooses Max, young and passionless thief to be his successor.Old professional killer Wagner seeks someone to teach what he knows as long as he is already dying, and he chooses Max, young and passionless thief to be his successor.Old professional killer Wagner seeks someone to teach what he knows as long as he is already dying, and he chooses Max, young and passionless thief to be his successor.
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Almost as dangerous as Stone's "Natural born killer" or Collard's mindless and irresponsible " les nuits fauves" ,"Assassin(s)" left me unconvinced and ill -at-ease .Michel Serrault 's character might be fascinating to some people :he does his job "seriously",as if it were a nine-to-five one ("Do not be late for your first contract,Sonny"),he describes his "method" in lavish detail ,and the director/writer does not even try humour noir as an alibi.Besides the very young "assistant "is an Arab, which is not a very smart move .Girls are completely absent ,which is the main originality of the screenplay.The only woman who appears is the hero's mother (Danielle Lebrun) and this part is underwritten (two scenes in a 2hours+ movie)
Actually the hero is like a zombie,he resembles some robot from a vague video game ,the stringman being the old man .Television is omnipresent,with its stupid games,its series -although "Colombo" is not that much violent-,its Japanese cartoons and its commercials.The old killer's "moral" would go like this :"everybody,politicians,journalists,military men,cops et al are criminals ,so why not me?" .We are not far from Docteur Petiot's ideas -another Michel Serraut's part a few years before.
Actually the hero is like a zombie,he resembles some robot from a vague video game ,the stringman being the old man .Television is omnipresent,with its stupid games,its series -although "Colombo" is not that much violent-,its Japanese cartoons and its commercials.The old killer's "moral" would go like this :"everybody,politicians,journalists,military men,cops et al are criminals ,so why not me?" .We are not far from Docteur Petiot's ideas -another Michel Serraut's part a few years before.
This movie is, at least, morally baffling. Wagner is a veteran killer, who takes his work very seriously. However, he's dying and has no one to pass on his legacy of death. He decides, therefore, that it is best to take the young Max for his apprentice.
Mathieu Kassovitz is in great shape in this film. In addition to ensuring a solid direction, he also makes one of the main characters, namely Max. Nothing to point out from negative. The actor was able to give the character a look of ingenuity and inexperience that fit well with the situation and with Wagner, a more cunning and sinister character, who was well interpreted by veteran Michell Seraut.
Forget any notion of ethics and morals. The film is very amoral and does not mind trampling our most elementary concepts of society. It tries to point out blame for the clumsiness of our society, the inherent rot of humanity, bad television entertainment and the influence of mass communication. This is something that leaves us totally out of our comfort zone, coupled with the virtual absence of female characters and ultimately a bit disconcerting.
I personally enjoyed this movie, although it is not an easy movie for everyone. There are many artistic elements here, and I particularly liked some camera angles and shooting effects. But it lacks a solid moral background that allows people to like the film more.
Mathieu Kassovitz is in great shape in this film. In addition to ensuring a solid direction, he also makes one of the main characters, namely Max. Nothing to point out from negative. The actor was able to give the character a look of ingenuity and inexperience that fit well with the situation and with Wagner, a more cunning and sinister character, who was well interpreted by veteran Michell Seraut.
Forget any notion of ethics and morals. The film is very amoral and does not mind trampling our most elementary concepts of society. It tries to point out blame for the clumsiness of our society, the inherent rot of humanity, bad television entertainment and the influence of mass communication. This is something that leaves us totally out of our comfort zone, coupled with the virtual absence of female characters and ultimately a bit disconcerting.
I personally enjoyed this movie, although it is not an easy movie for everyone. There are many artistic elements here, and I particularly liked some camera angles and shooting effects. But it lacks a solid moral background that allows people to like the film more.
Michell Seraut is an aging assassin who trains the young, disoriented Mathieu Kassovitz (who also directed) to be his successor. And this is yet another movie that blames TV and video games for the violence in our society, and repeats the idea of killers with moral codes, who are not really butchers and...well, it's a rotten world anyway, the politicians are on the take, you know. I found it morally repugnant. But because Kassovitz is a talented director, it's often cinematically exciting. There's a startling plot development midway through, although the story generally shows little concern for logic. However, the film has to get extra points for its grim ending, which, considering more recent tragic events, proved to be almost prophetic. (**)
First of all, this is not a good or a bad movie. It is a little boring, and a couple of things did not quite match.
However, it has a very serious violence (no action, pure raw and disgusting violence) with enough good taste to avoid blood all over the lenses (but not less shocking), and compared to the Oliver Stone movie, it is a lot better and really delivers the message.
All three main characters are marginal people. One of them a dying drug addict killer, the other two are nobodies trying to find a way in life. I do not think that every lost person in the world could become a killer or a psychopath; but there are not bad candidates either. The concept of TV generating violence, is not new and hardly arguably, but the way it is presented, without any poetry or sympathy makes the point better than any other movie on the subject.
Conclusion; this is not a commercial movie. It is the type of film you see when you are looking for something deep that makes your brain work. Overall, you will probably dislike it, which is a good reason to give it a try.
However, it has a very serious violence (no action, pure raw and disgusting violence) with enough good taste to avoid blood all over the lenses (but not less shocking), and compared to the Oliver Stone movie, it is a lot better and really delivers the message.
All three main characters are marginal people. One of them a dying drug addict killer, the other two are nobodies trying to find a way in life. I do not think that every lost person in the world could become a killer or a psychopath; but there are not bad candidates either. The concept of TV generating violence, is not new and hardly arguably, but the way it is presented, without any poetry or sympathy makes the point better than any other movie on the subject.
Conclusion; this is not a commercial movie. It is the type of film you see when you are looking for something deep that makes your brain work. Overall, you will probably dislike it, which is a good reason to give it a try.
Mathieu Kassovitz has directed one of the best movies ever (La Haine) ; a movie about gangs. This time, he comes back with a film about contract killers: Assassin(s). Kassovitz has done a very good directing job, and he is a very good actor too, but the violence is so intense in this film that it becomes unendurable to watch it.
The film is about an old contract killer who teaches his job to a young boy and who wants him, eventually, to take over the business. This isn't a very entertaining movie, its pretty hard to watch, it's violent, horrifying and it has a total lack of humor. It is inspired a lot by : "C'est arrivé près de chez vous " (Man Bites Dog), which was a much better film with a lot more humor. The movie wasn't bad, but it wasn't great either...let's just say it was good.
The film is about an old contract killer who teaches his job to a young boy and who wants him, eventually, to take over the business. This isn't a very entertaining movie, its pretty hard to watch, it's violent, horrifying and it has a total lack of humor. It is inspired a lot by : "C'est arrivé près de chez vous " (Man Bites Dog), which was a much better film with a lot more humor. The movie wasn't bad, but it wasn't great either...let's just say it was good.
Did you know
- TriviaMathieu Kassovitz developed this movie from his third short film, Assassins... (1992), which also told the story of a youth who gets a lesson in murder by a professional assassin. However, the title of the two-hour version was changed to "Assassin(s)" because of the Richard Donner film Assassins (1995) that came out between the two.
- GoofsComposer Carter Burwell's name is credited as Caster in the opening credits.
- Crazy creditsAfter the end credits there's a brief coda showing Mr. Wagner and Mehdi arguing while sitting on a park bench.
- ConnectionsFeatures Un chien andalou (1929)
- How long is Assassin(s)?Powered by Alexa
Details
- Runtime
- 2h 8m(128 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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