Addicted to Love

Sam (Matthew Broderick) is a placid astronomer who travels to NYC to win back the affections of his girlfriend, Linda. She has just left him for another man, throwing him into a chaotic state of mind. Finding her apartment house, Sam camps out at the vacant, tumbledown building across the street. He finds he has an excellent inside view of her apartment, due to a large picture window. Soon after, Maggie (Meg Ryan) joins him in his abode. It seems her ex-fiance Anton is the man living with Linda and Maggie is determined to wreak havoc in his life. After setting up a sound system, the peeping duo can even hear the apartment's conversations! Will Sam succeed in getting his girlfriend back while Maggie is messing up the life of her former love?

This funny premise translates into a humorous, enjoyable film. Anton and Linda are sitting ducks as the jilted pair formulate ways to undermine their happiness as a couple. Broderick and Ryan give lively performances that are amusing and, at times, touching. The ending may be predictable but is nonetheless satfisfying. Fans of romantic comedies will consider this one a fine addition to their list while non fans may relish the dastardly deeds ot Maggie and Sam.

This generally enjoyable comedy should have been much better than it was, considering all the talent that worked on this film. The problem is, it isn't dark enough to be a dark comedy, but it is too dark to be a romantic comedy. Therefore, some of the revenge seemed too mean-spirited, and some of the sweet moments seemed out-of-place. BUT, even with that big of a problem, I still enjoyed the film. It was consistently funny and entertaining, and Broderick and Ryan both gave good performances. The best performance, however, was by Karyo, and he was probably my favorite thing about this movie.

Better than average plot but not enough to raise it above B-level.

I think Meg Ryan's star status worked against her because her cute reputation undercut her tough character. However, she proves that she can do something besides "bubbly" and is pretty good in a more edgy role.

Tchéky Karyo was excellent as a semi-likable French guy. One common weakness in romantic comedies is that the viewer can't understand why the "nice girl" would fall in love with the "bad guy." In this movie, we can she why she loves him and, by the end, we even like him a little too. Good writing and acting.

Not Matthew Broaderick's best performance... fairly uneven. He doesn't do "hopelessly in love" very well. Broaderick looked great, even when disheveled. For that matter, all the characters look great.

Kelly Preston is pure cardboard but it sort of works because three developed characters are probably enough in a Romantic Comedy.

The set (the hideout, especially) stole the show. The sound was unusually good for a fluff movie.

This is a romantic comedy with a rather hard edge, or, to put it differently, a European-style farce with a too cushy ending.

Apparently, this film was conceived as a Meg Ryan vehicle, i.e. as a product suitable for her established screen persona. This was a mistake. The cast choice (and the marketing) make the outcome of the film blatantly obvious and that takes away too much suspense from the viewing experience. Also, the film makers did not have the courage to bring the misfortunes heaped upon Anton Depeaux (played very well by Tcheky Karyo) to their logical conclusion. It's designed as a chick-flick and thus everyone's gotta be happy at the end. A more emotionally ambiguous ending could have turned this into something special.

How did they manage to create such a beautiful film, a pretty love story, when the story is about two nutters spying on their former partners. When you think about what the story is about, and how far Sam (Matthew Broderick) and Maggie (Meg Ryan) are willing to go in order to get back to (and at) their former partners you would think that both should be either jailed or institutionalized. However, Addicted to Love, manages to create a fairly romantic love story out of it, without us ever doubting the sanity behind their actions. Both Matthew and Meg are here in roles they have portrait many times before in other films, while the star of the film is Tchéky Karyo. You end up hating him and loving him at the same time, feeling sorry for him one minute, wishing him all the worst the next. This is crucial to the story, bringing me to the conclusion that it is Tchéky that really makes the whole film work. One could criticize that even though the idea is original, the story isn't, with no unexpected turns or twists along the way. Simple, but pleasant film. 6/10