Affliction

I have seen this movie in bits and pieces, because it was difficult for me to watch it all the way through and digest it all at one time.

Paul Schrader's movies can have a dark, unsettling edge to them, and this movie is no exception.

Maybe because I brought personal baggage to the table while watching this, is why this movie gripped me so much. I have alcoholic relatives in my immediate and extended family, and I have seen what their anger and destructive behavior hath wrought.

Nick Nolte and James Coburn's characters made me squirm. Coburn received a best supporting Oscar for his role, and it is well-deserved. His character is a mean, vengeful, hateful alcoholic who inflicts his pain on others and afflicts one of his sons, Wade, played by Nick Nolte.

Very gripping and intense family drama.

This is a movie which rewards at many levels. Its characters are fleshed out human beings capable of good and evil and in the grips of intense suffering, not the formulaic cardboard creations which populate so many recent Hollywood productions. The movie's atmosphere and mood are thick and the bleakness of the New Hampshire winter comes alongside its beauty and majesty. Paul Schrader achieves here what has eluded the Coen brothers in Fargo. The photography of Paul Sarossy is of a rare beauty and his compositions are breathtaking. Think of the scene of the two brothers in the barn lit by light sneaking in through the slits in the wood exterior, the beauty of the snow covered New Hampshire chalets, the camera receding from the barn fire until we get to watch it through a slightly off-center picture-window from the main house, and finally think of the snow in its serenity, its menace, its domination. The two stories are so naturally intertwined that one can spend most of the time convinced one is watching a thriller, until in the end this thriller dissolves into the main story which explores the violent undercurrents of human love and bonding. This whole is as thick and rich as cream.

I am in awe of Nick Nolte's spectacular performance. It is honest, complex and totally convincing. Nolte is ably supported by James Coburn and others. This is moviemaking at its best.

AFFLICTION / (1997) **** (out of four)

By Blake French:

Dysfunctional families have always been the subject of motion pictures. Recently, with movies like "American Beauty" and "The Story of Us," Hollywood has portrayed American households as candidates to be on the next TV tabloid talk show. Paul Schrader's dramatic portrayal of a troubled family in "Affliction" is as intense as any suspense thriller released within the past few years. The thought-provoking power of his script, based on the novel by Russell Banks, and the methods he uses to execute the vivid, interpretative character study creates more than just a sense of emotion and empathy, but places the audience in the character's shoes, allowing us to explore a tense atmosphere on our own.

The movie looks into the life of a struggling person named Wade Whitehouse, played with extreme intensity by the descriptive Nick Nolte. He is the lowly sheriff of a small backwoods in New Hampshire. Nothing much happens in Lawford, however, thus Wade is usually restricted to plowing the snowy streets and serving as the local school's crossing guard. His ex-wife, Lillian (Mary Beth Hurt), has most custody of their daughter, Jill (Brigid Tierney), and neither relative enjoys his company. Wade's alcoholic father, Glen (James Coburn in an Oscar worthy performance), who abused him and his brother Rolfe (Willem Dafoe) as children, continues to abuse him emotionlly.

The subtle town of Lawford is turned upside-down when a rich businessman is mysteriously killed while hunting with Wade's friend, Jack Hewitt (Jim True). Finally given something to investigate, Wade takes his job seriously, even when complications arise when his mother dies, his brother comes home from Boston, and his waitress girlfriend (Sissy Spacek) meets Wade's parents and realizes what she gotten herself into.

As Wade's life starts to completely unravel, the filmmakers neglect to leave out any details; from flashback of his fathers abuse to an uncompromising toothache, Wade is developed vividly and clearly. The movie is best when allowing Nick Nolte and James Coburn to come to terms with each other's hatred for each other. The performances are what make this movie much more distinct than similar but lesser films like "The Other Sister" and "The Story of Us," and even better acted than the masterpiece Award winner "American Beauty."

Instead of milking the dysfunctional family material to the maximum, the film also has tender dialogue and heartfelt scenes that exhibit a loving relationship between Wade and his girlfriend. These scenes make even more tragic the production's unsettling conclusion and increase the overall dramatic impact, which is tremendous.

By the end of "Affliction," like in "The Ice Storm," we feel for the main character's losses. Although this film is more conclusive, it is also unmerciful; we receive no happy ending, no satisfying motifs, this movie takes itself seriously and has no pity, regrets, or agreements. For Wade Whitehouse, the climax of the movie represents death, grief and sorrow. For us, we can only stare at the screen and try to comprehend what we have experienced through his eyes.

With Paul Schrader coming back and making well-made movies with First Reformed and Card Counter. I think looking back on it, Affliction is forgotten way too much when we talk about Paul Schrader.

Nick Nolte is absolutely out of this world in this movie. And it reminds me that Nick Nolte is also forgotten way too much when we talk about "great actors". He came back with "Warrior", we talked about him again, then we forgot about him again. But in this film he portrays this character like no one else would or can, slightly out of it, he accurately portrays this character who slowly loses his mind right in front of us. And he wasn't exactly all there, to begin with.

And can we talk about how the setting for this film being so perfect? A great filmmaker is not only one of course someone who can make a great film but realizes that making a great film is all in the details, even the ones that are overlooked like locations. Locations can impact the mood and atmosphere of a film, and sometimes even can become a character in the movie. And Paul Schrader recognizes that which is why he perfectly placed Affliction, First Reformed, and Card Counter in the exact locations they should be in.

This film is a near-masterpiece but I rarely see it even mentioned among the greats from the '90s. There are films out there that can be referred to as "Lost to Time". And this is definitely one of them.

For what is considered a small, independent film, this movie is packed with brilliant performances by two great actors. James Coburn is the dark, angry patriarch of an abusive household, whose abuse and anger are inherited by his son(Nolte). The story is told by the youngest brother (played mainly in voice-over and a small cameo by Willem Dafoe), and traces the events of a small town murder investigation that leads to the mental collapse of Nolte's cop character. The film weaves us through a buffet of sub-plots and bit characters (including a nice appearance by Sissy Spacek), which is at times whish-washed. However the tone and style of the film are quite fresh and unique.

Penned and directed by Paul Schrader, who will probably always be known for writing "Taxi Driver", the film is a stylish take of what is most likely a much better novel. The tone is cold and dark, and serves as the perfect backdrop for the anger and isolation of the two "male" characters. In my opinion, the voice-over narration takes away from the feeling the picture leaves, basically serving the purpose to tell us what to feel. The images and performances on the screen do a fine job in dong that on it's own, without re-enforcment. On a whole, the film is powerful and moving, and is a great look into the heart and soul of lives that are truely tortured. I would recommend this film if for no other reason than to see the brilliant performances of James Coburn (Oscar winner) and Nick Nolte (Oscar nominee).