Cracker

This excruciating remake of the excellent British series is not worth wasting your time on.

The police in the original had skepticism coming out of their ears when it came to having a psychologist on the team, exactly as many real police officers would. The American version has them fawning after Fitz at every opportunity, which is not only unrealistic, it also set up little dramatic tension.

While the English version has quirky, interesting, believable characters, the American one has typical American pretty people. Particularly disappointing is the lack of characterisation of the police. The original has a range of people we came to know well: Penhaligon, the young officer trying to cope with an inept boss and pathetic "lad" culture. Beck, the old-fashioned copper whose unpleasant exterior barely covers his mental instability. Bilborough, a nice guy, but so soft he has to get Penhaligon to do the talking when visiting people with bad news. What do we get from the American version? A token black character whose name escapes me and a chicky-babe who looks like Pamela Anderson's cousin.

The actors who play Fitz and Penhaligon (renamed to something unmemorable) could easily be replaced by wooden blocks and no-one would have noticed the difference. There's no spark between them. You don't care about them and you aren't convinced by them. Same with the Fitz/Judith pairing - he says something soppy and she simpers "sentimentality becomes you, Fitz". The "real" Judith would have laughed or sneered.

I could go on, but it just isn't worth the bother. Take from me: if you don't want to see a great show trashed, avoid this load of drivel.

This Cracker was OK, but a so-so remake of the original British TV series. Like so many US remakes of British TV, it was watered down by the US networks, who seem to treat American audiences like small children, and never let them see anything remotely "different".

The original British version starred Robbie Coltrane (Haggred in the Harry Potter movies), and his large, overweight frame helped make him a good anti-hero. It also made the romance between him and Sgt Jane Penhaligon all the more interesting (she was a slim red-head played by Geraldine Somerville). It was pretty obvious that she found him attractive because of his brains. In the US version, a slimmer actor was used. Why? Probably because US networks just won't EVER make the hero a fat guy, or perhaps because God forbid TV should suggest that looks aren't the most important thing in a relationship.

Robert Pastorelli tried. The problem with this Americanized version of a great British series was the story lines didn't translate well. The story lines are so British. They would have been better off taking the characters and writing completely new scripts. It might have worked better if the series took place in New York. The LA area just didn't seem to fit with the dark feel of the show, all that sunshine just didn't work. I watched all of the episodes, waiting for an original storyline, never happened.

It was an admirable effort to bring a good show to American television. But poorly executed.

"Cracker" (1997), a shoddy knock-off of Jimmy McGovern's popular Brit series of the same name, is a waste of time. A simple minded, dumbed down commercial product, this TV flick fails on all levels. The characters all look like scale actors and were poorly cast. The screen play is uninspired rote. The premise is nebulous. The acting is marginal. The script is soap opera quality. The direction...well, I'm not sure there was any. Even the DVD was crap and not only had no CC's or subtitles but didn't even have a menu...just the two 45 minute episodes. Passable, forgettable junk. (C-)

Note - It's worth mentioning that I was spoiled by viewing the entire Brit "Cracker" series on DVD and consider it one of the best psychodramatic TV series ever made. Hence, my objectivity may be compromised.

I was a big fan of the original "Cracker" & this americanised version simply doesn't work. The actors all put in good performances, but they can only work with what writers give them, and, therein lie the problems. Strangely, I find myself blaming Jimmy McGovern. He is an EXCELLENT writer & most of us brits still remember Robert Carlyle's electrifying performance as the psychotic 'Albie'. Let's face it, McGovern helped make him a star. However, that was writing for the British market - and Jimmy is British. This dire attempt at success in the US is about as convincing as my new York accent. I can only think of one reason for watching "Fitz" and that is; just imagine Robbie Coltrane playing Robert Pastorelli playing Fitz? Now that WOULD be hilarious.